If the story is good, what does it matter?
I'll join you in agreement on that opinion.Precisely my point. If it looks EXACTLY like the 60s show exactly, I might gag a bit but I will still love it, warts and all. I just wish more people on the other side of the fence from me could be the same way. If the story is good, it won't matter EITHER way, but some people (and forgive me if I incorrectly lumped you in with them) want everything to look exactly like it did in 1966 with no changes, which would be extremely detrimental to the show.
At least fourteen years ago (!?) I heard someone on another Trek forum say about the then-new 2009 Enterprise (which we hadn't seen yet) that the new design could benefit from the early 2000s revamp of the Volkswagen "Punch Buggy" Beetle car approach. Have a recognizable and obvious shape and design lineage, with enough of an upgrade that it was noticeably sleeker and more modern. I feel that both versions of the Enterprise from 2009 and 2017 are perfect illustrations of this concept. I also wholeheartedly agree with his statement, in which case I guess I am mostly in the minority.
This!I will probably be roped into one of these pointless debates again someday, but I might as well be talking to a brick wall.
While that would be frustrating and understandingly so, I don't see how it equates to an aesthetic change to the ship or the bridge.I'm sure if they (hypothetically) write Captain Kirk into the show and have him able to shoot phasers from his eyes because the showrunners have decided to make him more modern, then different people would be expressing their annoyance with that, and I hope there'd be some understanding to why that might be frustrating.
I hated the 2009 Enterprise when I first saw it, but by the time the movie hit I liked it.
It doesn't equate at all, except that it's a change that would be immensely annoying to someone, but maybe not everyone. Maybe making Kirk into a superhero would bring in a lot of Marvel fans and really boost the franchise's ratings.While that would be frustrating and understandingly so, I don't see how it equates to an aesthetic change to the ship or the bridge.
You're not disrespecting the creators per se, you're just not accepting of what the Production Studio (CBS) and Production Staff states is a fact with regard to this production: IE - That it takes place in the Star Trek Prime Timeline/Universe.Don’t forget that you are disrespecting the creators if you treat the show as anything other than Prime!
Fair point. It would be nice to find common ground instead of having hyperbolic examples thrown at these arguments as those the powers that be have completely changed what Star Trek is, when all they have done is minor changes to visuals. I say minor changes not to dismiss those attitudes, but to recognize how they shape the larger Trek universe. I know the Enterprise is iconic, but it isn't a character the way I watched Kirk and Spock. And I feel that if I can move from "Where No One has Gone Before" to "Corbomite Maneuver" and feel that Kirk and Spock are the same characters and the universe is the same then perhaps SNW can do the same too.You can argue that I'm being ridiculous, that the characters and the premise are far more important than the designs we see on screen, but that's just how you feel. It's not an objective universal truth. I feel we'd do better empathising with other people's frustrations instead of accusing them of being inflexible and saying they're like a brick wall.
PICARD: It seems that some creatures have the capacity to fill spaces you never knew were empty.The church insists you wait until marriage.
Exactly. Why anyone would care if other people like details or not is completely beyond me. Why equate observant eyes with a lack of love, when it's clearly possible that it's the opposite?Just pointing it out. Frankly none of this means a whole lot as it's all popular fiction but it can be fun and interesting to point out the little details here and there.
Who said it's inconvenient, or denied such facts?Shhh. You're not supposed to bring those inconvenient facts into this discussion.
Haven't seen that opinion here.some people (and forgive me if I incorrectly lumped you in with them) want everything to look exactly like it did in 1966 with no changes
Actually, it's two brick walls talking to each other. One likes green, the other likes red, and they tell each other that one color is good and the other is bad.I will probably be roped into one of these pointless debates again someday, but I might as well be talking to a brick wall.
One new thing I've learned in this round: There would be a good reason for phaser eyes if the showrunner who doesn't even run the show anymore wished for it, or if the VFX team decided to add that.I'm sure if they (hypothetically) write Captain Kirk into the show and have him able to shoot phasers from his eyes because the showrunners have decided to make him more modern, then different people would be expressing their annoyance with that, and I hope there'd be some understanding to why that might be frustrating.
Most people unfortunately think that whatever their 'side' says is the truth, and whatever the other 'side' says must be wrong. The ones who love green and hate red will never agree with the side that loves red and hates green. The key is letting people have their feelings and their opinions - but that seems pretty difficult to acknowledge. It hurts no one, does no damage whatsoever, and leaves your life completely intact, if other people like things you don't like, or if they find things important that are irrelevant to you.You can argue that I'm being ridiculous, that the characters and the premise are far more important than the designs we see on screen, but that's just how you feel. It's not an objective universal truth. I feel we'd do better empathising with other people's frustrations instead of accusing them of being inflexible and saying they're like a brick wall.
I'm sure if they (hypothetically) write Captain Kirk into the show and have him able to shoot phasers from his eyes because the showrunners have decided to make him more modern, then different people would be expressing their annoyance with that, and I hope there'd be some understanding to why that might be frustrating.
One new thing I've learned in this round: There would be a good reason for phaser eyes if the showrunner who doesn't even run the show anymore wished for it, or if the VFX team decided to add that.![]()
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Except that literally no one is arguing for this or is planning to introduce these into the franchise. Why are (what we consider) relatively minor changes to the visuals constantly being made equivalent to radically rewriting the entire core of a character or upending the whole setting?Or here's another idea that doesn't equate: they could change the premise so that Starfleet was always exclusively a counter-terrorism organisation. Sure it's different, but you could tell some really good stories with that premise.
You're not disrespecting the creators per se, you're just not accepting of what the Production Studio (CBS) and Production Staff states is a fact with regard to this production: IE - That it takes place in the Star Trek Prime Timeline/Universe.
Except that literally no one is arguing for this or is planning to introduce these into the franchise. Why are (what we consider) relatively minor changes to the visuals constantly being made equivalent to radically rewriting the entire core of a character or upending the whole setting?
What they say is only binding on the people who work on the franchise or its licensed material. Even then, it doesn't seem to be too binding as we still see the original Enterprise on licensed material. The franchise is working a case-by-case basis based on who they are peddling their wares to.
TNG too. I believe there were 3 main models? 2 that had some very obvious differences.Please tell me something then. During the original series run there were multiple models of the USS Enterprise used for effects shots
If visual consistency is your Holy Grail here, how do you reconcile that aspect of TOS - and how were you able to watch or enjoy it when it had so many such visual inconsistencies, (Inconsistencies which weren't effectively reconciled until the year 2004, 40 years after the original pilot was made)?
In the same way that you're desperately trying to claim that Star Trek has had visual consistency all through its run. The problem is that has never been the case from day one. So yes, please exit your high horse.What you're talking about is inconsistency due to budget restraint, they had to make do with what they had. I know you're trying desperately to play some kind of GOTCHA!!! angle, but difference in conditions do make a difference in how something is seen.
I'm not telling anyone else how they should see things, just how I see them. With that, I'll exit the thread.
TNG too. I believe there were 3 main models? 2 that had some very obvious differences.
The difference, if I follow the arguments in this thread correctly, is that such visuals are considered to be as important as the character details. Which is fine, even if I don't personally agree with it.Except that literally no one is arguing for this or is planning to introduce these into the franchise. Why are (what we consider) relatively minor changes to the visuals constantly being made equivalent to radically rewriting the entire core of a character or upending the whole setting?
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