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Spoilers Strange New Worlds General Discussion Thread

Well if they did a Mirror U episode, it could involve rescuing Lorca.
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The Mirror stuff in S1 was more memorable than the Klingon stuff.

Also here is a YouTuber's take on PIC and DSCO "year of mental health":

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The video is a bit superficial if you ask me; while PIC's S2 clearly suffered from plot pacing issues next to DSCO's S4 and SNW's S1, even Strange New Worlds is not exactly free from mental angst and personal tragedy (Pike now unhealthly obsessed with his impending hideous injury, Number One hiding her non-human ancestry, Dr. M'Benga marred by his terminally ill daughter, Uhura losing family in a shuttle crash, Spock forever losing his foster sister, and then we've got La'an with her own vault of demons, etc).
 
The video is a bit superficial if you ask me; while PIC's S2 clearly suffered from plot pacing issues next to DSCO's S4 and SNW's S1, even Strange New Worlds is not exactly free from mental angst and personal tragedy (Pike now unhealthly obsessed with his impending hideous injury, Number One hiding her non-human ancestry, Dr. M'Benga marred by his terminally ill daughter, Uhura losing family in a shuttle crash, Spock forever losing his foster sister, and then we've got La'an with her own vault of demons, etc).
Because Star Trek isn't free of mental angst. There is this strange perception that Trek some how avoided mental health struggles, trauma and melodrama when, at least from my recent revisiting of Trek episodes, the opposite is true. The only difference is people actually being told it's OK to feel rather than just squash it, ignore, and move on, never to address it past the credits.

Every time I see the comments all I can think of is McCoy's speech to Kirk in "Balance of Terror":
[Kirk's quarters]

(Yeoman Rand walks in without knocking, to find the Captain lying on his bed.)
RAND: Can I get you something from the galley, sir? Coffee, at least?
KIRK: Thank you, Yeoman. Bring it to the Bridge. I'll be there in a moment.
RAND: Yes, sir.
(McCoy walks in unannounced, and Rand leaves.)
KIRK: I wish I were on a long sea voyage somewhere. Not too much deck tennis, no frantic dancing, and no responsibility. Why me? I look around that Bridge, and I see the men waiting for me to make the next move. And Bones, what if I'm wrong?
MCCOY: Captain, I
KIRK: No, I don't really expect an answer.
MCCOY: But I've got one. Something I seldom say to a customer, Jim. In this galaxy, there's a mathematical probability of three million Earth-type planets. And in all of the universe, three million million galaxies like this. And in all of that, and perhaps more, only one of each of us. Don't destroy the one named Kirk.
 
PIke's concern with his fate doesn't seem unhealthy. It's pretty natural, really, and he got over his concern on his own behalf pretty quickly. Lately he's worried about other people, which is suitably responsible.

These people have dramatic lives. Happy childhoods lead to...nothing, in terms of telling stories. So, a character has a sick child, someone wrestles with social prejudice, people have lost loved ones...the word for this kind of thing is "living." Only once in ten episodes did I feel disturbed at the end of a SNW story; what people like this webcam guy sound like they want isn't "hope," it's a narcotic.
 
Oh, yeah, the Klingon stuff in Season 1 was even worse. It had potential in the first episode but rapidly went downhill.

It was the heavy make up and prosphetic that hid the Klingon actors' charisma and expressions, while the rest of it was botched interesting potential and designs, with unecessary failed "revamps" of ship designs too.

The Terran stuff worked much better in comparison, even if their backstabbing was OTT and made you wonder how the Terran Empire became a dominant galactic force.

PIke's concern with his fate doesn't seem unhealthy. It's pretty natural, really, and he got over his concern on his own behalf pretty quickly. Lately he's worried about other people, which is suitably responsible.

He's admirably thinking about the young crew he'll save in the comparatively near future, but pouring over their current day school photos seemed a little too much, and he's suffering from a weird prognosticated induced PTSD.

But yeah, you don't go far with major or significant supporting characters without tripping over family misfortune (Seven with her childhood Borg abduction and Picard with his weird Luddite family that basically destroyed itself by wanting to live in a Edwardian timewarp).
 
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Well they do fall back on the trauma and missing parent/sibling. But they do overdo it sometimes, look at Deanna Troi, shes been screwed over royally by the writers.
Dad dies, sister dies, first son dies, second son dies. just.. ugh.. It can go overboard.
Would love to see Ortegas say, yep have both parents, celebrating 40 years together, 2 brothers, both alive, great childhood, bit of a tom boy with the 2 brothers, academy was great, and a great pilot. You CAN do great writing without being traumatic.
 
Both of Malcolm's parents in ENT were still alive but, well, rigid and stereotypically British even in the mid-22nd century. :lol: So I'm not sure having an intact nuclear family always works out for Trek characters.
 
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