You keep arguing based on the assumption that canon is something that can be "violated", that if something becomes a part of it, then it is "established", and anything that would contradict that specific part (like the Enterprise looking one specific way at one specific point of the timeline) would then contradict the canon itself.Do these sets of productions exclude the picture, the video, the very film itself? You wrote that canon has nothing ever ever to do with the visuals, so what else is it then?
And we have a winner!Bashir: Out of all the episodes you showed, me, which ones were canon and which ones weren't?
Garak: My dear doctor, they were all canon.
Bashir: Even the inconsistencies?
Garak: Especially the inconsistencies.
Bashir: Out of all the episodes you showed me, which ones were canon and which ones weren't?
Garak: My dear doctor, they were all canon.
Bashir: Even the inconsistencies?
Garak: Especially the inconsistencies.
If people are too hung up about this, I have a solution: Don't think of it as a TOS Prequel. Think of it as a DSC Spin-Off. That'll get you through your day and allow you to judge SNW based on whether or not it's good, not whether or not it's canon.
Which means that the Abrams films are also canon.
If people are too hung up about this, I have a solution: Don't think of it as a TOS Prequel. Think of it as a DSC Spin-Off. That'll get you through your day and allow you to judge SNW based on whether or not it's good, not whether or not it's canon.
I have three criteria for Strange New Worlds and only three:
[ _ ] Did I like this week's episode?
[ _ ] Do I like the characters?
[ _ ] Do I want to see more of this show?
If the answers to all three are "yes", then I'm satisfied.
...
for TOS would choose to fight so hard to protect the 60's visual continuity as if it were some Holy Grail to be protected
It's all a matter of what value you find in the fictional world. As much as I find value in characters others find value in the fictional details maintaining the vague appearance of consistency.I wish people could just enter into this in the same frame of mind that some of us have with the novels, or the comics, or what some of us did each time a new show diverted from our own perception of how the canon fits together: just roll with it. It's never going to be a perfect fit. Appreciate the stories, or not, for their own merit, and not get so wound up about decades-old trivia. I'm pretty sure SNW isn't going to fit up with my head canon or the novelverse versions of how, say, Uhura came aboard the Enterprise. I was briefly wound up that Enterprise didn't look like Forbidden Planet. I've had time to consider that was a dumb take, and that rolling with Enterprise turned into enjoyment, and observing that it's my kid's favorite classic Trek show. I was irritated with how FC handled Zefram Cochcrane, but you roll with it.
But it's not be dustbinned. It still exists, remains intact, as part of the larger history, and clearly inspires the current artists even as they provide their own interpretation of the material. That's the point of art is to not faithfully recreate everything but to bring in your own point of view.A lot of people put a lot of hard work into those visuals people are so eager to toss in the dustbin. That distinctive look is what captured a lot of people’s imaginations.
Updating visuals for a modern audience does nothing to disrespect the work of those who came in the past. Hell, I would be willing to bet that they would be the first to agree with me. Even further hell, they would probably jump at the chance to update them with modern tech themselves.A lot of people put a lot of hard work into those visuals people are so eager to toss in the dustbin. That distinctive look is what captured a lot of people’s imaginations.
...and clearly inspires the current artists even as they provide their own interpretation of the material.
Indeed. "Respect" has come to mean "strict adherence" rather than allowing for individual artistic interpretation. I've know many artists over the years and few enjoy getting in to art to replicate perfectly past art.Updating visuals for a modern audience does nothing to disrespect the work of those who come in the past. Hell, I would be willing to bet that they would be the first to agree with me. Even further hell, they would probably jump at the chance to update them with modern tech themselves.
Mileage will vary.Much like the writing, I don’t see any inspiration, just kitbashing of what they think are popular elements to sell their trinkets. Much of it has an almost soulless feel to it.
As well as the participation of a classic TOS character played by the original actor: Mister Spock / Leonard Nimoy.Of course they are. They've been referred to twice in modern Trek shows.
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