Couldn’t you then attack the other side of the planet in that case?That may have been a pre-Dominion War policy. However, after the Breen attacked earth, I think the realization is that sometimes the Fleet just wont be there.

Couldn’t you then attack the other side of the planet in that case?That may have been a pre-Dominion War policy. However, after the Breen attacked earth, I think the realization is that sometimes the Fleet just wont be there.
Someone needs to corner Matalas and asked him if that is he had a choice, if he would have had Season 3 be "Star Trek: The Last Generation" miniseries, rather than Picard Season 3. Because I think the answer is quite clear. It pulls on some important plot threads from Season 1 and 2, but also some big ones from DS9 (finally Dominion War aftermath + consequences), pulls in some "let's put a spin on All Good Things stuff we havent touched yet" and in the end, lead to a two parter that formed a trilogy with First Contact and Best of Both Worlds... and on top of that owed its entire existence to Endgame and maybe a little to Dark Frontier.So, first off, I don't think there's anything wrong with PIC S3 being grounded in nostalgia to a deeper level than SNW is, per se.
I do get frustrated because PIC S1 was, IMO, amongst other things, a bit of a deconstruction of nostalgia -- part of Picard's journey in S1 is to learn to stop living in his past, to stop longing for a part of his life that can never return. So when S3 is basically a narrative constructed around being preoccupied with the past, it's a bit incongruous for it to come in context with S1. I think S3's nostalgia mindset would have worked better if it had been a standalone story rather than one that comes after S1. The two seasons seem to contradict each other thematically.
Now, I do think that S3 goes just a tad too far into the nostalgia direction. I'm reminded again of The Undiscovered Country, which balances the desire for nostalgia with a recognition that you can't live in nostalgia and must let go of the longing for a time that can never return. I think I would have preferred to see a bit more of that notion in S3. But that doesn't make S3 bad, either.
It's not.How exactly is a “Legacy” Picard-based series strip mining nostalgia, but “Strange New Worlds,” a series that literally redid a variation of TOS “Balance of Terror,” different?
The show is over. You can't take anything from it. That's bass ackwards.
As poor reasons for watching a show this is definitely one of the poorest.
So instead of what amounted to a 10 episode origin story of the "Enterprise-G", you rather some reveal of a random new ship, we know nothing about, never seen do anything, and never stepped foot on, in 10 seconds, in the closing episode. That is "better" to you?Which I don't mind, but it should've been a new design of ship; something I thought Seven deserved.
No show or movie ever said that.I’m surprised Spacedock had weapons. I thought it wasn’t allowed weapons due to its proximity to Earth
No show or movie ever said that.
Proper Trekkies, some might declare. I myself seem not to be one, failing the purity test by being accepting of... change! gaspWhat is it you and “proper?” Proper warp effect, proper phasers. Who gets to define “proper?”
It's unclear if Trek is spared. It's too soon to tell.Their budgets are not shrinking for shows, but the belt tightening means fewer shows will get a budget since they won't exist. Star Trek seems to be an exception so far.
As far as I've heard, the budget for Picard was $10 million per episode. But Matalas wanted some very expensive things and people to be in it, therefore we got bottle shows.
Shows like Discovery and SNW have roughly the same budget, but the money goes further because they're shot in Canada. You can actually see the difference in how great they look.
When I think about it, it didn't ring quite true to me, either. I didn't expect them to hug or anything out of character like that but it didn't seem quite right.The scene between Seven and Tuvok didn’t feel right either. They have been friends for a very long time, and there was no familiarity or warmth at all between them. Tuvok could have been replaced by any no-name Starfleet officer and the scene would have played out exactly the same.
It didn't bother me at all when I watched the episode but the more I think about it the less it impresses me. It's not a deal breaker or anything but it doesn't sit quite right, either.The more I consider my thoughts I really don't like the Enterprise being slapped onto the Titan
Yeah, it sorta strikes me that way, too. Not that I object to Tuvok / Russ in the slightest. Given Russ's history with Trek it was great to see him again, however briefly.I can't help though and feel like Tuvok was written with Janeway in mind but when they couldn't get her, they used him instead.
Agreed. With the exception of a handful of episodes Q just doesn't interest me in the slightest. Colossal arrogance just doesn't do it for me. I get that time isn't linear for the Q and all that so he's still dead, but he was Picard's resident pain in the arse. Why inflict him on Jack as well?Q stories have never really interested me. Just one more god-like alien, IMO. There was no need to bring him back [...]
Eh, I must have watched different episodes or something. Never seemed that way to me at all.Who knew that the Ent-D was so nimble and agile? In TNG she seemed so heavy and slow.
Yep. Always did. Still does. Always will.Man, the Enterprise-D design still looks great though, doesn't it?
Agreed. As I mentioned in my earlier post the only other group for which this level of nostalgia would work for me is the Voyager cast (one...individual excepted). But it was this cast, these characters, and it absolutely worked for me on that basis. The mileage of others varies and that's perfectly okay.I don't want Star Trek to be like this forever - indeed it really needs to draw a line under the TNG era and move forward - but if you are going to do a "last roundup" for a much-loved set of characters, this is how you do it successfully.
Seven's next line must clearly be "fun will now commence."
It would have been great to have both Janeway and Picard confront the queen one last time, given Future Janeway set these events in motion. Oh, well. I'm okay with what we got.I'm disappointed Janeway wasn't in this, especially since the story revolved in part around the consequences of what she'd done in "Endgame." There was a missed opportunity for us to see her reaction at her chickens coming home to roost.
Apparently (according to some) Picard is the single most arrogant individual in the entirety of Trek. Like father, like son? Or Jack being a twentysomething with all the lack of experience / maturity that comes with being that age. Not a huge deal, for mine.People have been trying to kill the Borg Queen for thousands of centuries, with far more resources than a shuttle and a phaser, and failed miserably (usually ending in becoming Borg themselves). Jack should be smart enough to know that
Whyever not?Warmth... from Tuvok? And Seven?
Unfortunately we're in an age where these things seem to have gone by the board. Too many people seem to only deal in absolutes any more. IMO it's...not a good thing.You can have nuance and variation.
Remember when everyone hated Bermaga? No? Oh ok me either I guess.
They gave Tuvok a different voice actor - unnerving.
Tim Russ played Tuvok in both of his appearances in this season.They gave Tuvok a different voice actor - unnerving.
Huh?
Tim Russ's voice has simply aged for whatever reason.
He played both Tuvok and Goovok
No it won’t. That’s just Matalas thanking Goldsman for stepping up in the latter half of Season 2 to free up Matalas to concentrate on Season 3. Nothing about Goldsman needing continuity “help”. IIRC, Matalas is the one who brought in the time travel angle. Perhaps as a callback to STVI. Goldsman has said the Picard’s mother plot was his.There was a more explicit tweet about it a few weeks ago but this will do:
https://twitter.com/terrymatalas/status/1511765640197017601?s=21
https://www.syfy.com/syfy-wire/star-trek-picard-terry-matalas-interview
Matalas did the continuity heavy 25th century and Confederation of Earth stuff, Akiva Goldsman did the "grounded" 21st century earth stuff and the stuff that focused on Picard's mother and that stuff.
Yep he did. And I think he got it from something Doug Drexler said on Trek Yards years ago, which I got from him. I think this idea that "Trek is a period piece about the future" thing has been kicking around production land for a while.
Here's the quote. AMAZING interview.
https://www.thedrive.com/the-war-zone/designing-star-trek-with-picards-david-blass
One point I kind of disagree though: tricorders. Who cares if smartphones lap them. For all we know, smart phones as we use them now could be a fad and they could go away in 30 or 40 years in their present form. Tricorders are part of Trek's storytelling language. They don't have to make sense. Star Trek is a Fantasy show that is a few steps-closer to sci-fi than Star Wars, but as the years bore on, the sci-fi label clearly became a farce. It's fantasy and things don't have to be explained. Starfleet institutionally never made any sense either and we just accept it.
Heck the Altimid dismantling of the Kevlinverse Enterprise was probably the most honest space combat Trek's ever had, and folks hate the Kelvinverse.But I think we all prefer the 24th century way of space combat because it's "Star Trek". It doesn't have to make sense.
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