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Rewatching Picard...

I love how they are worried about a time divergence and immediately let about eight men out of custody to go elsewhere and do who knows what. Not even necessarily nefarious stuff but it sets so many things into motion, who they may meet or not meet... I guess it doesn't matter, just a load of immigrants yeah? You're very important people, just inconsequential to our timeline.
This really bothered me. They keep saying it's important not to change anything, but apparently these people don't even matter! I know the characters are trying to do the right thing, but the writing has already set up that saving them is the wrong thing, so the writers put that conflict there themselves and failed to solve the puzzle of resolving it.

It's like they never saw City on the Edge of Forever.

I did find it funny though when he jabbed his daughter with the injection and didn't say "Venture out, slowly..." Nah he's gonna take down that drone shield while she's in the middle of the garden. That's bold! But it does help the dramatic wearing off the drug, mind you...
I've never been a fan of the 'this drug should rewrite the DNA in every cell instantly and which will result in an immediately change to your body's structure' trope, or the 'let's test it by doing something really dangerous, so if you survive we know it works' trope. Science does not work that way.

It's time for another Ocean's 11 exposition/heist scene. The 21st century space conference scans their faces - yet a 24th century ship can't manage that!
Someone on the writing staff really should've asked the question "Does it make sense that the security at party in 2024 is more advanced than Starfleet security?"

Scorpius Borg Queen is something I can get behind!
The only way that blatantly ripping off Scorpius like this could've ever worked is if they had an amazing actress in the role. Fortunately they did, so I reckon they got away with it.
 
If I have to admit it makes me dislike Spiner. Just a little, not a lot. But he was elevated in the films. He wanted Data to die. And then it feels a bit like he'll come back at the drop of a hat. And there's only so many damn Soongs I can stomach.
I thought that Brent Spiner didn't want to play an ageless android any longer since he was clearly aging. Which isn't the same as not wanting to be involved with Star Trek anymore.

He did play Arik Soong in that Enterprise three-parter with the Augments that came out in 2004, only two years after Nemesis. And he did a voice cameo in "These Are the Voyages". So those are two examples from the '00s right there that show Brent Spiner didn't want to cut off his ties.
 
I thought that Brent Spiner didn't want to play an ageless android any longer since he was clearly aging. Which isn't the same as not wanting to be involved with Star Trek anymore.

He did play Arik Soong in that Enterprise three-parter with the Augments that came out in 2004, only two years after Nemesis. And he did a voice cameo in "These Are the Voyages". So those are two examples from the '00s right there that show Brent Spiner didn't want to cut off his ties.
Yeah, he was clear that was his reason at the time.

I guess it just feels a bit have your cake and eat it. He doesn't want an aging Data, but played one anyway. And doesn't see any absurdity in playing about six different Soongs all of whom look identical. The story integrity seems... selective.

But as I said, minor annoyance.
 
1.05 "Stardust City Rag" 🌓out of 5

I set out to try and find a positive side to things and in the last episodes even with grumbles I've managed it. Then.. this comes along.

Let's start at the start: the grotesque, disgusting, revolting opening scene with Icheb. It's kind of hard to describe how bad this scene is on so many levels.

1) The thing I alluded to before that they are taking Trek and going "No, this is adult now..." and denying younger geneations the chance to continue to enjoy Star Trek.
2) The needless violence and gratuity of how it was done. Star Trek has no need for it.
3) That they wrote out a young guy, an innocent character introduced years before... just so they can justify Seven being pissed off and getting guns out as it may excite young men perhaps.
4) And on that note, they're using Seven like they used her before for titillation, but now with Added Lesbian Overtones™. Because LGBT representation has been poor in the past in Star Trek, and they fix that by using it as character excitement rather than a real character development (I know she has something with Raffi later, but I'll judge that on its merits when I get there).

I like how they had to repeat the torture scenes 20 minutes later in case the lazy brained TV viewer didn't get why she was pissed off.

You also need "Mot's Hair Emporium" as he was on TNG and he ain't got hair. Funny innit? Oh and Quark of Ferenginar. And dabo tables. You get it viewer. They watched Star Trek! See eh? Aren't they clever. Maybe mention earl grey tea some more.

And indeed after the excitement of Seven appearing in the last episode, this episode is largely just a vengeance device for her. It sits apart from their main story (despite their attempt to shoehorn Maddox into it) and if you took it out it doesn't really change the overall narrative arc.

Then the stupid 'heist' plot. First the stupid 'ads' appearing on the ship. Then Rios is fucking ridiculous in that outfit. Then Picard is fucking ridiculous with the eye patch and French accent.

The irony that a French man is going undercover by having a French access is a particularly chef's kiss of absurdity. I know there's some likely "nudge nudge, wink wink" here as Picard is French but sounds English... but it does not land well.

I have no evidence for this but it feels like something done to amuse Patrick Stewart than any logical story progress for Picard himself.

The Jurati ending was shocking and surprising. I *think* he is around for more episodes so he'll be saved, but I may be wrong.

Some people say that Trek is entertainment it doesn't owe anything to Gene Roddenberry. But I disagree, and he'd be spinning in his grave with this one. It's just pretty damn awful. Grotesque and stupid within one episode jutting up against each other. And a story that really doesn't change much of anything in the arc that Picard is carrying out. It felt like a filler episode in what is a short season. It should be grateful I gave it half a star and not zero - perhaps just for the digital effects, can't fault them.
Watching this one now, its a bit of silly, dark humour. Trek was always for adults from TOS days, maybe TNG was a diversion from that but I doubt it. As for GR spinning in his grave, if Trek can have Spock's Brain then this is nothing. I find watching the season, Picard comes across as a 24th century version of a white Saviour complex or in Trek terms Federation Saviour complex.
 
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2.06 "Two of One"🌕🌕🌕🌕🌕 out of 5

I've only gone and done another five moons! And the show I quit two episodes before last time. What a difference.

As before five moons for me doesn't mean pure perfection. The X hours/minutes ago is a lazy TV format that made more sense when you were trying to draw in channel hoppers on network TV. I'm not happy to be back at the Hispanic hospital, it's not a story I find that interesting - or Rios's clear love interest. The Soong/daughter story is so unrelated to the main plot it's bizarre.

But I loved this episode.

I'm going to start with the weirdness of Soong. I said last episode how it made me think briefly want an anthology show. And now I can see why I thought that: same actors, different story, but high concept sci-fi stuff. The fact that he's clearly meddling about in eugenics is very interesting. Trouble is it still feels tangential. This could have been an entire season's story I feel here.

But credit to Spiner, he feels different. He's done Data, Lore, various Soongs, the various characters of Masks... this is the one that for me felt quite different in his portrayal. The fact that he can demonstrate a clear difference in samey characters is good.

I don't get why Q is having him kill Renée when Q was in a room with her and surely could have done it? Or why bother persuading her not to go to the moon if you just want to run over her anyway? This is I feel the writer trying to bridge two disparate stories.

But the Soong story is interesting, it's just.. I don't see how it's fitting in.

I continue to love Agnes and ScorpyQueen. I said from the start I like Jurati, I said she is a fantastic Borg Queen... and together it is just a combo I love. It's whimsical, but I like it.

I also like the warmth in the cast generally. I have put in effort to try and like the cast, and for the most part have succeeded... the scenes between Raffi and Rios I like a lot. Rios's joy and relaxation. Raffi's playfulness. Raffi's love of seeing Seven given a new spirit without her Borg implants. That whole sequence to me was quite joyous and why I like watching these casts of characters in all the Star Treks.

Then Jurati singing... well. If you said you hated this, I'd understand. Much in the same way I found the Picard eye patch stupid. But Jurati is ticking all my boxes. I love my musicals, I love my glamour, I love my whimsy (when it's the right type whimsy) so I was thinking "Can I give six moons?" as I watched this.

Picard talking to his ancestor was a lovely scene... classic Jean-Luc. This is may be a bit schmaltzy, but again I like it.

This is an episode I enjoyed on so many levels. I fear (set up by a technobabble brain dump from Tallin) that they're going to piss off from the story now for a jaunt around Picard's head. And given the increasingly dark flashbacks, I just feel I'm going to crash from a 6 moons down...

But we'll see.

----

P.S: I'm a big fan of theatre and immersive theatre. I particularly loved Hecate in my favourite show of all time Sleep No More, which ran in New York for 13+ years and I've also seen in Shanghai. She also went around in a flowing red dress. Image if you're interested: https://miro.medium.com/v2/resize:fit:640/format:webp/0*oxrtVn-GlYTiwKHg

But that's the sort of personal element where it resonates with me with Jurati in her red dress but it's so niche, so personal... it's very much a me thing.
 
I absolutely loved her singing and the song choice, which was evidently Pill's, but found the spotlight and the musical accompaniment in it to be ridiculous.

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I absolutely loved her singing and the song choice, which was evidently Pill's, but found the spotlight and the musical accompaniment in it to be ridiculous.

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For more detailed information, see our cookies page.
I guess it makes zero sense in universe but Buffy the Musical and shows like Smash just conditioned me to not notice that.

And it adds to my dream theory of this arc.
 
It's not a great sign when "It was all a dream" is the most satisfying explanation for the choices made for a story!
I was trying to think what it reminded me of and it's just come to me: DS9's Things Past. It's the people you know but jumbled up. And I guess the visions of Elnor are the visions of Odo's victims.
 
2.07 "Monsters"🌓 out of 5

How many of you were sitting there seeing me give a five moons to 2.06 knowing that 2.07 was coming and thinking "Ha ha you wait."

What did I just watch?

Firstly, Baltar. Who if they put [Maurice] in the subtitles tells you pretty quickly who that is. Obviously I'm a BSG fan, but there's not a huge amount to love here.

But... he's not the mother and young Picard. They remind me of when they put two random actors together for a commercial, they met that morning, they don't know each other and have all the chemistry to show it. They're bad at chemistry and even worse at acting. She looks like she's going for Mary Poppins (again, she's established as FRENCH!) and the kid I think was more Australian than English. They are both dreadful.

Talking of chemistry: Raffi talking to Seven about their relationship makes it sound quite advanced, yet all we've seen is a hand hold at the end of season one. I'm not really buying into this.

Tallinn's ear piece makes her look like a Romulan. Clever innit? Her scenes in Picard's head don't really serve a great purpose I feel. I know it's often a device to help a character sort something out, but it feels like it was moving along anyway with him chatting to his father.

I don't know what the relevance is of the tunnels and Picard getting his foot stuck.

They clearly setup animosity with Maurice even in TNG, so some daddy issues I guess I can accept.

But portraying mental health as something where you shut a woman in a room and maybe dad isn't ain't all bad... it's a choice.

And trauma porn... "You'll do so much with this pain. You'll save words with it." You don't need to 'create' positive qualities from trauma. People can inherently have good or bad qualities.

And there's more to come they indicate... oh joy.

Rios is feeling very Star Trek IV, which I guess makes sense with the punk rocker reference and I think someone mentioned it up the thread.

Jurati not much this time. Not sure why she needed to into the bar to hit the window out. There were surely windows all over the place. Also probably not the highest point of her arc this year. Endorphins, of course.

And the Romulan ear scene and her "hiding her truth"... well... proving they have new lows of idiocracy to mine in this show.

Oh no, wait... Guinan is back (didn't she leave?) and she's mixed a potion to summon a Q. It can go lower.

The episode doesn't make me angry but it is just crap. It feels like a boss came into the writer's room and went "Nah nah nah you're doing this all wrong, let me show you" and just do an episode that feels smashed into the narrative.

Maybe the anthology IS this year... every episode feels disjointed from the previous. I've gone from angry, to laughing, to just shaking my head...
 
2.08 "Mercy"🌕🌓 out of 5

Mercy may be when this season is over! Again not a particularly objectionable episode, but it's not great.

Rios is continually a doofus considering he was a Starfleet captain. Giving an entire quote about their setup that is now coming back to haunt the team. Continue to fraternise with the woman and her child... you'd think he'd be clueier on timeline contamination. He and the others continue to do any manner of things that may cause the timeline issues they came to look for. And Jurati has killed a guy, another timeline shift of potentially huge consequences.

On the police: "I've seen how they deal with nutcases. Not exactly delicate." Social commentary klaxon!

I feel sorry for Soji Soong Daughter person as it does seem a recurring theme that she'll have invented pasts and dodgy Soongs.

A bit of Elnor is nice but he exists only to serve Raffi's story and self indulgence.

Guinan suddenly gets her groove back. Spend a few hours in an FBI room and that's enough to have a radical u-turn and smile at Picard and all faith is restored. I know the arc for her is she became disillusioned but physical difference aside I still don't buy into the narrative that she was okay in the 19th century, then wasn't, then was. Including a whole personality change. I can't imagine 'our' Guinan putting her feet up on a desk.

The FBI agent what are the chances that he's met Vulcans and remembered it! I did also find it amusing Picard going "Oh no they're good guys, he grabbed your face without consent as he was just going to wipe your memories!" Oh right, sign me up for whatever you say next says Mr FBI.

And now we have a Soong that looks like all his descendent Soongs and androids in the future, with a daughter who looks like a synth and both Jurati and Q want to chat to him too. What a small world.

It just feels like a holding pattern in the season arc. Picard stuck in a room then let out. Raffi and Seven wandering some streets. Rios stuck on the ship... inertia basically.

Jurati starting her new Borg collective is the only bit of real interest in an episode of filler and stories that are done with little conviction. The whole story feels like one big shoulder shrug.
 
Rewatch? I still haven't made it through the second or third seasons. Losing interest about halfway through each one. Lost interest in season one, but stayed until the bitter end.
 
1.07 "Nepenthe" 🌕🌕🌕🌕🌕out of 5

And it's my first five out of five moons! That's not to say it's perfection, but it was very good and the best so far for me. I don't recall having such a positive feeling the first time around so definitely the context is different for me this time.

I felt overall this episode walked deftly and it was warm without being maudlin.

Firstly, Riker and Troi! Of course it'd be those two, it's always those two. Frakes I've always thought is just one of the most consistent Star Trek actors in his delivery and just making Riker feel very real. Troi was also good to see again, even if her face had clearly been to a few Federation clinics.

The introduction of their daughter was well done and I could see her being their offspring. I particularly enjoyed how she did the exposition dump on Data. Told through a child hearing stories at the dinner table of the days with Data (and Picard) just seemed very believable. And hearing second hand those impressions makes it carry more weight and not sound like exposition.

Riker kind of echoed what I said previously. "You get to make the decisions about who gets to take the chances and who doesn't, and who's in the loop, and who's out of the loop, and naturally, it always ends up with you. That's fine, on the bridge of your starship, Captain, but now you're dealing with a teenager, more or less." I said about how Picard is a leader, but without that support structure you start to see the flaws.

The shoehorning of Riker and Troi's son's death into some android narrative felt a step too far in trying to tie the story strands together. Not everything has to be interconnected.

It was touching seeing Elnor look after Hugh... even if the end result was sadly not successful. I don't feel Hugh's death made a huge amount of sense or feel very necessary other than I feel the writers felt they'd used him and his story was done. How it's dealt with by Picard will be telling, as right now his death feels detached from the person who would care most.

Rizzo is still Rizzo. She was hysterical that so much work had been lost by Soji going but that doesn't really ring true. They have the info they want, surely one rogue synth is not going to be of massive consequence? Similarly for years of work they went their entry into Dahj's life sure lacked any subtlety that the situation seemed to warrant. I continue to feel she is overall very poorly executed as a character. Her "I'm not going to kill you because of a treaty" rings entirely not true to the character she's meant to be portraying. Also, has no one noticed she's not in Starfleet right now?

There were some nice humour moments. Picard saying to aim for his head as his heart is duritanium. That's a nod to the past and funny without beating you over the head with continuity. Equally I just found Rios going "is that blood?" and Raffi going "red velvet" a nicer touch than her drinking herself to death and proof I can do humour in Star Trek, it just need to be less on the nose than Picard in an eyepatch.

Her quote "But I'm more like the wreckage of a good person. In an emergency, you can slap together a temporary good person out of the pieces" was sad, but quite well written. A line I also identify with, so perhaps some of the time I don't like Raffi because perhaps it just feels a bit to familiar.

It's now also becoming more apparent with Jurati did what she did - and the parallels between Soji and her both effectively manipulated from what was put into their mind is interesting. One by technology, one organically.

Overall a well executed episode, warm moments everywhere, and aside form the death of Hugh which felt a bit unnecessary there's little to find fault with. You can also see this setting the scene for the season three reunion that Stewart said he didn't want, as the genuine affection between the TNG cast is apparent.
I am watching this episode now with a bit of illogical anger that Season 3 disrespects the Troi-Rikers choice to live on the planet to save their son, with the throwaway line I don't like Nepenthe/Living in the countryside. You mean this empathetic couple never sensed that the other partner prefered living the UFP urban life instead of Country Living? And what happened to the planet of endless youth from Insurrection, why didn't they move there instead? Which parent would not move heaven and earth and live anywhere to save their son? Apart from all this one of the better episodes of S1.
 
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I am watching this episode now with a bit of illogical anger that Season 3 disrespects the Troi-Rikers choice to live on the planet to save their son, with the throwaway line I don't like Nepenthe/living in the countryside. You mean this empathetic couple never sensed that the other partner prefered living the UFP urban life instead of Country living? And what happened to the planet of endless youth from Insurrection, why didn't they move there instead? Which parent would not move heaven and earth and live anywhere to save their son? Apart from all this one of the better episodes of S1.

How they treated Riker and Troi was when I really started questioning whether or not the show was for me.
 
And what happened to the planet of endless youth from Insurrection, why didn't they move there instead? Which parent would not move heaven and earth and live anywhere to save their son? Apart from all this one of the better episodes of S1.

I think that was more of an anti-aging thing... it doesn't mean it'd cure a disease. It seems they did go to this planet to try and give him a chance.

The Federation's hardline attitude seems to be the problem.
 
I think that was more of an anti-aging thing... it doesn't mean it'd cure a disease. It seems they did go to this planet to try and give him a chance.

The Federation's hardline attitude seems to be the problem.

Or go to Omicron Ceti III. Get 'em some spores! They even regrow tissue. Though LaForge generated new eyes while he was on the Baku planet.
 
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