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Do you like the Discovery Klingon look?

Do you like the discovery Klingon look?

  • Hate it

    Votes: 26 46.4%
  • Love it

    Votes: 18 32.1%
  • Couldn’t care less

    Votes: 12 21.4%

  • Total voters
    56
Personally, I think they ought to have gone with this:

klingon_concept_by_abiogenisis_dcmlf93-fullview.jpg
 
I know IDW comic books aren't canon, but the fact that whoever rubberstamps licensed material over at CBS basically let IDW do the story you just described very recently ( https://memory-alpha.fandom.com/wiki/Star_Trek:_Discovery_-_Aftermath ), basically young Kor, complete with TOS look, taking charge in his house and dealing with L'Rell, indicates to me that they had no plans to go into Kor at the time. Yes tv shows contradict licensed stuff, but in recent times there's been some attempt at vague continuity coordination.
I mean, yes and no? For instance, the licensing coordinators let Simon & Schuster do a novel early on in DIS's run where Michael and the Discovery crew teamed up with Spock and the Enterprise under Pike because the show's writers had decided Spock and the 1701 would never appear on DIS... and then Pike, Spock, and the 1701 became major elements of DIS S2.
There was also an IDW miniseries about the Mirror Universe which was a follow-up to Disco's MU storyline in season 1, and then along came Terra Firma and negated the hell out of that.
 
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Personally, I think they ought to have gone with this:

klingon_concept_by_abiogenisis_dcmlf93-fullview.jpg
I have always loved that idea, though perhaps a few less spikes.

However, I have more respect for the author demonstrating proper trigger discipline with the Starfleet officer.
 
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love it. And it seems some people up here would have no issue with it.

I subscribe to the theory that in the vast majority of cases, it's not what the show or movie is about, it's how it's about it.

If they can find a way to make it into a really good story, I'll probably be okay with the overwhelming majority of changes they make.

However, I suspect that depicting Klingons as ten-foot-tall elephant-like hexapods would probably inhibit their ability to make the Klingons into empathetic, believable, three-dimensional characters portrayed by actors giving vivid performances, so while I don't have a problem with hexapodal Klingons per se, I don't think it's a concept they would be able to execute very well. The "how it's about it" would probably fail. :)
 
Forward doesn’t have to mean turning the page of a calendar. Forward in technology, ideas, design and format. No matter when in the fictional timeline a story takes places.

Trek fans are remarkably hidebound for a franchise that prides its self on being dedicated to progress and forward thinking.
technology and ideas have nothing to do with designs.
how do you determine if a design is forward or not?
how do you want formats to change?

political progress, societal progress, equality, all of course, of course, obviously and clearly have nothing at all whatsoever to do with designs, visual continuity, and internal consistency of established looks and sounds. why would y'all think that? makes no sense at all XD

I don't remember anyone shitting bricks when ENT decided to redesign the Tellarites, Gorn, or Tholians.
tellarites were not a major redesigns, they and the andorians were what I would say is a valid update. no head shape changes, no general shape changes, only the hands were more human and less piggy I guess XD
gorn looked very different, but they appeared only once before, and therefore we're only comparing 1 individual to 1 individual.
how were tholians changed? we just saw more of the body.

Exactly, no explanation was needed there either, so none was/is needed for the Klingons.
half of disco's story elements isn't needed - does that mean they should get rid of them and only have 6 episode seasons? the klingon explanation was part of a storyline ;)

Personally, I think they ought to have gone with this:

klingon_concept_by_abiogenisis_dcmlf93-fullview.jpg
is that a disco le-matya? XD
 
technology and ideas have nothing to do with designs.
how do you determine if a design is forward or not?
how do you want formats to change?
By technology I mean filmmaking. Make up. Props. Cameras. SFX. And yes they have everything to do with ideas and how they are realized. Also it means keeping up with current science and using that to enhance the storytelling. No reason to hang on to outdated science just because it was mentioned in an episode fifty years ago.
The format's already changing with season long arcs, shorter seasons, animated comedies and one off short stories. The platform is different.
political progress, societal progress, equality, all of course, of course, obviously and clearly have nothing at all whatsoever to do with designs, visual continuity, and internal consistency of established looks and sounds. why would y'all think that? makes no sense at all XD
Because that's all window dressing. The characters and stories are at the heart of thing. Not the cut of a uniform, the shape of forehead appliance or color of the set. Reimagine the sets using the latest techniques. Resign the uniforms with modern fabrics. Take the make up and push it forward. Trek has never been afraid to do that in the past, why start now?
 
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My head canon Klingon explanation:
The augment virus was largely contained and spread very slowly over 100 years. Kor in the Discovery comic shows that it had moved to the noble houses by the 2350s, thus the search for a cure was given higher priority. By the end of Kirk's 5 year mission said cure had been found and was being distributed, hence Kor, Kang and Koloth having ridges in DS9. I have yet to work out why every one outside the empire seems to have forgotten the Klingons had ridges, then forgotten they lost them for a while.

If we have 200ish years from Affliction until then.

110ish years

I don't remember anyone shitting bricks when ENT decided to redesign the Tellarites, Gorn, or Tholians.

The Tellarites redesign was minor, the Gorn was just a use of updated tech, the Tholians weren't redesigned, we just finally saw one in full, and none of those species had the established in story appearance change that the Klingons already had in their backstory when the show started.

There was also an IDW miniseries about the Mirror Universe which was a follow-up to Disco's MU storyline in season 1, and then along came Terra Firma and negated the hell out of that.

How did Terra Firma negate that? It was a possible dream episode that if it happened at all happened before Discovery even went to the MU.
 
By technology I mean filmmaking. Make up. Props. Cameras. SFX. And yes they have everything to do with ideas and how they are realized. Also it means keeping up with current science and using that to enhance the storytelling. No reason to hang on to outdated science just because it was mentioned in an episode fifty years ago.
The format's already changing with season long arcs, shorter seasons, animated comedies and one off short stories. The platform is different.

Because that's all window dressing. The characters and stories are at the heart of thing. Not the cut of a uniform, the shape of forehead appliance or color of the set. Reimagine the sets using the latest techniques. Resign the uniforms with modern fabrics. Take the make up and push it forward. Trek has never been afraid to do that in the past, why start now?
Makeup can be a new material filmed with new cameras, props can be 3D-printed, which seems to be the odd new thing - none of which has anything to do with the design itself.
What does old or new science have to do with designs? What do the designs have to do with storytelling? What is the connection between previous Klingon makeup and outdated science?
How do longer arcs, shorter seasons, animation and short treks and being on streaming services relate in any way to the designs and makeup?

If characters and story are the things that matter, why do you care about designs and looks? So the colors and shapes aren't important, as you say, then why do they have to be changed, if they don't matter? Why would modern fabrics mean the design itself has to be altered as well?
 
Makeup can be a new material filmed with new cameras, props can be 3D-printed, which seems to be the odd new thing - none of which has anything to do with the design itself.
What does old or new science have to do with designs? What do the designs have to do with storytelling? What is the connection between previous Klingon makeup and outdated science?
How do longer arcs, shorter seasons, animation and short treks and being on streaming services relate in any way to the designs and makeup?

If characters and story are the things that matter, why do you care about designs and looks? So the colors and shapes aren't important, as you say, then why do they have to be changed, if they don't matter? Why would modern fabrics mean the design itself has to be altered as well?
Either you get it or you don't
 
If they can find a way to make it into a really good story, I'll probably be okay with the overwhelming majority of changes they make.
that's actually exactly what I wrote some pages ago. ;)

However, I suspect that depicting Klingons as ten-foot-tall elephant-like hexapods would probably inhibit their ability to make the Klingons into empathetic, believable, three-dimensional characters portrayed by actors giving vivid performances, so while I don't have a problem with hexapodal Klingons per se, I don't think it's a concept they would be able to execute very well. The "how it's about it" would probably fail. :)
which is also an issue with the current Klingon design, since it really looks like a rubber mask and hinders the acting.
Same goes for the new Orions actually.

I have yet to work out why every one outside the empire seems to have forgotten the Klingons had ridges, then forgotten they lost them for a while.
I don’t think that at the time of TOS they had forgotten about the ridges, it just doesn’t make sense for them to point out something they already are perfectly well aware of.
 
Either you get it or you don't
It's not that hard:

set, prop, model, and costume production, like filming equipment have nothing to do with the designs.
"old" or "new" science have nothing to do with designs.
designs usually have no connection to the story.
there is no connection between previous Klingon makeup designs and "outdated science".
longer arcs, shorter seasons, animation and short treks, or being on streaming services does not at all relate in any way to the designs and makeup.
if characters and story matter most, designs and looks don't matter that much.
if colors and shapes aren't important, they do not have to be changed.
using modern fabrics does not have any influence on whether the design itself has to be altered or not.

simple logic, as Spock would say.
 
How did Terra Firma negate that? It was a possible dream episode that if it happened at all happened before Discovery even went to the MU.
Airiam is a major character in the IDW comic series, where it is established she is a cybernetic alien serving on the Shenzhou. Terra Firma shows she's human and Disco's first officer.
 
Airiam is a major character in the IDW comic series, where it is established she is a cybernetic alien serving on the Shenzhou. Terra Firma shows she's human and Disco's first officer.

‪‪You’re right about the IDW series conflicting with canon in its portrayal of Airiam, though it was superseded by conflicting onscreen information even before Terra Firma.

In S02E09 Project Daedalus Airiam’s memory downloads established that she was human before injuries sustained in a shuttle accident that necessitated her cybernetic augmentation, and killed her husband Stephen in the Prime Universe.
 
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