I think fan interpretation is fine because it shows engagement.
Of course it is, it's also fun. All I said was that it doesn't have any evidence in the shows.
I think fan interpretation is fine because it shows engagement.
I wouldn't say no evidence. Just limited.Of course it is, it's also fun. All I said was that it doesn't have any evidence in the shows.
love it. And it seems some people up here would have no issue with it.Personally, I think they ought to have gone with this:
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I know IDW comic books aren't canon, but the fact that whoever rubberstamps licensed material over at CBS basically let IDW do the story you just described very recently ( https://memory-alpha.fandom.com/wiki/Star_Trek:_Discovery_-_Aftermath ), basically young Kor, complete with TOS look, taking charge in his house and dealing with L'Rell, indicates to me that they had no plans to go into Kor at the time. Yes tv shows contradict licensed stuff, but in recent times there's been some attempt at vague continuity coordination.
There was also an IDW miniseries about the Mirror Universe which was a follow-up to Disco's MU storyline in season 1, and then along came Terra Firma and negated the hell out of that.I mean, yes and no? For instance, the licensing coordinators let Simon & Schuster do a novel early on in DIS's run where Michael and the Discovery crew teamed up with Spock and the Enterprise under Pike because the show's writers had decided Spock and the 1701 would never appear on DIS... and then Pike, Spock, and the 1701 became major elements of DIS S2.
I have always loved that idea, though perhaps a few less spikes.Personally, I think they ought to have gone with this:
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love it. And it seems some people up here would have no issue with it.
technology and ideas have nothing to do with designs.Forward doesn’t have to mean turning the page of a calendar. Forward in technology, ideas, design and format. No matter when in the fictional timeline a story takes places.
Trek fans are remarkably hidebound for a franchise that prides its self on being dedicated to progress and forward thinking.
tellarites were not a major redesigns, they and the andorians were what I would say is a valid update. no head shape changes, no general shape changes, only the hands were more human and less piggy I guess XDI don't remember anyone shitting bricks when ENT decided to redesign the Tellarites, Gorn, or Tholians.
half of disco's story elements isn't needed - does that mean they should get rid of them and only have 6 episode seasons? the klingon explanation was part of a storylineExactly, no explanation was needed there either, so none was/is needed for the Klingons.
is that a disco le-matya? XDPersonally, I think they ought to have gone with this:
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They didn't redesign the Tholians, they just showed more of their body off. Less of a redesign, more of adding to what we saw in TOS.I don't remember anyone shitting bricks when ENT decided to redesign the Tellarites, Gorn, or Tholians.
By technology I mean filmmaking. Make up. Props. Cameras. SFX. And yes they have everything to do with ideas and how they are realized. Also it means keeping up with current science and using that to enhance the storytelling. No reason to hang on to outdated science just because it was mentioned in an episode fifty years ago.technology and ideas have nothing to do with designs.
how do you determine if a design is forward or not?
how do you want formats to change?
Because that's all window dressing. The characters and stories are at the heart of thing. Not the cut of a uniform, the shape of forehead appliance or color of the set. Reimagine the sets using the latest techniques. Resign the uniforms with modern fabrics. Take the make up and push it forward. Trek has never been afraid to do that in the past, why start now?political progress, societal progress, equality, all of course, of course, obviously and clearly have nothing at all whatsoever to do with designs, visual continuity, and internal consistency of established looks and sounds. why would y'all think that? makes no sense at all XD
If we have 200ish years from Affliction until then.
I don't remember anyone shitting bricks when ENT decided to redesign the Tellarites, Gorn, or Tholians.
There was also an IDW miniseries about the Mirror Universe which was a follow-up to Disco's MU storyline in season 1, and then along came Terra Firma and negated the hell out of that.
Enough time for changes.110ish years
Makeup can be a new material filmed with new cameras, props can be 3D-printed, which seems to be the odd new thing - none of which has anything to do with the design itself.By technology I mean filmmaking. Make up. Props. Cameras. SFX. And yes they have everything to do with ideas and how they are realized. Also it means keeping up with current science and using that to enhance the storytelling. No reason to hang on to outdated science just because it was mentioned in an episode fifty years ago.
The format's already changing with season long arcs, shorter seasons, animated comedies and one off short stories. The platform is different.
Because that's all window dressing. The characters and stories are at the heart of thing. Not the cut of a uniform, the shape of forehead appliance or color of the set. Reimagine the sets using the latest techniques. Resign the uniforms with modern fabrics. Take the make up and push it forward. Trek has never been afraid to do that in the past, why start now?
Either you get it or you don'tMakeup can be a new material filmed with new cameras, props can be 3D-printed, which seems to be the odd new thing - none of which has anything to do with the design itself.
What does old or new science have to do with designs? What do the designs have to do with storytelling? What is the connection between previous Klingon makeup and outdated science?
How do longer arcs, shorter seasons, animation and short treks and being on streaming services relate in any way to the designs and makeup?
If characters and story are the things that matter, why do you care about designs and looks? So the colors and shapes aren't important, as you say, then why do they have to be changed, if they don't matter? Why would modern fabrics mean the design itself has to be altered as well?
that's actually exactly what I wrote some pages ago.If they can find a way to make it into a really good story, I'll probably be okay with the overwhelming majority of changes they make.
which is also an issue with the current Klingon design, since it really looks like a rubber mask and hinders the acting.However, I suspect that depicting Klingons as ten-foot-tall elephant-like hexapods would probably inhibit their ability to make the Klingons into empathetic, believable, three-dimensional characters portrayed by actors giving vivid performances, so while I don't have a problem with hexapodal Klingons per se, I don't think it's a concept they would be able to execute very well. The "how it's about it" would probably fail.![]()
I don’t think that at the time of TOS they had forgotten about the ridges, it just doesn’t make sense for them to point out something they already are perfectly well aware of.I have yet to work out why every one outside the empire seems to have forgotten the Klingons had ridges, then forgotten they lost them for a while.
It's not that hard:Either you get it or you don't
Airiam is a major character in the IDW comic series, where it is established she is a cybernetic alien serving on the Shenzhou. Terra Firma shows she's human and Disco's first officer.How did Terra Firma negate that? It was a possible dream episode that if it happened at all happened before Discovery even went to the MU.
Airiam is a major character in the IDW comic series, where it is established she is a cybernetic alien serving on the Shenzhou. Terra Firma shows she's human and Disco's first officer.
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