2. Female superheroes need more coverage

Sue looks like a classy lady with more coverage.
2. Female superheroes need more coverage
Wait, wait, hold up. You think AoS has gotten worse since Cap 2?!I'm intrigued by the Agent Carter series, because it's a period piece. I'm interested in good characters and good writing, not "huge" storylines. A "huge" storyline has cut the quality of SHIELD in half.
Huzzah! I don't see Agent Carter being that interesting though. Nothing truly huge can ever happen in it.
In the Cap 2 museum interview segment, Peggy says she got married in the 50s, so there's a decade or so of potential field work even before she has any kids.Agent Carter is going to suffer from extreme prequel-itis since we already know the fates of Peggy and Howard, since we know they'll never find out about Hydra, since we know there's no super heroes back then, since they're probably not going to drastically rewrite history... also,how long is she going to be pining for her perfect man before moving on? We know she's married with kids from the movie right?
Agent Carter is going to suffer from extreme prequel-itis since we already know the fates of Peggy and Howard, since we know they'll never find out about Hydra, since we know there's no super heroes back then, since they're probably not going to drastically rewrite history... also,how long is she going to be pining for her perfect man before moving on? We know she's married with kids from the movie right?
Carter having no idea that she is fighting... Wait? Carter is unwittingly working for Hydra.
Why would her serpentine masters send their chief agent of good to fuck themselves up?
Carter having no idea that she is fighting... Wait? Carter is unwittingly working for Hydra.
Why would her serpentine masters send their chief agent of good to fuck themselves up?
Two things. First, SHIELD wasn't controlled by HYDRA, it was corrupted by HYDRA. HYDRA was a secret organization within it. Alexander Pierce was HYDRA (took the job after Fury's recommendation), but I doubt Stark's dad was HYDRA, for example. So Peggy Carter can still fight HYDRA (albeit unknowingly) without having been sent to do so by HYDRA.
Second, what HYDRA cared about was fomenting chaos. Whether this was done by SHIELD, by some other organization, or by the two organizations fighting each other is fairly irrelevant.
-So when the container with Fitz/Simmons dropped out of the plane from a relatively low altitude, should it have skipped along the surface or contained some sort of forward momentum from the speed of the plane?
Some, but that thing is clearly heavy and has all the aerodynamic characteristics of...well a metal cube. The drag alone should cancel out most of the lateral inertia before it hit the water. Either way, it's got to be a rough ride for Fitz & Simmons unless they somehow managed to strap themselves down in the two and a half seconds they were airborne.
Realistically there should be broken bones and concussions at best...but this is a TV show with killer cyborgs juicing on alien bio-matter, so we can let realism slide in favour of drama every once in a while.
-Funny to see Glenn Morshower playing the general at the very end. Does this place AOS in the same universe as Transformers or X-Men?
Nah that's just the gods of typecasting at work.![]()
Ward was clearly a psychopath even before Garrett messed with him, and he had no problem killing the dog and Fitz/Simmons despite having mixed feelings (unless they reveal that it was actually Garrett who killed the dog). But there have been worse characters on TV that have been redeemed-- Spike and Londo, for example-- so who knows? But he's so boring now that I'd just as soon they kill him off. Hopefully this "SHIELD No More" storyline won't last very long anyway.
I laughed at the large file transfer as well.
I'm not so sure Ward killed the dog. He can't have used the gun AND the sniper. Likewise, all we saw was a box fall out from the bus with no idea if Fitz and Simmons were in the box. Looks like Ward's started on his redemption arc.
If Ward was going to kill the dog why wouldn't he have done it with the handgun? Makes little sense for him to fire into the air, leave, then shoot the dog with the rifle.
I figured it was Garrett watching through the scope and seeing Ward hadn't killed the dog. I don't even think there was a gunshot after the scope-shot, was there? Maybe the dog lived.
I figured it was Garrett watching through the scope and seeing Ward hadn't killed the dog. I don't even think there was a gunshot after the scope-shot, was there? Maybe the dog lived.
That's the way I took it too. Garrett was testing Ward, and wanted to see if he would blindly follow his order. I don't think there was a gunshot.
Pretty sure I heard a shot. But here's my theory of that last shot of the dog running away: It was originally filmed without the gun sight to show that yes, Buddy ran away and was safe. Then they changed their minds and decided to superimpose the gun sight and dub a shot, probably to make Garrett more of a bastard. Just a theory, based on too many years of behind-the-scenes stories and DVD extras.
Why, thank you.The logic you people use sometimes is truly mindboggling.Earlier in the episode when Ward killed the deer, he mentioned that Buddy would take off runing (to retreive the fallen prey) whenever he heard the shot. Ward fired the pistol knowing that Buddy would run, then finished the job with the rifle because it was less difficult, as Christopher has mentioned. I don't see any reason for Garrett to have shot the dog.
That truly is one of the most convoluted and completely-pulled-out-of-the-ass interpretations of a scene I've ever seen around here. And there have been some real beauties, so that's saying something.
In most well written 48 or so minute T.V. shows there is almost nothing shown that is meaniingless. We see Ward aim the gun at Buddy (looking at Ward innocently) point blank and we see the emotion take over Ward. He can't do it. We are then shown him pointing the gun into the air firing, then we see a shot of Buddy's hindquarters taking off right after the shot. That scene might not make sense without the prior one when we are told how Buddy reacts to the sound of a gunshot. What we are being told is that Ward does have a certain amount of humanity remaing, just not THAT much.But I digress. Seriously, that's some ridiculous stretching there, to the point of being absolutely absurd.
And you're right, Garrett had no reason to shoot the dog. Because, you know, he's not a fucking psychopath whatsoever who'd do it just to teach Ward a lesson.
Next, we are shown Buddy lined up in the scope of Ward's rifle and then (I believe) we hear a shot.
Now, it is possible that Garrett shot the dog, but until we are told that and given a reason for it (and if we are told Garrett was the shooter, I think we'll get a reason), it doesn't make sense. My ead on Garrett is that he is a cold blooded killer when he needs to be, but doesn't kill when he doesn't have to. If Garrett did kill Buddy, then I will have to reassess my view of who Garrett is.
So unless you think the scenes with the deer and the dialogue about Buddy's reaction to gunfire and the scenes which show Ward trying to kill Buddy were meaningless, then please give us your interpretation of what those scenes and dialogue meant.
Also,
The pod that Pitz/simmons was in – surely that was also an escape module. Why else would it be so easy to dump out the Bus?
And at such a low level, I think Ward knew they would have a chance to live…
^ Then he went and got it? Is that impossible to believe in such a deliberately ambiguous scene? Ward is the guy who can shoot from a distance like that. It's also easier to compartmentalize compared to shooting from up close.
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