Hi, I've not posted here in years - loving SNW so far, by the way - but I can't miss the chance to get in on this Bond chat:
1) So, being anything other than a straight and white is the "total opposite" of who James Bond is? Whiteness and straightness are intrinsic to who he is as a character? Interesting take.
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Sure, but it is a necessary part of his character? Is he fundamentally no longer James Bond if he's black or bisexual, for instance? If so, I must ask -- why? What function does his whiteness or his heterosexuality serve in the story?
They're integral to the character because he's a violent misogynist who's also a believer in some form of British nationalism and acts as an instrument of lethal violence for his paymasters in the British government. I'm not even trying to be funny or subversive or anything, I honestly think his whiteness, maleness and heterosexuality are absolutely core to the character. Even in later films, when attempts are made to make him less detestable to contemporary audiences of each decade (by fine-tuning it to the level of acceptable sexism and state violence for each era, which is usually still very high), the same themes remain.
They're not even just quirks of the time the stories were written, or detestable but largely plot-irrelevant traits, like Kirk's sexism arguably is in TOS. They're the basis of the story and character. We can expect Kirk to not be a bigot when he appears in SNW, because his bigotry in TOS isn't central to the show's universe or his role within it, and instead actively detracts from the show's stated intentions. The same can't be said of Bond, whose small-minded nastiness is the fuel on which each miserable adventure runs.
My perspective as someone who despises James Bond is that they categorically should
not change his race, sex or sexuality, but - if they want to advance a different agenda to Fleming's - write a story that acknowledges these traits and shows the immense toxicity and damage of his nationalism, his misogyny, and his predilection towards casual violence. Making him suddenly gay or undergoing a race-swap is a trivial and tokenistic change if the thematic content of each story largely remains the same. Making him female would perhaps offer a significant change, in that it would potentially undercut the misogyny so core to the stories, but at that point, you aren't really writing James Bond anymore. You're writing something likely to be a lot better than James Bond, but it may as well be a new franchise or a new character altogether. You could also write James Bond to be an elderly Polish grandmother with a cybernetic arm and a sarcastic talking cat for a sidekick, and you'd have not only something much better than Bond, but probably one of the coolest pieces of fiction ever created - but you'd also have strayed so far from anything to do with James Bond that it'd just be confusing that you're still using the franchise's name.
This has no relevance to Kyle, who I have no opinion on whatsoever, other than to mention that John Winston, the original Kyle, grew up in the same city as me. This leaves me utterly devastated at the change, unless new Kyle is also from Leeds, which I doubt given his American accent. Then again, Winston didn't have the regional accent either, so all's fair.
Also, sorry, I have no idea why I'm picking on your post, but:
You do realize that the phrase "a homosexual" is at best outdated and is at worse kind of offensive these days, right? The preferred terms are "LGBT," "LGBTQ," "LGBTQIA+," or "queer."
I'm gay and I'd prefer "homosexual" to all those. Totally subjective obviously, but just coming in to vaguely defend ichab, who I'm sure had no ill intent in choice of phrase.