Another thread I liked was that Kelpian’s predators are lying to them about their biology to keep them on their place and Saru is openly stating his intent to break the prime directive and wage revolution.
The "War Against the Menu Entree" is about to commence, A la Carte!Another thread I liked was that Kelpian’s predators are lying to them about their biology to keep them on their place and Saru is openly stating his intent to break the prime directive and wage revolution.
That's an absurd comment. It's not like none of that stuff existed in TOS.They did in the Kelvin Universe. Besides, Disco has retconned ALL Trek tech into the pre-TOS period.
I believe that many forget that Burnham and Saru spent SEVEN YEARS together on the USS Shenzhou under the command of Captain Georgieu.
We may not have seen it, but obviously, they have a lot of back story that makes their relationship much deeper than we realize.
It also accounts for why Saru is so devastated and angry by Michael's betrayal at the Battle of the Binary Stars.
![]()
You want to bring up not mentioning a relative in a conversation about Star Trek?????Michael didn't even know Saru had a sister until after the Klingon War was over. They couldn't have been that close on the Shenzhou.
I agree that this sounds like a fun spin that would have been a tad bit more interesting. Having Detmer – who according to background info is supposed to be German – speak German for once would have been funny.- Universal translator fail. I liked this, but I wish it actually just revealed the languages that all the characters were actually speaking. Would have been interesting to see who is actually speaking English. Probably far less people than we think.
It's illogical, but I kinda feel the same way. Knowing it's not the same actress under the makeup makes me more aware of how differently she talks. But yeah, it's not logical …I don't like the new Airiam (as illogical as that sounds.)
Yeah, their friendship and sense of family kinda came out of the blue, since we never much saw their relationship develop from the point when Burnham joined the crew of the Discovery. Sure, they seemed like they had buried the hatched and accepted each other on the ship, but an actual friendship? When did this happen?More fundamental though is the oddness of the sudden deep relationship between Burnham and Saru. We've had no evidence on camera they particularly liked one another. Their relationship on the Shenzhou was distant and prickly, and even though Saru came to forgive Michael, we didn't really see a budding friendship as we did with Tilly.
I had the same thought while watching the farewell scene on the bridge and his “death scene” after that: They sure wouldn't kill off a main character just like that. Doug Jones' very good acting almost sold me on the idea that they might actually write him out of the show, but ultimately I didn't fall for it for one second.The Saru scene at the end went on a bit long. I knew he wasn’t going to die so it just felt like filler. I want to know more about what that sphere knows.
Because that's not outside. Those are panels or shades that appear to simulate natural light. They had them in the last episode too, seen with some kind of lowerable shade. If you mean the scene with Michael and Saru?
Really?! I would never have thought that those could be anything but windows to the outside. What makes you think they are merely simulating light? Aren't they styled exactly like the windows elsewhere on the ship?Also, what's up with the random orange light shining through the windows the last two weeks? Or is that some kind of weird wall light fixture?
My guess: Absolutely nothing. I appreciate that they are trying to do more traditional space exploration Star Trek-y stuff, but the whole “knowledge of 100,000 years” thing seemed just like a throwaway line and nothing that will ever amount to any kind of significance. I'd love to be wrong on this, though.I can't wait to see what they do with the space entity's 100,000 years of memory.
Correct me if I'm wrong, but isn't she the chief science officer on the ship? They were discussing a science related dilemma after all.Why was Michael at the head of the conference table? She isn’t the leading rank there.
I love this idea. Looking forward to where they are going with this.The Ba'ul being the more adult version of Kelpians is an interesting theory. Kind of reminds me of Larry Niven's Protector.
I'm not sure I like the idea of Saru losing his fear instincts. It's been a defining element of the character. It's like if, after 19 episodes, Spock decided he was going to let emotions through indefinitely, or Data turned into a human, or Troi lost her empathic powers, Etc.
I completely agree. The writers seem to think that they need to rectify or comment on everything that fans have complained about as inaccurate in season one. There must be a stated reason for Klingons having hair now, the avoidance of holo-communication must be discussed, the Enterprise's colorful uniforms have to be called out in dialog etc. It's tiresome and completely unnecessary.What next, another reason why female captains exist in Starfleet, why Starfleet is not called the UESPA anymore? Stop giving in universe reasons for production design changes.
Yeah, that threw me for a loop as well. Also, the poor guy they were treating sure didn't appreciate them distracting his doctor in the middle of his treatment!One more negative, are there no other medical personnel on the ship, what were Pike and Burnham doing assisting the doctor?
Very interesting thoughts! I never had looked at it that way, but yeah, were there such a thing as a Universal Translator, language as we know it today might not exist in reality.Honestly, given how the Universal Translator is shown to work on the show, what does "language" even mean any longer? If people from a very young age get implants which allow them to instantaneously understand 99% of the spoken and written languages they come across, wouldn't things drift over time so that every family was speaking their own deeply divergent dialect?
The room has “no elements of engineering”? You mean other that the big ol' warp core that's always visible in the background?That makes sense, he never seemed like a chief engineer to me and the room where he is had no elements of engineering. I hope we see the real engineering soon.
I agree. This episodes was rather heavy on the ol' technobabble. See, one can dislike something about Discovery which they dislike elsewhere in Trek as well.- The Engineering Technobabble. This is one area where the writers are allowing BAD aspect of the Berman & Braga 24th century era to pollute the 23rd century. Yes TOS did the occassional line of technobable here and there - but the whole dialogue sequence between Jet, Stamets, and Tilly leading up to the lightning discharge to save the ship sequence gave m TNG era technobable flashbacks in a BAD way.
I'm not disputing that this is the approach Discovery has taken or that the old “senior officers = main characters” approach was problematic, but the way they are doing it here often has me wondering why we don't seem to see some department heads at all. I mean, surely the chief engineer must have been involved in all the technical problems they encountered in season one. So yeah, senior officers don't need to be the main characters, but not having some senior officers at all seems just implausible.Discovery took a different approach - what characters do we need to tell our story? We'll create those and they will be our regulars. They won't form the full crew of a starship, but they don't need to. Our story doesn't need the helmsman or the chief engineer so when they're needed for logistical reasons they'll just be a name, like one of TNGs recurring helm ensigns. It kept the story much more focused, without weird tangents to catch up with the chef engineer or hang out with the Doctor's son. One of Discovery season 1 writers' best decisions.
The room has “no elements of engineering”? You mean other that the big ol' warp core that's always visible in the background?
Michael didn't even know Saru had a sister until after the Klingon War was over. They couldn't have been that close on the Shenzhou.
One thing I was wondering about, though: Was this another case of “transwarp beaming” with the Enterprise nowhere in sight?
For those folks who found the episode, rushed...
Watch it a second time.
With a second viewing, you'll have foreknowledge of the events to come and your more apt to pick up on story details your mind might have glossed over with one viewing, thus creating the sense of a quickly paced story.
I usually watch the episodes one or two days later, so I have time to contemplate what I've seen.
I also like to read other's thought's about what we've collectively watched together and add that to my own internal perceptions.
![]()
same here - i usually miss a third of the minor details in the first round
There was no establishing shot, but it's implied they were at Spacedock at the beginning of the episode.
It is interesting, though...because it does lend some validity to the criticism that the show is just paced very fast. I find myself missing a fair chunk of what is happening as well, simply because the dialogue and events happen so quickly. I watched "New Eden" again last night, for example, and it was amazing how much more I picked up and how much more sense it made than my initial viewing.
A truly awful episode with abysmal writing and with the most contrived "explanation" why we don't see holographic communication later: A lowly Federation captain dislikes them.
At least now they can save some money by not having to animate Saru's ganglia anymore.
A truly awful episode with abysmal writing and with the most contrived "explanation" why we don't see holographic communication later: A lowly Federation captain dislikes them.
At least now they can save some money by not having to animate Saru's ganglia anymore.
I completely disagree - I think the crew, and definitely the casting, have been some of Discovery's best aspects. Older shows, especially Voyager and Enterprise, set themselves up by imagining the crew of a spaceship (Captain, first officer, ops officer, tactical officer, doctor, etc) and then making them all regulars, with a consequent need for story focus and screentime. Then they sat down and said "right, what are we going to do with this lot?" This approach meant that the crew didn't fit the story, they had to try to fit stories around this crew roster they'd come up with. Inevitably you ended up with alleged regular characters either fading into the background entirely (Kim, Mayweather) or with very little to do outside of their "focus weeks" (Neelix, Reed, Paris, B'Elanna, Chakotay, Hoshi). It's called the 'crew roster' trope and Star Trek is the past master of it. To an extent, it lends itself to episodic storytelling, but not really to arcs. As Enterprise and Voyager went along, it is no accident both started to focus around a much smaller group that were carrying the actual stories.
Discovery took a different approach - what characters do we need to tell our story? We'll create those and they will be our regulars. They won't form the full crew of a starship, but they don't need to. Our story doesn't need the helmsman or the chief engineer so when they're needed for logistical reasons they'll just be a name, like one of TNGs recurring helm ensigns. It kept the story much more focused, without weird tangents to catch up with the chef engineer or hang out with the Doctor's son. One of Discovery season 1 writers' best decisions.
Now in season two, the writers are presented with a set of characters written for season 1's story. They've added some new ones relevant to this year, but it remains to be seen whether they will follow through on retiring more irrelevant ones or reducing their roles. I'll be interested to see how this progresses.
I could point out that we saw several (four, I think) consoles in that room in season one, but that's not even the point I was trying to refute. You were saying there were no elements of engineering, which clearly there were.Then where are controls for warp drive, where are consoles, screens... All that's there in the room is a few consoles that control spore drive. I'm guessing they made that room spore drive control and that real engineering is somewhere near and we will see it later.
There was no establishing shot, but it's implied they were at Spacedock at the beginning of the episode.
Hm, but later in Pike's ready room they say Number One is “on her way to spacedock”. So I don't think that's where they were and where they picked her up.Agree. They made it (fairly?) clear that they were visiting space dock while the Enterprise was under repair.
I'm pretty sure it was in many scenes. In some it was a practical effect, though. But when we saw them emerge and move they were CGI, I think.The Ganglia isn't CG.
You make a compelling argument, I'll grant you, but the problem is "Discovery" is still fundamentally a show on a ship, about a ship. It's right there in the name!
So when we're naturally spending a ton of time on the bridge, it's frustrating that over half of the familiar faces doing the important jobs ON that bridge are little more than glorified extras.
Like I said, there's no reason Stamets couldn't also be the chief engineer. I think he's a great character and giving him that job would have just given him more significance in terms of plot as the show moves forward and (presumably, eventually) beyond the spore drive storyline.
Yes, Voyager and Enterprise didn't use their casts very well because they many bland or uninteresting characters. Kim, Chakotay, Mayweather....these are arguably the most dull, least dynamic characters in Trek history.
And TNG did have that problem, too, with the Conn-of-the-week officer, who often times was literally an extra who never got to speak. That wasn't by design, of course, but it was a running change when that show realized they also should probably have a chief engineer instead of a series of one-off co-stars filling the role and after Wil Wheaton left the show.
Now Discovery has that problem times four or five. It's weird that Saru, Burnham and Tilly keep switching off at the science station. A little more thought could have found ways to avoid that problem and give them more specific strengths.
You can come up with compelling characters and then find out where to put them on the bridge. It doesn't have to be the other way around. DSC does have some good characters, I think Saru, Tilly and Stamets are strong characters, but their skillsets overlap to a frustrating degree, while we are still dealing with utterly undeveloped blanks doing 75% of the other vital jobs on the ship. It's just poor planning.
Hm, but later in Pike's ready room they say Number One is “on her way to spacedock”. So I don't think that's where they were and where they picked her up.
No, they did not have forcefields like we've seen in Discovery in TOS (imagine if they could contain intruders as they did the spore blob thing!). The earliest they appeared was Generations, and they were used in many TNG and Voyager episodes.That's an absurd comment. It's not like none of that stuff existed in TOS.
We use essential cookies to make this site work, and optional cookies to enhance your experience.