I'd say the answer is "yes," resoundingly so! As a child, I liked candy. As an adult, I like candy. In the same way STAR TREK, in all of its many forms and guises is comfort food.
As has been pointed out they didn't have to recurring characters in every episodes they just need to use them as and when required
They had plenty of resources to create not one but two delta flyers.
It could perhaps have been excused if it was a brand new tech, but by this time we had had seven years of TNG and two of DSN the tech was established they should've have known what it couldn't and could do by now.
I would have been more content if the plotting moved more from serialized to actions having consequences, and not just a reset at the end of the episode.
Nobody is mad that they didn't 'Shove secondaries into every episode'. They are criticizing the show for not including them at all, in any episode.
Nobody is complaining that 'They don't reference everything ever established in previous episodes'. They are complaining that they don't reference anything established in previous episodes.
We are saying that things previously established that have direct, specific relevance to the current story being told should have been referenced
'Voyager is smaller than the Ent-D', also a ridiculous argument, as a 15 deck ship is easily big enough to stow away unneeded secondary characters in science lab, cargo bays or a hundred other places. We only saw deck 15 in one episode.
TASHA: She was the first Galaxy Class warship built by the Federation. Forty two decks. Capable of transporting over six thousand troops.
Yes, secondaries should matter to some degree.
The production of VOY showed little interest in the continuity of characterization, much less of data points from episode to episode.
Finally, the trend I've noticed is that somehow in order to build VOY up as not a disappointment or bad television someone has to be torn down.
Yes, secondaries should matter to some degree.
Problem was that they couldn't even get the main cast to work, all putting more emphasis on Secondaries would've done at the time was just make the main cast more uncooperative.
This was partly the fault of the cast (especially Beltran and Wang) for not caring for their own work. It further supports my theory that they should've just thinned the cast down. It means fewer Centrals and more for them to do comparatively.The production of VOY showed little interest in the continuity of characterization, much less of data points from episode to episode.
Failing that, just recast the ones not working with ones who will play ball.
Hardly unique to Trek, or television. Believe me.Finally, the trend I've noticed is that somehow in order to build VOY up as not a disappointment or bad television someone has to be torn down.
Whaaaat??? x2
Maybe, MAYBE I could see S1 of DS9 being the same quality as Voyager. But after that? No way. The Dominion War arc blows even the best Voy episodes out of the water. DS9 had all the character development that Voyager lacked.
DS9 had access to the rest of the Trekverse to do their big war story with. VOY had no such advantages.
If there was a problem with casting, writing, acting, etc. then it falls on the producers and TPTB, not any portion of the viewing audience.
We could have a show about a crew in a desperate survival situation, having to adapt to this new situation and do some unorthodox things to survive. The fact they were cut off from the rest Trek Universe could have been a strength, not a weakness.
What do Beltran and Wang have to do with character continuity? They don't write the thing.
If there was a problem with casting, writing, acting, etc. then it falls on the producers and TPTB, not any portion of the viewing audience.
Still, the amount of abuse they got (and still get) from the audience is pretty over-the-top.
That's only enough of a plot for 1 season or so, it's just not sustainable. That's why ever single "Lost Ship" show of the last 40 years worth remembering only made it to 4 seasons (at most) and almost always dropped the "Lost Ship" thing after one season.We could have a show about a crew in a desperate survival situation, having to adapt to this new situation and do some unorthodox things to survive. The fact they were cut off from the rest Trek Universe could have been a strength, not a weakness.
Constantly giving bad performances and bungling any opportunities given to them made the writers sideline them to keep their screw-ups as off-screen as possible. If they'd been willing to play ball and do their jobs they'd get more writing and more characterization.What do Beltran and Wang have to do with character continuity? They don't write the thing.
That's only enough of a plot for 1 season or so, it's just not sustainable. That's why ever single "Lost Ship" show of the last 40 years worth remembering only made it to 4 seasons (at most) and almost always dropped the "Lost Ship" thing after one season.
I don't see how Battlestar Galactica dropped its premise after season 1, they found one other ship, I think they stuck with the premise through the 4 seasons.
I would liked Voyager to at least have tried to stick to its original premise, we see that they did that in the episode "The Void", what is the point of putting Voyager in the DQ if all we were going to get is old rejected TNG scripts rather then something new? There should have been no Holodeck episodes, power should have been just for critical systems, it should not have been as comfortable as the Enterprise D.
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