So, new theory. The Superman on Irons' Earth didn't turn bad, but was taken over by a Kryptonian spirit or whatever as they said might be happening in the latest episode.
^ I'm not sure how much I buy Helbing's claims that it's been mere happenstance that they've eliminated any references to Supergirl and the other Arrowverse shows. Certainly a throwaway line like that wouldn't be obtrusive or time-consuming. In fact, it's more noticeable when they avoid any acknowledgment of Kara's existence where her name might logically come up, like at Martha's funeral or in connection with Clark's revelation of his identity to his sons. (Wouldn't "Does that mean Aunt Kara is Supergirl?" be a reasonable question to ask?)
I think they're deliberately distancing S&L from the other shows, but that is actually fine by me. The show stands very well on its own without any Arrowverse fanservice clutter. A reference here and there might be fun, but it's not really necessary, especially if it undercuts the series' unique tone and identity.
Didn't he nearly blow up a couple of nuclear power plants? I know he thought he was doing it for a good cause, but the same can be said of every terrorist out there.It is surprising that the DOD just let Irons go.
Coates, maybe. Amy Adams does more work during movie credits than Kidder did in whole movies. Her whole job was to do something daft and dangerous for Reeve to haul her out of.
This. I got bored with the Arrowverse in record time - a couple of seasons; the shows are superficially written, gimmicky, lachrymose enough for most of the characters to be swapped in to STD, and they look cheap.
You're only confused, because you assume it should make sense.
It doesn't.
Television ratings are largely meaningless for a show that streams extended editions online for free with forced advertisements.
^ I'm not sure how much I buy Helbing's claims that it's been mere happenstance that they've eliminated any references to Supergirl and the other Arrowverse shows. Certainly a throwaway line like that wouldn't be obtrusive or time-consuming. In fact, it's more noticeable when they avoid any acknowledgment of Kara's existence where her name might logically come up, like at Martha's funeral or in connection with Clark's revelation of his identity to his sons. (Wouldn't "Does that mean Aunt Kara is Supergirl?" be a reasonable question to ask?)
I'll tell you a story.
The end of Jake 2.0
They needed a week off to get some ducks in order.
A rerun of America's Next Top Model, in the same timeslot, generated 3 times the ratings as Jake 2.0.
Cancelled immediately.
A rerun of ANTM costs considerably less to air than making a new genre show about a nerd with nanite powers playing super spy.
Costs 75 percent less to acquire, and generates three times as much revenue.
It's not about how many people are watching, it's about how much you can charge for an ad buy, because of how many people are watching.
You just know with this concept of putting the spirits of Kryptonians in people's bodies they are creating a excuse to bring Zod back who was killed in this universe.
Nope, all the DC shows on The CW (except Stargirl, which originated elsewhere) are the same universe now, which was basically the point of Crisis, though they haven't managed to do much with it yet. This show is just trying to stand on its own and establish a distinct voice and storyline because it's new. Which is a good way to do it -- start off defining the show's own identity, then wait until later to do the crossovers. (And we do know at least one major crossover element is coming, i.e. a John Diggle guest appearance.)
They've said in interviews that they've looked for opportunities to include continuity nods, but they haven't found a good place for it yet, a place where it fit in organically without getting in the way. The first priority should be the story you're telling. References to outside stuff are just a bonus.
There are like 5 million ads per episode. CW is making money on the ap.The CW App is free.
I think you missed my point. The audience is being shifted from tv to streaming via free extended editions. The result is that a) streaming viewership (and related ad revenue) is more important than tv viewership in measuring profitability and b) declining tv viewership may just reflect that audience shift in platforms.
There are like 5 million ads per episode. CW is making money on the ap.
I’m sure their ad rates are more than a dollar. “5 million” was a joke about the number of ads not the cost.It costs 5 million dollars to make an episode of Supergirl.
To break even, the app would have to charge one dollar per add.
I'll tell you a story.
The end of Jake 2.0
They needed a week off to get some ducks in order.
A rerun of America's Next Top Model, in the same timeslot, generated 3 times the ratings as Jake 2.0.
Cancelled immediately.
A rerun of ANTM costs considerably less to air than making a new genre show about a nerd with nanite powers playing super spy.
Costs 75 percent less to acquire, and generates three times as much revenue.
It's not about how many people are watching, it's about how much you can charge for an ad buy, because of how many people are watching.
Didn’t they retcon that death?You just know with this concept of putting the spirits of Kryptonians in people's bodies they are creating a excuse to bring Zod back who was killed in this universe.
Yes and in the comics all the art styles match... Oh wait...That's really not an excuse, plenty of series with drastically different tones in shared universes still manage to work in appearances and references with out any issues. Just look at the comics, which cover just about ever style, tone, and genre out there, and still manage to work in references to other series and have characters crossover.
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