I would imagine that reflection clean up would be biggest motivation to change that finish.
Matte that floor or carpet it. The shininess of the DSC Enterprise bridge is its worst quality. There needing to be Red Alert bars running through half the surfaces of the room being the next worse. All you need are the helm console light and one other near the turbolift.
Ummm ... it's highly unlikely that they would classify an "extra" as a Guest Star.Probably some background extra.
It's modern journalism. Exact details are ephemeral.Ummm ... it's highly unlikely that they would classify an "extra" as a Guest Star.
They're not filming in the same place as Discovery IIRC, (still Toronto, but not in the same area) so I doubt it.and it wont be a back and forth re-dress of Discovery's.
I guess I assumed they Bridge set they built would still be standing - and they will both be using the large AR set as well as being in the same facility of Pinewood Toronto.They're not filming in the same place as Discovery IIRC, (still Toronto, but not in the same area) so I doubt it.
That would be too much work to keep redressing, especially since they're filming both shows at the same time. And with Covid percautions needing to keep the different teams separate, yeah.
They're not filming in the same place as Discovery IIRC, (still Toronto, but not in the same area) so I doubt it.
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Yeah, but they're filming both shows at the same time, it wouldn't be convenient.Disco is filmed at Pinewood Studios Toronto in the Port Lands (east of downtown, west of the Beaches), while SNW is being filmed at CBS Stages Canada in Mississauga. So, they're about 30ish km apart. Both are well within reasonable commuting distance for the actors (well, except for Toronto traffic...).
On edit: didn't see the post right above mine!
Matte that floor or carpet it. The shininess of the DSC Enterprise bridge is its worst quality. There needing to be Red Alert bars running through half the surfaces of the room being the next worse. All you need are the helm console light and one other near the turbolift.
There is the 4:3 to 16:9/2:1 ratio to consider, as well as the Anamorphic lenses they use. All of these choices will determine how large to make the set, what kind of focusing you wish to pull or use.Honestly, I hope they shrink it down a little bit, it is huge. There was a bit of intimacy in the TOS bridge that I think is lost with the update. It also wouldn't hurt to cut back on some of the lighting.
It's modern journalism. Exact details are ephemeral.
2009: "It's too bright!"Honestly, I hope they shrink it down a little bit, it is huge. There was a bit of intimacy in the TOS bridge that I think is lost with the update. It also wouldn't hurt to cut back on some of the lighting.
I think the revamped Enterprise bridge is a perfect homage to the TOS one that is marketed to a 21st century audience. They couldn't get it any closer if they tried. Did you watch that video? If not, do so. They went so far as to incorporate as much of the TOS aesthetic as they could -- the jewelled buttons, the 1960s "lamps", all the trinkets on Spock's console (including the black and white wavy thing), the wood trim on the Captain's chair, etc....Honestly, I hope they shrink it down a little bit, it is huge. There was a bit of intimacy in the TOS bridge that I think is lost with the update. It also wouldn't hurt to cut back on some of the lighting.
Keep shining that console, ensign. I want to be able to see my face in it!!!The overhead lighting on the DSC Enterprise bridge is just fine. It actually looks like a well-lit Trek bridge. It's how shiny and overdone much of the room itself is.
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