The writers came up with a lovely scene. It is dusk at Jean-Luc’s vineyard. His back is to us as he takes in the view, his dog at his side.
Then, off-screen, a woman’s loving voice is heard: “Jean-Luc? Supper’s ready!”
Is it Beverly Crusher’s voice? Laris’s? Someone we don’t know? It isn’t made clear. But Sunny was set to record the lines.
Heeding his wife’s call, Jean-Luc turns around, says to his dog, “C’mon, boy,” and heads inside. Dusk fades to night, and Picard fades into history.
But this scene was never shot. And I am sort of to blame. Our final day of shooting season 3 was a bear, with a very long to-do list. About eight hours in, I realized we were in for a 14- or even 16-hour day. Brutal. And I was booked to fly to New York the first thing the following morning. So I made a suggestion to the production team.
“Look,” I said, “the scene with the dog will take no time to shoot, but it will take hours to set up the lighting and the green screen and all that. We don’t have those hours. So let’s not shoot that scene today. I can come back at any time you like and take care of it. Just me and the dog.”
The production team was grateful and relieved. And I was assured that we would take care of the final scene upon my return from New York.
But I never got a call. When I made a few inquiries, I kept getting put off. Finally, someone told me, “The studio doesn’t want to do it. It’s too expensive and they think it’s unnecessary.” Unnecessary? I thought it was crucial to the completion of Picard’s arc. But so be it: the TV series ended with the toast, which is a warm, emotional send-off to my favorite Starfleet crew. Either way, you now know of my original intent.
