Network TV scripts were four acts, plus a teaser if that was part of a given series format.
The old Quinn Martin shows (Cannon, Barnaby Jones, The Fugitive, etc.) had intertitle cards spelling out each act (Act I, Act II, etc.).
Network TV scripts were four acts, plus a teaser if that was part of a given series format.
As did the original pre-airing version of "Where No Man Has Gone Before."The old Quinn Martin shows (Cannon, Barnaby Jones, The Fugitive, etc.) had intertitle cards spelling out each act (Act I, Act II, etc.).
I hate this cookie-cutter system, but there's also the pacing of the script. It's 90-120 pages for a screenplay. One page is supposed to represent approximately one minute of screentime. Then there's the Syd Field paradigm. There are three acts.
Act I is the first 25% of the story, Act II is the next 50%, and Act III is the last 25%. In theory. It's almost never this exact but we'll pretend it is.
In Act I, you introduce the characters, what their world is like, and establish what's normal. You also set up what the main conflict is going to be. Then, by the end of of the first act, there's an Inciting Incident that disrupts what's normal.
In Act II, the protagonists have to navigate through this changed situation and by the middle of Act II, 50% of the way through the script, they hit a Point Of No Return, where they're committed to this path now and there's no going back. By the end of the second act, 75% of the way through the script, things look their bleakest and all hope is lost until there's a ray of sunshine, newfound hope...
Which brings us to Act III, the last 25% of the script, where everything's finally firing on all cylinders, and leads up to the Climax at the 90-95% mark where the hero saves the day, the wrong is righted, and the goal is achieved. The last 5-10% is the resolution where we see where everyone ends up.
Formulaic as all Hell, but there you have it. That's the crap we were taught to write in Screenwriting Class. If you want to know why most movies seem formulaic, that's why. Then it's up to a good Screenwriter to find a way to make a good story despite this paradigm.
Any interesting extras?
Half the episodes have Commentary Tracks, which I find to be a HUGE improvement. I was disappointed that the other seasons of New Trek didn't have many of them.Any interesting extras?
All great movies!Then you have films like Memento, Sliding Doors, and Being John Malkovich who proceed to shoot it all to Hell.
That much fanwanking can't be healthy.I finished the train ride......... It wasn't great, neither was it wholly bad, it had moments
That much fanwanking can't be healthy.
Probably should see a doctor.That much fanwanking can't be healthy.
Is that why I have hairy knuckles?That much fanwanking can't be healthy.
And poor vision?Is that why I have hairy knuckles?
Actually, first is the line "I'm right in the corner, watching you kiss her." Then comes "I'm right over here" and, oh, wait, this isn't a song lyric thread?I'm over here, Dude....
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