Posted by Galactus:
I think I have to come down on the side that Trek has always said that the human way is the best way. DS9 was the only one to really question the idea that humanity and the Federation did anything wrong. All other Trek proclaims that humanity is the greatest thing in the galaxy and can defeat any enemies from the Borg to the Q and all in between. If Trek man is grest than God and everyone else's god too.
Not sure what that last sentence says,
Galactus; did you leave out a word or something?
I think it's not only possible, but preferable, to not simply make everyone and his brother 'human' when trying to tell a story, and certainly not to waste the opportunity that presents itself when you have an
ongoing character that is 'non-human' by making her motivation "to discover her humanity." Despite
Dennis's argument, it is entirely possible to explore a non-human perspective without actually being non-human, and that's what these characters can do. It's not about creating a Vulcan culture; it's about the dramatic potential of an admittedly narrowly-defined culture through which you can compare and contrast our own. They are two-dimensional because they are
supposed to be; it's the dimensions that you do see that are used to shine a light onto the much deeper and broader canvas of humanity. Make T'Pol a human in Vulcan's clothing, and that's exactly what she's worth, nothing more. She might as well be Jolene Blalock sitting naked on the stage, and while that appeals to many, it's not drama; it's just window dressing.
How do you make your characters grow if the underlying theme is that their viewpoints and culture are "correct," and everything they encounter has to be somehow "less correct?" It's the common theme in this show: remove the obstacles so the characters never need to question themselves nor their abilities, nor are they ever tested. You might as well make a series out of a tank that rolls over everything in its path, week after week; it might be interesting once or twice, but keep doing it, and it's monotonous, and that's a great deal of what we've seen already. It's bad enough when you do that with your FOTW aliens, but now to do it to your Resident Objective Viewpoint is -- well, it's stupid. It's colonial. It's homogenizing. And it's non-dramatic.
These people are out here to explore, to meet
new cultures and discover new ideas. Even Phlox has said it,
numerous times, probably because the writers seem to think that you don't have to actually
demonstrate anything as long the characters get it recorded into the log: "Archer is a good diplomat. Other cultures and new ideas are valuable." But these concepts are
not what the show demonstrates: "Other cultures would be better if they were just like us. Vulcans would be better if they were just like humans, but better smelling." It's not about learning anything, about ourselves or others; it's about wrapping ourselves in a cocoon of our own prejudices and calling it a positive outlook.
This is the dramatic depth of a cartoon, and there have been a number of cartoons with considerably more depth, not to mention characters that were far less two-dimensional. I don't think that even the previous series were as black-and-white, Us-over-Them as they are being painted here. The Horta was not about how cute and cuddly it was because it was a mom, an entity to which we relate on familiar terms; it was about
questioning our own preconceptions and prejudices when something that is not like us does things we don't at first understand. It didn't 'humanize' the Horta; it expanded the human understanding of our own fears and motivations. "Gee, maybe this creature is different, even potentially deadly, but maybe if I didn't shoot first and ask questions later, I'd find that we can coexist." Sure, you can simplify it to "Gee, it's a mommy, and that's a human thing," but all that is good for is supporting a weak argument in the face of facts.
And presenting other viewpoints and cultures as unique and valuable is not the same thing as questioning the "rightness" of humanity. Asking
why one does something is in no way making a statement that it is "wrong"; it's only trying to comprehend the motivation. If everyone is just like you, will you ever question anything you do? Probably not; it's the norm, it's comfortable, and it's accepted. You do what you do and you do it over and over, and even if it
is self-destructive, you don't question it because
no one ever gives you any reason to. You might as well be operating solely on instinct, and while that's a great subject for Animal Planet, it's a terrible theme for a show that supposedly is about exploration, both outward and inward.
I have to disagree that
Trek has always said the human way is the best way. It's the "human way" to kill for sport, or for greed, but as Kirk said, "I will not kill -- today!" Even when Kirk was abandoning the Prime Directive, it wasn't about tearing down perfectly beneficial constructs that honored the sanctity of their citizens. Archer is prejudiced against Vulcans for reasons that have nothing to do with saving them from anything, with protecting them from destruction, even self-destruction; he simply doesn't like the way they make him feel about himself. He doesn't like that they question his values, his beliefs, and so he attacks them. "Why can't you be like me? I'm better than you." He's not offering them a chance at something that's truly better; he just thinks they'd be more tolerable if they weren't so 'different.' And now, with T'Pol aimed at satisfying her human master's prejudice by making the point, "Yes, maybe humans (read "Archer") have more to offer than my own beliefs. Maybe I'll be better, more successful if I am more like them," we lose the value of having her there in the first place: we should see our hero, Archer, looking into the mirror that is T'Pol, and growing as a result of seeing how others see him. Which is what
real drama is about, and what makes
real heroes.
As for
Trek proclaiming that humanity is the greatest thing in the galaxy, defeating every enemy, that's an overly simplistic reduction of those struggles. It's not about showing humanity as invincible, and thus "better"; it's about demonstrating growth through adversity. They didn't just defeat their foes because they were great to begin with; they had to overcome significant obstacles in order to
become great, and
that's what drama is, as well.