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Re-Watching VOY

Right after New Year's, I had "Hard Time". Now, right after Easter, I have "The Chute"! That's too weird. Can't wait to see what the next Holiday will be that'll be followed by a Prison Episode! :lol:

In other news, ahead of Star Trek: First Contact, I stitched together "Q Who" and both parts of "The Best of Both Worlds" into one big mega episode. At the beginning of it, I have six-and-a-half minutes from "The Neutral Zone" as a prologue. All I left in from that episode was the Enterprise going to investigate the destruction of the outposts along the Neutral Zone, the Romulans showing up, and the posturing as it's revealed that no one has any idea what's going on. I made it all straight to the point. Anything that didn't need to be there is gone. It'll be fun to watch how it all flows together in one sitting. and to post my thoughts about the whole thing once I get to it.

But first "The Chute"! Which is an intense episode from what I remember, but not so intense that I'll have to spend an entire night mentally prepping myself for it, unlike "Hard Time".
 
Right after New Year's, I had "Hard Time". Now, right after Easter, I have "The Chute"! That's too weird. Can't wait to see what the next Holiday will be that'll be followed by a Prison Episode! :lol:

In other news, ahead of Star Trek: First Contact, I stitched together "Q Who" and both parts of "The Best of Both Worlds" into one big mega episode. At the beginning of it, I have six-and-a-half minutes from "The Neutral Zone" as a prologue. All I left in from that episode was the Enterprise going to investigate the destruction of the outposts along the Neutral Zone, the Romulans showing up, and the posturing as it's revealed that no one has any idea what's going on. I made it all straight to the point. Anything that didn't need to be there is gone. It'll be fun to watch how it all flows together in one sitting. and to post my thoughts about the whole thing once I get to it.

But first "The Chute"! Which is an intense episode from what I remember, but not so intense that I'll have to spend an entire night mentally prepping myself for it, unlike "Hard Time".
Considering where you're currently at with rewatches... it'll be Memorial Day, with the two-parter "IN PURGATORY'S SHADOW"/"BY INFERNO'S LIGHT".
 
"The Chute"

This is one of those times where VOY being in SD and un-remastered works to its advantage. The graininess, video noise, and imperfections all add to the atmosphere if this episode, making it seem raw, rough & tumble, and like Paris and Kim are in a prison. Total anarchy, totally savage, and only the strong survive.

At first, it looks like Paris is going to be the strong one, standing up to the alphas, while he'll pretend Kim is his prison bitch. Then Paris gets shanked and then Kim is tasked with both making sure Paris stays alive and fending off all the literally crazy inmates. Literally crazy because the clamp is driving them crazy.

Except for Zio, an inmate who's learned how to control the craziness and has written a manifesto. In every prison movie, there's that one inmate who's wiser than the others. He allows Kim (and Paris) to stay with him. Eventually, Zio wants Kim to kill Paris, who he views as a liability. Kim 100% refuses to kill his friend.

Kim's resolve and his refusal to let go is on full display. Both the good that comes out of it, like keeping Paris alive, and the bad. He's so determined to figure out how to escape that when he reaches the exit, it leads directly into space, and that's when he finds out the prison is really a space station. Being completely irrational, he still doesn't give up and insists they can escape if they all work together. He sounds crazy! He can't see at all that he'd be leading them into the vacuum of space. The clamp is adding to his disassociation for sure. And, of course, no one there listens to him.

Meanhile, Janeway has to figure out how to rescue Kim and Paris. Ambassador Liria, played by Robert Pine (Chris Pine's father) is one of the hardest-headed aliens Voyager has encountered yet. He wants to impound Voyager, doesn't care about new evidence that would exonerate Kim and Paris, and overall is as difficult as possible.

Rib and Piri, who are responsible for the explosive that Liria thinks Paris and Kim used, tell Janeway where the asteroid prison is. Then this episode comes up with a solution to a problem: how does Voyager rescue Kim and Paris if they can't enter Arkitirian space where they're being held? They use Neelix's ship. Janeway, Tuvok, and a bunch of security guards rescue Tuvok, they get out of there... and then Neelix has to use his piloting skills to evade the Arkitrians.

While I was watching the episode, I was wondering how it would be possible for Neelix to evade the Arkitrians so completely. It's the only weak point of the episode, but I can rationalize it as Neelix had to be involved in a lot of tough scrapes in his Pre-Voyager Days, so he must've become very good at evading other ships when necessary.

At the end, when Paris is healed, Kim is still troubled because he tried to kill Paris at one point, but Paris says all he remembers is that Kim protected him from all those other inmates. Nice way to tie up the episode.

I would've liked to have found out more about Rib and Piri's cause, since the Arkitirans aren't the type of aliens we'll ever see again; but that's more of a "would've been nice" rather than a "have to have". A great way to start the actual season. I give it a 9.
 
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Slight correction: it was a space station, not an asteroid.

I really love this episode. The slow decay of Tom and Harry's control really amplifies the situation they're in. It's also a great showcase of Tom and Harry's friendship. And a great way to start the season (production order wise, anyway).

I'd probably also give it a 9.
 
I definitely watched the episode once (the revelation of the true nature of the prison is pretty great). I don't have VOY on DVD or otherwise available that I know of, but this is one of those ones where I'm kind of okay with never having seen it again, because I just found it so painful. Kim and Paris must suffer!

Did VOY ever again utilize Neelix's shuttle? It seemed to come out of nowhere that anyone even remembered they had it in the first place!
 
"Remember"

It's a special occasion: Voyager is inviting aliens over instead of being attacked by them. Voyager hitches up the Enarans with a ride, and they give Voyager new energy conservation technology. Neelix pulls out all the stops and decorates the Hell out of the Mess Hall. It actually looks pretty nice. But this episode is called "Remember" not "Dining with the Enarans" so something has to happen.

I personally wouldn't mind hanging out in the decked-out Mess Hall with the Enaran-themed party, but Tores gives the whole thing a hard pass. The dreams she's been having lately are way more exciting. I can't say I blame her. I just had some pretty interesting dreams. The only difference is her dreams make sense. So much sense that it's actually a narrative. And it turns out to be so real that it is real. Jor Brel, an Enaran leader, tries to confuse the issue by saying maybe the other Enarans are accidentally giving Torres these memories, which they tend to do, and her mine is amalgamating it into something else. But she's insistent this isn't the case and the Doctor proves she's experiencing someone else's memories.

What are these memories? Torres is experiencing the memories of a woman named Korenna who, in her youth, who was seeing a man named Dathan (Nathan with one letter switched!), who her father doesn't approve of because he's a "Regressive". Dathan has to sneak around to see Korenna. Skipping to the end, Dathan and all the other Regressives were exterminated and all knowledge of this was suppressed. An elderly Korenna, who's been living under another name, is giving Torres these memories. And she has to finish before she dies, as she's killed. Jor Brel tries to pass it off as something else, that she died of natural causes, but it's another coverup. After Torres tells the Voyager crew about the Regressives and what was done to them, Jor Brel immediately denies it and wants the Enarans to leave the ship.

I appreciate with the maturity with which this subject matter is treated and how it doesn't try to beat you over the head with its message. It shows what happened as was. It shows how strong of a propaganda machine Enaran society has. And it has a message that can easily be translated into today. Two messages, actually: First, be careful who you pick up on the road. I'd say don't pick up anyone, because you don't know what you're getting yourself into. And second, society will go to great lengths to cover up its atrocities and make sure no one knows about them so as to cause social unrest. Torres is furious. Quite understandably so. Janeway is in the unenviable position of telling Torres there's nothing she can do. If the Enarans want to deny part of their history, that's their perrogative.

It looks like the episode will end on a downbeat note, but while there may not be anything Janeway can do, there's something Torres can do. She allows one of the Enarans who she'd been working with in Engineering to gain access of Torres' memories of Korenna's memories and she gets to live through the experience herself, so maybe what happened to the Regressives won't be so suppressed going forward. This episode then leaves it an open question about what happens to the Enarans afterwards and how far this information spreads.

The message is on-point, the handing is on-point, and the story is kept to regular people on a small-scale story about something happening on a large-scale. With so many moving parts all effortlessly working in tandem, I can't imagine an episode of this type being any better than it already is, and it's excellent at what it is. I give it a 10.
 
It's always nice to find a good season 3 episode! I'd definitely recommend Remember over Unforgettable (though it's maybe not as good as Remember Me).
 
I have to give extra credit to Roxann Dawson, because she was able to change the timber of her usual voice to be of someone closer in age to Karenna when she was young. Roxann has shown great skill with her voice. (In "DREADNOUGHT", in ENT's "DEAD STOP", as both versions in "FACES".)

But I have to ding Janeway a bit. First she tells B'Elanna she can't off snooping on the planet because that is interfering in their internal affairs, but then she says to her (in an indirect way) to go ahead and talk to the Enaran in Engineering. It's the exact same thing... interfering in the internal affairs of a world. As Janeway rightly pointed out, B'Elanna already tried to make them aware in the Mess Hall but they were not having it, so thst was her one shot. Janeway has been written as inconsistent from episode to episode, but I think this was the first time she was incobsistent within the same scene.

I get the message and I completely agree with it, but you also can't be dictating to other societies what is and is not acceptable regarding telling their own history.
 
It's always nice to find a good season 3 episode! I'd definitely recommend Remember over Unforgettable (though it's maybe not as good as Remember Me).
I can only think of one song for this. ;)

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After "The Swarm", I'm going to review "Nemesis" (the episode, not the movie). It's the only way I'll be able to give "Nemesis" a fair chance. If I watch it in proper order, I know myself, I'll think what I thought when it first aired: "Where the Hell is Seven of Nine?!" It immediately biased me against the episode, and I always skip over it whenever I watch Season 4. So, in this Re-Watch, I'm trying to outsmart myself or, more accurately, outsmart my own biases that I know I have.

But I won't actually post the review until its proper place between "Day of Honor" and "Revulsion". I think that'll be a workable compromise. So, when we get there, just know that I'll have written the review for "Nemesis" months in advance.
 
After "The Swarm", I'm going to review "Nemesis" (the episode, not the movie). It's the only way I'll be able to give "Nemesis" a fair chance. If I watch it in proper order, I know myself, I'll think what I thought when it first aired: "Where the Hell is Seven of Nine?!" It immediately biased me against the episode, and I always skip over it whenever I watch Season 4. So, in this Re-Watch, I'm trying to outsmart myself or, more accurately, outsmart my own biases that I know I have.

But I won't actually post the review until its proper place between "Day of Honor" and "Revulsion". I think that'll be a workable compromise. So, when we get there, just know that I'll have written the review for "Nemesis" months in advance.
I'm kind of surprised by that, because there have been episodes throughout the franchise where a lead character does not appear in it at all. (Troi in multiple TNG, Worf in several of TNG and DS9, Data in "Family", Kira in at least a couple, Torres in at least 2, etc.)

If memory serves me, "NEMESIS" is the only one where Seven does not appear since season 4. The episode doesn't need her, honestly.
 
I'm kind of surprised by that, because there have been episodes throughout the franchise where a lead character does not appear in it at all. (Troi in multiple TNG, Worf in several of TNG and DS9, Data in "Family", Kira in at least a couple, Torres in at least 2, etc.)

If memory serves me, "NEMESIS" is the only one where Seven does not appear since season 4. The episode doesn't need her, honestly.
Seven was a brand-new character, immediately my favorite character on the show, someone who was as much of an outsider as I was, and didn't want to be like the rest of the crew as much as I didn't and don't want to be like a normie. Plus, there was the whole Paris/Torres romance that finally kicked into high gear, and if you skip from "Day of Honor" to "Revulsion", it's like nothing was missed at all, so I viewed "Nemesis" as one massive interruption. At 18, I was far quicker to judge things and also more harshly once I did. And that stayed with me. But with age comes wisdom, so I know I haven't been fair, which is what I want to be.

One point of this re-watch is for me is to watch certain episodes with a more open mind and give things a chance that I hadn't before. So, I gain some new insight for myself as well. And I think "Nemesis" will be a prime example. Not to mention also seeing the insights of others.
 
Possibly another reason why "NEMESIS" being in between those two episodes felt like nothing was missed was because it was produced directly before "DAY OF HONOR", but aired directly after.
 
"The Swarm"

On the surface, the A-Plot of the Swarm and the B-Plot of the Doctor's Memory don't seem like the type of things that would naturally go together. However, the Swarm added a lot of tension as the Diagnostic Hologram grafted himself onto the Doctor. It feels like forever for software to initialize in Real Life, and what it feels like forever for Kes too. An eternity during with the Swarm could take out Voyager.

The Swarm made for an interesting adversary. I wouldn't have minded seeing them again. They have an intimidating design, a language that can't be understood, and they're like a beehive. Kind of like what the Borg were originally intended to be, before they went in another direction with them in their actual first appearance on TNG. The Swarm even individually beam onto the Voyager bridge, as the Borg have done on the Enterprise.

Trying to outrun and outfight the Swarm is pure technobabble, but I think I understood it. As the Swarm all tried to attach themselves to Voyager, the Voyager blasts at them while making sure their shield frequency cancels out it being reflected back on them. Then Voyager gets out of there. My only issue with that is that Voyager is in Swarm space for four days. Can they really hold off the Swarm for that long? I guess they do, since there's a next episode. But it's something that's just glossed over. I think it would've been more interesting if everything was spread out over the four days.

This is the first episode where the Doctor takes up Opera. The singing partner he's struggling to work with seems like she's sentient as well. I wouldn't have minded seeing her again either. Although, I'm sure the Doctor would mind.

The Doctor in this episode seems like an Alzheimer's patient as he slowly forgets everything. The Diagnostic Hologram's program is like the early template for the Doctor and Zimmerman himself on steroids. Fortunately, Kes manages to get him to come around by the end of the episode.

A common complaint about this episode is that the Doctor's reinitialization is glossed over at this episode. Watching the episode again, I don't see it as a problem. The Doctor singing opera at the end of the episode strongly implies that his memory would return in full. Plus, I'm not interested in having the early Doctor back and it would feel redundant to re-learn everything over the last two seasons again. My rationalization is that after he was reinitialized, the Doctor was processing everything and by the time "Future's End" rolled around, it was fully or almost fully processed.

Kes really steps up in this episode. First by taking matters into her own hands in Sickbay, and then on the Holodeck when Torres isn't available and she makes the suggestion to the Diagnostic Hologram to graft himself onto the Doctor's matrix.

The other thing I want to bring up before I forget is Tuvok mentioning to Janeway the clear violation of protocol that going through Swarm space without permission is. But she doesn't care. Four days of going through their space versus 15 months of going around it. I can see Janeway's point, but I can also see Tuvok's, and we see his facial expressions as things look like they're starting to head South. Good understated acting on Tim Russ' part there.

Overall, not a knock-out, but still a great episode, and having dramatic tension on two fronts is always a plus. I give it a 9.
 
"The Swarm"

On the surface, the A-Plot of the Swarm and the B-Plot of the Doctor's Memory don't seem like the type of things that would naturally go together. However, the Swarm added a lot of tension as the Diagnostic Hologram grafted himself onto the Doctor. It feels like forever for software to initialize in Real Life, and what it feels like forever for Kes too. An eternity during with the Swarm could take out Voyager.

The Swarm made for an interesting adversary. I wouldn't have minded seeing them again. They have an intimidating design, a language that can't be understood, and they're like a beehive. Kind of like what the Borg were originally intended to be, before they went in another direction with them in their actual first appearance on TNG. The Swarm even individually beam onto the Voyager bridge, as the Borg have done on the Enterprise.

Trying to outrun and outfight the Swarm is pure technobabble, but I think I understood it. As the Swarm all tried to attach themselves to Voyager, the Voyager blasts at them while making sure their shield frequency cancels out it being reflected back on them. Then Voyager gets out of there. My only issue with that is that Voyager is in Swarm space for four days. Can they really hold off the Swarm for that long? I guess they do, since there's a next episode. But it's something that's just glossed over. I think it would've been more interesting if everything was spread out over the four days.

This is the first episode where the Doctor takes up Opera. The singing partner he's struggling to work with seems like she's sentient as well. I wouldn't have minded seeing her again either. Although, I'm sure the Doctor would mind.

The Doctor in this episode seems like an Alzheimer's patient as he slowly forgets everything. The Diagnostic Hologram's program is like the early template for the Doctor and Zimmerman himself on steroids. Fortunately, Kes manages to get him to come around by the end of the episode.

A common complaint about this episode is that the Doctor's reinitialization is glossed over at this episode. Watching the episode again, I don't see it as a problem. The Doctor singing opera at the end of the episode strongly implies that his memory would return in full. Plus, I'm not interested in having the early Doctor back and it would feel redundant to re-learn everything over the last two seasons again. My rationalization is that after he was reinitialized, the Doctor was processing everything and by the time "Future's End" rolled around, it was fully or almost fully processed.

Kes really steps up in this episode. First by taking matters into her own hands in Sickbay, and then on the Holodeck when Torres isn't available and she makes the suggestion to the Diagnostic Hologram to graft himself onto the Doctor's matrix.

The other thing I want to bring up before I forget is Tuvok mentioning to Janeway the clear violation of protocol that going through Swarm space without permission is. But she doesn't care. Four days of going through their space versus 15 months of going around it. I can see Janeway's point, but I can also see Tuvok's, and we see his facial expressions as things look like they're starting to head South. Good understated acting on Tim Russ' part there.

Overall, not a knock-out, but still a great episode, and having dramatic tension on two fronts is always a plus. I give it a 9.
I think I can put this and the previous (produced) episode, "REMEMBER", as when Janeway started being written inconsistently.

In "REMEMBER", she was all about not interfering with the Enarans and letting Torres beam down to investigate their own history, violating the Prime Directive. (Despite the fact within the same scene, she allows Torres to do that talking to that Enaran woman Kim was talking with throughout.) Here, she's happy to drop regulations and knowingly invade a group's territory, instead of even trying to ask or negotiate for permission like in the past, such as in "PERSISTENCE OF VISION".

I get her point, but this was the start of how VOY treated her in terms of writing. And I always saw that as a negative.


(Side note: for at least 20 years, I thought 'interferometric' was the most ludicrous sounding bit of technobabble the franchise ever said out loud. Imagine my surprise when I discovered it was an actual term!)
 
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"The Neutral Zone" + "Q Who" +
"The Best of Both Worlds" Parts I & II (TNG)

I finally did it, made the time, and watched all the major TNG Borg episodes relevant to Star Trek: First Contact, "Unity", and "Scorpion". I used six minutes from "The Neutral Zone" as a prologue in my fan-edit when I put these episodes together, because Gomez spilling coffee Picard was, while amusing, too soft of an intro to start off something as big as this. I've always thought of "The Best of Both Worlds" as the Zeroth TNG Movie. I even went to a Special Screening of it in a theater when it was released on Blu-Ray in 2013. Enough preface and on with the show.

Much like Star Trek: The Motion Picture began with the Klingons approaching V'Ger, the Romulans are used in "The Neutral Zone" to set up the Borg. The Romulans have no idea who scooped up their outposts, nor does the Federation know who scooped out their own outposts. The Romulans agree to cooperate with the Federation on the one issue of trying to find out who was responsible. And this is my opening to say that yes, I noticed Marc Alaimo was the main Romulan. He did such a good job with what little he was given, that I can understand why they brought him back as Gul Macet when TNG introduced the Cardassians in "The Wounded" and later on as Gul Dukat on DS9.

Next up is "Q Who", where Q flings the Enterprise in all the way to System J-25. Far, far away from Federation Space. They observe habitats that were scooped up just like what they'd previously seen in the Neutral Zone. And this is when the Enterprise first encounters the Borg. First, we just see the Borg Cube. Then a Borg Drone beams into Engineering. When Worf is able phaser down Drone, he's replaced with another. The Borg collects the information they want to gather and leave the Enterprise. Guinan warns the crew about the Borg and Q tells them the Enterprise is something they want to "consume". Add to their technological distinctiveness. The episode slowly reveals how deep of a situation Q has gotten the Enterprise into.

Then the Borg attack. The Enterprise manages to break free, and the Borg begin to rapidly repair themselves. When Riker, Data, and Worf beam onto the Borg Cube while they're distracted, Riker notes that the Borg are born wholly organic and then have technological components added almost immediately. I wonder if this is where they got the idea to turn Picard into a Borg later on. Take an organic like Picard and turn him into a Borg. But that's getting ahead of myself.

Picard decides they have to get out of there before the Borg Cube fully repairs itself, the Borg chase them anyway, and Picard has to plead with Q to get them out of their dire situation. Afterwards, Picard realizes now that the Borg are aware of the Federation, they'll be coming.

Which brings us to "The Best of Both Worlds". Starfleet has spent over a year preparing for the Borg, with Shelby heading up the effort for the past six of those months. This might be a hot take, but I like Shelby better as a First Officer than Riker. She's more ambitious and willing to do whatever it takes. You need that when fighting an enemy on as large of a scale as the Borg. The tug-of-war between Riker and Shelby was a highlight of this two-parter and how they eventually learn to work together.

The highlight is when Picard is abducted by the Borg, it's revealed that he's been turned into Locutus, complete with an ominous version of the Star Trek theme in the background, Locutus gives his speech to the Enterprise about how "from this time forward, you will service us," and then Riker says, "Mr. Worf, fire!" I didn't realize this until recently, but turning Picard into Locutus to serve as a mouthpiece for the Borg is similar to V'Ger turning Ilia into the Ilia-droid to serve as a mouthpiece for V'Ger. So, Ilia was an early version of Locutus and, in turn, Locutus was an early version of Seven of Nine, since Seven was originally intended by the Borg to be their representative to Janeway.

After the Enterprise's attack on the Borg doesn't work, the Borg leave the Enterprise in the dust and engage Starfleet in the Battle of Wolf 359. They do a great job of making the Borg appear formidable and unstoppable. Conventional fighting tactics weren't going to work against the Borg.

Guinan gives Riker a bitter pill to swallow. Riker says, "Picard wrote the book on his ship!" Guinan tells him, "If the Borg already know everything about that book, then it's time to throw that book away." Riker has to think outside the box. Once the Enterprise catches up with the Borg, the Enterprise separates, gives the Borg plenty to focus on, the Data and Worf go on a shuttle to retrieve Locutus, which he interprets as an abduction. Then Data has to find a way to break through Locutus and get to Picard, while Troi tries to sense if Data's actually reaching through and if Picard's able to reach out.

The Enterprise is lucky that it has Troi and especially Data. They finally get through to Picard, who's also been trying to fight Locutus, and he tells Data to give a command to the Borg to sleep. And it works. Starfleet wasn't going to win through pure firepower. Once the Borg are asleep, the Enterprise destroys the Borg Cube, Locutus is no more and the Borg Implants are removed from Picard, but the emotional scars remain.

"The Best of Both Worlds" not only put Picard through the wringer and put Riker and rest of the crew to the test, but it also had movie-level stakes, with the Borg heading directly towards Earth. Something normally only reserved for the movies. Another nod to the movies is when the Enterprise head into a nebula for repairs and the nebula looks just like the Mutara Nebula from The Wrath of Khan. It's fitting for one of the most epic Star Trek episodes to remind me, even in a small way, of one of the most epic Star Trek movies.

Something I've noticed, and it's most likely a coincidence, but I have to point it out anyway: the Borg were introduced on TNG to replace the Ferengi is #1 Main Enemy of the series. Now, on VOY, the Borg will be introduced to replace the Kazon as the #1 Main Enemy. Both times, the Borg were a replacement enemy. And a much better one. The only difference is TNG used the Borg far more sparsely than Voyager. But, on the flip side, Voyager was able to tell more varied stories with them.

I'll leave off with saying I'm very impressed with what these episodes were able to accomplish on the technical end, and how much they were able to do the Borg justice. And the soundtrack by Ron Jones throughout all of these episodes was fantastic. They're among his best work.

Okay, one more thing: it's very interesting that prior to Locutus, it's established that the Borg don't speak with a single voice. Someone better tell the Borg Queen that!



My Favorite Scenes from "The Best of Both Worlds":
  • Shelby calling Riker's bluff at the Card Game.
  • Shelby telling Riker he's in her way. (Notice a pattern here?)
  • Picard talking to Guinan in Ten Forward about whether or not this is the end of Federation civilization.
  • The introduction of Locutus. First on the Borg Cube, and then on-screen.
  • "Mr. Worf, fire!" Have to give Riker that one!
  • The tear coming down the side of Picard's face after his skin-tone is turned gray.
  • The Enterprise separating.
  • Picard staring into space at the end of the two-parter, as he reflects on what happened and we wonder about how things will be with him going forward.
One other thing to note: Riker tells Shelby how much he appreciates her, and then he tells everyone in the briefing that he's forced to reluctantly promote Shelby to First Officer! Couldn't you have found a better way to phrase that, Riker? Guaranteed when Shelby told Riker she hoped she'd be able to serve with Riker again; she was just being polite. I personally doubt she really meant it.
 
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"Future's End, Part I"

Normally, I do both parts of a two-parter in one go, but I don't have it in me watch both parts tonight, so I'll do Part I today and Part II tomorrow. These have always been a pair of my favorite Voyager episodes, not just of the third season but across the series. Before this point (in the '90s), "Future's End" was the type of story I never thought I'd see on Voyager. The crew back on Earth for one thing, and in then-Present Day for another! But it worked like a charm.

The guest-cast are all very memorable and I liked them immediately. Or loved-to-hate in Starling's case. Starling is a rich, smug, arrogant asshole prick. That enough descriptors for you? He's the perfect villain for this type of story. Captain Braxton is someone I feel so bad for. He starts off as a 29th Century Captain of a Timeship, then ends up stuck in the 20th Century for 30 years as a homeless bum! Then, last but not least, Rain Robinson. She's the perfect cool science nerd into astronomy but also loves horror movies. A perfect match for someone like Tom Paris. She and Tom have perfect chemistry together. For sure, Rain Robinson's the Gillian Taylor of this story.

Years Decades ago, I read in the TNG Companion that the original plan for "Time's Arrow" was to send the TNG Crew back to Present Day, but they nixed that idea because it had already been done in Star Trek IV. I think they made the right call because it was too soon in 1992. But by 1996, thanks to the spread of the Internet, there was finally enough of a difference that I think they could get away with it for "Future's End". I think of the entire Web 1.0 Era (roughly from the middle of the '90s to the middle of the '00s) as "a bridge", to quote Bill Clinton, from the 20th Century to the 21st. And "Future's End" gave Star Trek a chance to look at this transition.

The best line of the episode is when the Away Team beams down to Earth and Tuvok says, "We could've worn our Starfleet Uniforms. I doubt anyone would've noticed." He's got a point. I have to comment on the costumes and wardrobe. I like Janeway's French Braid. Chaktoay looks like George Clooney with his hair combed down. They also dressed like they're from Maimi Vice. Tuvok looks like he's "chillin' like a villain" to use some '90s slang. Gangsta Rap Tuvok! Paris looks like he totally wants to go surfing, man.

The only thing that was off was when Rain Robinson detected Voyager and she said, "No way" followed by "Way." That would be "No way" followed by "Yes way." Although maybe they said things differently in California than they did where I am in New England.

Starling went from hippie in 1967 to super corporate "Today". The ultimate stereotype of a Baby Boomer sell-out. Like I said, he's perfect for the type of character he is. After Rain Robinson tells him she's detected alien life, Starling wants his stooge to kill her. Rain reluctantly joins Paris and Tuvok after Starling's Stooge tries to vaporize her.

When Rain asks Paris and Tuvok what's going on, and Paris says they're trying to stop the KGB, Rain points out how the Soviet Union collapsed five years ago and that the KGB doesn't even exist anymore. That's when Paris says the second-best line of the episode, "That's what they want you to think!" That line's even funnier today, given how determined Putin has been to bring back the Soviet Union in all but name.

Another one of my favorite sequences is when Janeway and Chakotay sneak into Starling's office, Chakotay notices Janeway never learned to type, and she says, "Turn of the Millennium Technology wasn't a required course at the Academy. It's like stone knives a bear skins." A direct nod to "The City on the Edge of Forever" (TOS). I don't really care for the idea that the Computer Revolution of the late-20th Century shouldn't have happened, but I rationalize it as: if Starling didn't, it would've been someone else, and those people just so happened to be Bill Gates and Steve Jobs.

I have to give a shout-out to the scene where Janeway and Chakotay run into Braxton, he has to explain to them what happened in Doc Brown style, and then the cops show up. Braxton feels betrayed when they pretend not to know what Braxton is talking about, but what else could they have done?

This was also the first episode where Kim was put in command. I thought he did pretty well in the role and knew when to take a risk, at Torres's suggestion, when he rescued Janeway and Chakotay from Starling. But then it led to Voyager being caught on camera! I thought that was a crazy cliffhanger. At the time, in 1996, my exact thought was, "Oh no! What are they going to do about this?!!"

Two other favorite scenes of mine in the episode: Neelix and Kes watching soap operas. Kim and Torres reacting to the greeting sent by Rain Robinson. "Do we reply back?" "Absolutely not!"

I loved the way Rain Robinson decorated her space. She's got lava lamps. I've got lava lamps. And one thing I miss about CRT monitors: you can actually put stuff on them! You can't put anything on a flat screen!

Anyway, I think it's for the best that I have Part I and Part II in separate posts. There was so much ground to cover in Part I alone. In case you couldn't guess, I give this episode a 10.
 
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Future's End is like an oasis in the middle of season 3 for me. It doesn't quite feel like a Voyager episode, it's more cinematic and dynamic. Plus a little bit like a dumb action comedy, but it works. All the location filming gives it great production values and it just feels like there was more enthusiasm from the production crew for this one. Or maybe it was just me who was more enthusiastic about it.

Compare it to the similar Carpenter Street on Enterprise (just a couple of episodes later in its own third season) and it's literally night and day
 
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