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Re-Watching DS9

Another DS9 episode! I'll go back to alternating between DS9 and B5 again in January. Nothing like balancing a 26-episode season with a 22-episode season. Especially when they started and finished in completely different months when they were originally airing.

"Rules of Engagement"

This episode started off with something I didn't remember at all. I remembered the nightmare Worf had of the Klingons capturing the Defiant. But I didn't remember him waking up in a holding cell! So that caught me by surprise. When Odo told Worf he better rest up because he has a long day ahead of him, I knew what was in store. But, when I first watched this episode back in 1996, I don't remember, but I must've thought to myself, "How did Worf get into this mess?!" Great camera work, by the way, during the dream sequence, when the Klingons declared victory and held up their bat'leths. It all felt very surreal. Perfect for a dream. Or, in this case, a nightmare.

At one point in 1996, I read in a magazine, probably either Starlog or Starlog's official DS9 magazine, Ron Canada said that he viewed Ch'Pok, the Klingon Prosecutor he played, as a Mental Warrior showing the different types of battles Klingons fight. It's interesting to see Klingons in "battle" in a courtroom, and we hadn't really seen this type of a character since the Klingon Ambassador from the TOS Movies.

Ch'Pok tries to make it look like Worf knowingly attacked Klingon civilians instead of military targets. He's hoping to make the Klingons look more sympathetic to the Alpha Quadrant. And episodes like this (along with "Homefront" & "Paradise Lost") make it clear to me that Starfleet in the 24th Century is indeed the military, no matter how much TNG tried to dress it up as something else.

Ch'Pok argues that Worf should be tried by his own people since he was acting as a Klingon Warrior, even though he's a Starfleet Officer. He tries to use a holosuite program of Worf's that simulates an Ancient Klingon Battle to show that Worf has a killer instinct and he'll intentionally kill civilians. In my opinion, this is an extremely faulty argument. If this were Present Day, it would be like accusing Worf of being a killer just because he plays video games. Worf plays a conqueror on the holosuite, but that doesn't make him a conqueror on the battlefield, because he wouldn't throw away his Starfleet career just for some momentary glory.

One thing the defense doesn't bring up, which proves Worf doesn't behave like other Klingons, is when he chose to spare Toral's life in "Redemption, Part II" (TNG). "Kill him. It is our way!" "I know, but it is not my way." That right there alone proves that Worf doesn't automatically think like other Klingons.

To set the stage: The Defiant was aiding Cardassian convoy in a warzone where Klingons might strike. Worf orders the Defiant to fire in a combat situation and ends up hitting a civilian Klingon freighter that suddenly decloaks. What would Klingon civilians be doing in a combat zone? And why would civilians be cloaked? Those are the questions I've had while watching this. Those two things don't make sense. It reeks of a frame-up of Worf. Hold that thought.

Trying to frame Worf doesn't stop on the battlefield, it happens in the courtroom as well, when Ch'Pok baits Worf into becoming so angry that he attacks him. Ch'Pok tries to make it look like Worf would attack someone unarmed. I would argue that Worf used no weapons to attack Ch'Pok, even though he shouldn't have hit him, and Ch'Pok could've hit back. And it obvious that Ch'Pok was arguing in bad faith since his intention since he was intentionally trying to anger Worf and keep him from being able to think straight.

Back to the thought I was holding. I didn't remember how Odo found evidence to give to Sisko to clear Worf. But I do remember Sisko's "isn't it possible?" speech. Interesting that the Klingons would use a list of people who died in an earlier incident in a list of people who would've been killed when Worf opened fire. That was sloppy on the Klingons' part. As sloppy as having a Klingon civilian ship with a cloaking device. And yet, if it weren't for Odo, they would've gotten away with framing Worf. Even without remembering how Worf was cleared, I remembered thinking something was suspicious as I was re-watching this episode just now.

It would've been easy to just end with Worf being cleared, but luckily this episode went the extra step. Sisko asked Worf if he realized what his mistakes were. Worf said he shouldn't have accepted the assignment and he should've checked to see who was on the ship he fired on before he fired. Seeing Worf realized that showed true growth. And Sisko, seeing that as well, said that Worf would make a fine Captain one day. And it makes me wish we could've seen a series with Worf as Captain of the Enterprise-E in the '00s. Hot take, but I would've much preferred a series like this over ENT, but only if the DS9 writers had written it. Getting to see a Captain as unconventional as Worf would've been interesting. Even though I understand Michael Dorn would've been sick to death of the Klingon makeup by then.

Because of the type of this episode this was, I had to look at the credits. Teleplay by Ron Moore. Story by David Weddle and Bradley Thompson. Weddle and Thompson followed Ron Moore onto Battlestar Galactica and For All Mankind. And probably other shows in-between. Between those shows, DS9 in general, and what I saw from this episode in particular, I think they'd be pretty good at writing a military series set on Present Day Earth. It's not the type of thing I'd normally watch, but I'd check it out if they were writing it.

Overall, this episode was much better than I remembered, And I remember already liking it to begin with. It's something I appreciate more now than when I was younger. Overall, I give it a 9.

"You forgot to mention the flashbacks!" No, I didn't. I'm mentioning them now! It was a neat narrative device, but sometimes I think it felt out-of-place with an episode that was dead serious and meant to feel as "more real than real" as a Star Trek series on a 24th Century deep space station can.
 
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Having the characters talking TO the camera during their testimonies was a great idea, and is what makes this episode unique in the franchise.

The final scene, and scenes like that, are EXACTLY why Sisko is the best captain in the franchise. I call them 'Sisko Sessions'. These lessons about command are so spot on.
 
There was something brilliant about the "flashbacks." Each was its own character moment. Dax's moved the romance narrative along. Quark's highlighted his unseriousness relative to the Star Fleet characters. O'Brien's was particularly effective, showing the NCO who was a skilled professional in his own right, but also deferential and humble.

One of the more controversial elements of the episode is how "the content of Worf's heart" was at the center of the hearing. Admittedly, I was skeptical of the notion that beliefs and attitudes would carry so much inculpatory power. However, the more I think about it, the more I realize that there are societies in the past where such evidence would be taken seriously, and there are people who people that it is sufficient to form a prejudicial opinion.
 
I had a follow-up thought to my second re-watch of "Defiant". I never thought about it until today, when it hit me at random. I'd earlier made the observation that "Q Who" and "The Jem'Hadar" were a lot alike in that one set up how much of a threat the Borg would be, and the other set up how much of a threat the Dominion would be. Since "Defiant" set up what the Obsidian Order was planning in advance of "The Die Is Cast", my mind immediately jumped to "The Die Is Cast".

When that Starfleet Admiral said the massacre of the Tal'Shiar and the Obsidian Order fleets sounded like Wolf 359 all over again, it's just occurred to me now that the writers had those fleets sacrificed so they could show how an entire fleet (really two fleets) would stack up against the Dominion without having it actually be Starfleet.

On the one hand, I think the writers wanted to use the Tal'Shiar and the Obsidian Order instead of Starfleet, so that while the battle might remind the Admiral of Wolf 359, the audience wouldn't feel like they were watching "The Best of Both Worlds" all over again, except with the Dominion.

Another thought I had is that this had to have been around the time Ron Moore had begun tossing around ideas with Brannon Braga about Star Trek: First Contact and I know one of their first decisions was that they wanted to use the Borg. It would make sense that Ron Moore would want to make sure Starfleet was still intact for the re-match with the Borg in FC, and it also served the DS9 writers' purposes for reasons which had nothing to do with the movie. Win-win.



As I mentioned before, I ordered Babylon 5 on DVD. These are the original season sets that come with the Special Features, including Episode Commentaries. I know @Ray Hardgrit (we miss you!) told me not to look at the DVDs until after I finished the series, but I really wanted to watch JMS's commentary track for "Severed Dreams". And if there were spoilers for what's ahead, I was willing to take that risk in this case.

I had a feeling he'd have a commentary track for "Severed Dreams", and he did. First of all, all the big moments that he commented on, he re-affirmed all of those big moments to me, so I didn't miss anything.

Nice to know that "Severed Dreams" is a fan favorite. It's my personal favorite episode of Babylon 5 up to what I've seen. If someone asks me what my favorite episode is, I don't even have to think about it, it's that one. I've seen it a handful of times now. My thinking, "The Hell with the Re-Watch! I want to watch this again, just because!" On the DS9 side, after "The Way of the Warrior", I probably re-watched it at least 10 times the year it came out. I liked it that much. Had I been a fan of B5 back then, I would've done similar with "Severed Dreams" for sure.

JMS was quick to admit when he made dramatic concessions for the sake of TV. Like Ivanova going out there to fight alongside the Starfuries or the applause Sheridan received at the end. I admire that he was aware enough and secure enough to point those things out.
 
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"SEVERED DREAMS" won B5 a Hugo, too. So it definitely has its fans, and rightly so. It even beat out "THE VISITOR", actually.

(Personally, I love "THE VISITOR" more, but I completely get why "SEVERED DREAMS" won. I'm content that it lost to such an excellent episode. It's kind of like how THE SHAWSHANK REDEMPTION didn't win a Best Picture Oscar... it should have won. But it went up against FORREST GUMP, so you got to figure, "Sucks that it lost, but look at what it took to beat it. Can't feel as bad when your competition is that stellar.")
 
I'm going to go out of order for DS9 this week. I'm not in the mood for "Hard Time". So, instead I'll be doing "Shattered Mirror". "Hard Time" will be some other time.

It's a great episode, don't get me wrong, but between Christmas and the New Year's, it's just not where my frame-of-mind is. I'll have to read or watch some news stories about injustices in the world, then I'll be able to get there.
 
"Shattered Mirror" (1st Part of the Review)

The episode starts off with Jake, he's in the Promenade thinking about ideas, leaves, and then sees what he thinks is his mother there. I've got to say, if I suddenly went home and saw my mother (who died in 1997), not only would that weird me out, but I'd also would've liked some sort of head's up. Just offering my own perspective. Sisko should've thought of that, even it was really the Mirror Universe version of Jennifer. BUT... that having been said, it's a great reveal before the credits!

Sisko and Jake understandably have a hard time separating Mirror Jennifer from their Jennifer, so much so that Sisko trusts Mirror Jennifer enough to leave Jake along with her. Only to find out she kidnaps Jake! At the end of the day, no matter how much things have changed in the Mirror Universe, these are still Terrans and they're not going to do things above board.

When Sisko beams over to the Mirror Universe Terok Nor (I'm going to stop saying "Mirror" now, it's going to be too redundant from here on out), he sees O'Brien sitting at what would've been his desk on the other side. I completely forgot that part. What I did remember was O'Brien's line about how "We've got plenty of Captains!" Captain Sisko, Captain O'Brien, Captain Bashir. Then Bashir hits Sisko as payback for when he hit him last time. I hate to say this, but Sisko had it coming. Fair's fair. I love how much different this Bashir is from the other Bashir.

The Defiant. This is a small, or maybe not-so-small, nitpick. Okay, so O'Brien was able get a copy of the schematics last time he was in the Prime Universe. All well and good. But how did they have the time and resources to actually build the Defiant? The Terrans don't have Utopia Planitia. They also presumably don't have engineers as well-trained as Starfleet engineers to actually be able to put the Defiant together. Will this in any way affect my enjoyment of the rest of the episode? No. But, at the same time, it's also something I want to point out that didn't go unnoticed by me. Either now, or back in 1996.

No surprise at all that when Sisko finds Jake, he sees him with Jennifer and Nog. Jake doesn't think of himself as being kidnapped. Just that he wanted to go see the Mirror Universe with Jennifer. Jake is just too gullible, whether Jennifer looks like his mother or not. I hope the dabo girl he was dating last season didn't take too much advantage of him.

Michael Dorn steals the show as Regent Worf. So over-the-top! Some people might view this as a bad thing. I'm not one of them. This episode knows what it is, Michael Dorn knows what type of character this Worf is and runs with it. I don't care what anyone says, I love Evil Worf! So completely opposite of the normal Worf. Shallow, blood-thirsty, and wanting everyone to suffer. But being theatrical and coming across like a parody of Darth Vader in the process. Even though Austin Powers wasn't out yet, I can just hear the Dr. Evil music whenever Emperor Worf is on-screen.

BTW, this is my opening to mention that Andrew Robinson's performance as Garak in this episode is perfect. Making him a prisoner to Worf instead of a subordinate of Intendent Kira's makes him so much more entertaining. And I think Andrew Robinson would be great in a comedy. I just see him in something like, yes, Austin Powers!

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Stopping the review right here. I'll pick up the rest of it later. "Same Bat-Time! Same Bat-Channel!" Wrong franchise!
 
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"Shattered Mirror" (2nd Part of the Review)

First Bashir, then Dax. Dax slaps Sisko for making love to her under false pretense! Sisko really gets it in this episode.

When Bashir is torturing Kira, I had two thoughts: 1) Terrans back to their old habits, using Agonizers again. 2) Bashir kind of reminds me of BC from "Past Tense". He's not shouty, but he has the same type of attitude.

This should've occurred to me much sooner but, looking at it now: the Mirror Universe has another reversal I didn't even think about. In the Prime Universe, Jennifer is dead. In the Mirror Universe, it's Sisko who's dead. In the Prime Universe, Sisko and Jennifer had a kid. In the Mirror Universe, they didn't. It's a complete inverse.

It seems pretty clear that here, "I owe you" and "You owe me" is a way of life in the Mirror Universe. Nog frees Intendent Kira because he owes her, since he now runs the bar. Then Kira spares Jakes life after Jennifer sacrifices herself for him and Kira finds out that Jake is Sisko's son.

Nog becoming owner of the bar after Quark and Rom died is a callback to "Mirror, Mirror" (TOS) and the idea that when whoever's up top dies, everyone else moves up in rank. Another way of life in the Mirror Universe. And, keeping up with another Mirror Universe tradition, at least on DS9, a Ferengi dies! Bye Mirror Nog! You won't be missed.

Seeing the Defiant being worked on with all the panels open, give us a look at the ship from a whole other perspective. And then Sisko decides to stick around for the battle, instead of leaving like promised. I think Sisko wanted to make sure his handywork improving the ship didn't go to waste. It ties back to him being a builder and then wanting to see the results for himself.

The battle between the Defiant and the Regent's ship was a sight to see. This has to be model work because if it was CGI, I think it would've looked super-fake at this stage. But with this, I'm fully bought into it. I really wish choreography with model work had continued on, instead of switching to CGI. At this point with the model work, they were finally getting ship battles on TV Trek to look just as dynamic as Movie Trek.

At the end of the battle, when Worf retreats, Garak -- true to form in either universe -- manipulates the Regent and get into his good graces while continuing to throw the Intendent under the bus.

The button on the episode is that Jennifer lives long enough to see Jake survive and for Sisko to return and affirm that he feels a connection with her and there always will be one. Then she dies and the camera pulls back as Sisko and Jake grieve.

Overall: This is the episode where the Mirror Universe went full-blown Space Opera. I was entertained by it. It gave me the things I wanted to see. It didn't take itself too seriously, except in the parts where it mattered the most. It's not my favorite Mirror Universe episode, but it accomplished what it aimed to deliver, and I accept it for what it is and on its own terms. I give it a 9.

"The key! I found it... in my boot."
"If he dies, YOU die!"
 
Unfortunately after this it goes downhill for me.
Yeah. I'm giving away what I think ahead of time, but I didn't care for "Resurrection". In fact, I don't even consider it to really be a Mirror Universe episode. It only has a character from the MU in it. And I didn't like "The Emperor's New Cloak" at all. To me, it always felt like an unnecessary Part IV that was added to a trilogy after the fact.

"In a Mirror, Darkly" was okay, especially as far as ENT goes, but that's all. I think it's hugely overrated.

OTOH, "Living Witness" is the closest VOY gets to a Mirror Universe episode, and I liked that one. It had the same tempo as "Shattered Mirror". Regent Worf and Evil Janeway would get along great. Or try to overthrow each other. Either way.
 
I rather enjoyed IaMD, and I kind of wish some of the dynamism of those episodes had been more prevalent in the ENT episodes set in the Primeverse.

As someone who kind of envied Bariel his seeming serenity, I don't think I found "Resurrection" as objectionable as some others, but it's not great, and features a pretty damn stupid security guard.

"Living Witness" is just fun and amazing but also thoughtful, if you can overlook the idea of the EMH having a backup module.
 
The Holidays are over, any afterglow has completely worn off, I'm back at work, back into the routine. Then on the news, I see what President Clark is doing (no that's NOT a typo!), and it's pretty crazy. Then I think about all the injustices in the world. Far, far too many to list.

Then I listened to some Ramstein, some Creed, some Rage Against the Machine, and now I'm f***ing ready for...

"Hard Time"
a.k.a. The Ultimate TORTURE O'BRIEN Episode!

Du, du hasst, du hasst mich.

Okay, maybe not. I'm too tired now. But I got myself mentally there! I'm in the right mindset. At least next time I put something on. :p

I really had to work on it, because I was in too good of a mood before. Putting "Hard Time" on without mentally prepping myself would've been too much of a shock to the system.

It's also one of the reasons I have yet to re-watch Battlestar Galactica.
 
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Got up from bed. To fully get into the right mindset, I have huge bedhead. It's pretty wild. I don't have a beard, but I'm not shaving when I put this episode on, so at least I've got the beard stubble. Drinking some coffee. Straight black. I always drink it black. But this time, I made sure it was bitter. I put on Plush by Stone Temple Pilots. I haven't eaten yet. Now I'm putting on... for real this time...

"Hard Time"

Normally in Star Trek, when someone is captured, they always escape. "If I know the Captain, by this time he's deep into planning his escape." And this time, it just didn't happen. O'Brien spends 20 years in mental prison. He can't believe only a few hours have passed. Since I'm doing the whole method actor thing with this re-watch, I imagined what it would've been like if I hadn't seen anyone else since 2006. (BTW, friends don't tell friends that 2006 was 20 years ago!) And it was pretty rough.

When O'Brien is taken back to Deep Space Nine, they director chose to show the station in full view from a strange angle, because O'Brien himself is looking at it from a different angle now. At least mentally.

When Bashir asks if he was all alone in his cell, there's a flashback of O'Brien getting a cellmate, Ee'char. O'Brien says he was all alone, and that immediately signals to us he's not going to be forthcoming. He's going to hold things back. All kinds of things. Some things, he can't hide. Like when he tries to put away food -- without even thinking about it -- because the guards would feed him infrequently. Or when he sleeps on the floor instead of on a mattress.

One of the best things about this episode is that it avoids all the Prison Movie Cliches. We don't have to deal with the fascist warden. No one's trying to turn O'Brien into their prison bitch. No drugs. No riots. No gangsters or gangs. O'Brien's not getting branded. No tattoos put on him or anything like that. Just O'Brien and Ee'char stuck in a cell. The psychological torture, the PTSD, and the aftermath.

An interesting detail is that O'Brien plays darts with Worf instead of Bashir. I thought it was weird at first, but now it makes sense. He's trying to avoid Bashir, because Bashir will try to keep prodding him about his time in prison, try to get him to talk about his feelings, and make sure he's going to counsel sessions. He doesn't have to worry about any of that with Worf.

Then the anger comes out. Bashir bugs O'Brien about not seeing the Counselor anymore. O'Brien wants to move on, but he sees Ee'char everywhere. He tells Bashir, "STAY THE HELL AWAY FROM ME IF YOU KNOW WHAT'S GOOD FOR YOU!!!" He means if when he wants to be left alone, but I think he's also worried that he might kill Bashir too, if he doesn't stay away from him.

That was the perfect time to cut back to a disturbance when O'Brien was in prison. He was sick of Ee'char, sick of the prison, furious at his captors, didn't give a shit, and didn't care about what his captors would do to him. "Discipline this!!!!!"

When O'Brien goes to Quark's, you know he's going to be screwed. It's busy at the bar, but O'Brien doesn't care. Doesn't care at all. O'Brien arm-twists Quark and tells him, "Get me my drink or I'll twist every bone in your worthless body!" He's seriously one step away from a barfight. I'm surprised that didn't happen. I'm also surprised he only got a synthale. You'd think he'd want the real stuff and become a full-on alcoholic. When Quark gets Odo to observe O'Brien from the distance, they must've seen him talking to Ee'char, so they probably also think he's crazy. He looks and acts it.

In a strange way, "Hard Time" actually ties back to "Emissary" on a thematic level. There, the Prophets kept bringing Sisko back the Battle of Wolf 359 because that's where he mentally was. That's where he existed. Here, O'Briens mind keeps conjuring up Ee'char because that cell is where he psychologically still is.

After that comes the part that sends O'Brien over the edge. Molly keeps asking O'Brien to see a picture she drew and O'Brien keeps saying "Not now," and then finally snaps at her, "I SAID NOT NOW!!!!" He's about to hit her, Keiko takes her away, and O'Brien leaves. Starts smashing everything. He goes to the weapons locker, grabs a phaser, and puts it to his head.

That's messed up. That's raw. And it took a solid 33 minutes to get us to the point where we could see O'Brien's mindset, as he's finally ready to commit suicide. This would never happen on any other Star Trek series, old or new.

Bashir shows up and has to talk O'Brien down from killing himself. If there was ever a time for Bashir to save a life, it's now. This is when O'Brien finally tells Bashir about Ee'char. When he's finally told anyone. And thank God they actually show what happened instead just having O'Brien say it. O'Brien snaps Ee'char's neck just to get some hidden food, then doesn't realize what he's done until it's too late.

Then it comes out. What's getting to O'Brien the most. When it came to the test, he wasn't an evolved human. He was no better than an animal. All the propaganda he'd been told, when growing up, felt like exactly that. Bashir points out that his captors tried to strip him of all his Humanity. They succeeded for one brief moment, but he can't let that one moment define him. I think that's true universally. You can't let one moment define you. And Bashir finally convinces O'Brien not to kill himself. Not to let them win. And then that's when Ee'char finally disappears.

.
.
.

This is a powerful episode, and an amazing standout, but it's also part of '90s TV and surrounded by a bunch of other episodes. The episodes that follow it don't address any of what O'Brien went through at all. Even TNG's "Lessons" at least acknowledge Picard's experience as Kamin in "The Inner Light". No such similar follow-up for O'Brien after "Hard Time". So, I have to hold it against the series a little, but NOT against this episode. This episode was so raw. It's also one that you have to be exactly in the right mood for, so not something I'll be re-watching again any time soon.

The evolution of Humanity. You know. I see it on TrekBBS a lot. "Humanity is perfect in TNG, but not in TOS!" No. I've re-watched and have been re-watching TNG, DS9, and VOY. It's not true. Humanity's not perfect. Sisko says Earth is Paradise, but that's not the same as saying Humanity is perfect. Picard says Humanity is no longer a childlike race. But that's not the same is saying they're perfect. In First Contact (which I will be covering, I don't care if it's not a DS9 or VOY episode), Picard says Humanity has a more evolved sensibility, but it's still not perfect. In "Hide & Q", Q (in a rare moment of honesty from him in early-TNG) says Humans have so much room from growth. How could there be room for growth, if they're "perfect"? So, the idea that "Humanity is supposed to be perfect!" in '90s Trek is a myth. It isn't true. It doesn't matter what Gene Roddenberry might've said, it's not in evidence in the shows I'm watching. Even if it were true in the first season of TNG (just for the sake of argument, I don't really believe that either), that's just one season... out of 21 from that era! Seven from TNG, DS9, and VOY each. No. I'm going to look at how Humanity was portrayed not for a measly 5% of the time in '90s/24th Century Trek. I'm looking at the other 95% of the time. And Humanity wants to be evolved, it wants to think of itself as evolved, but it isn't perfect. And there are still plenty of examples of where drama can come from out of it. Including right here.

End of Soapbox.

One more thing I want to talk about. The justice system of the Agrathi is messed up. Memories of prison instead of prison itself. And then, when they sentence someone innocent, like O'Brien, they're stuck with those memories. It can't be undone in time. Whereas if they were sentenced in real time, Kira could've gotten O'Brien out before he had to go through any of that. But, unfortunately, I can see things like this happening in Real Life if we had that kind of technology on Earth. The closest thing we have, outside of that, is innocent people being put to death. Which obviously can't be reversed either.

And that's it. Overall, in case you couldn't guess, I give this episode a 10.

That having been said, I'm glad to be done with it.

Next up, back to Babylon 5. I've got things lined up to where I want to them to be, so we're alternating between DS9 and B5 again!
 
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Good review, though do you know who played Ee'char? I feel they deserve a mention.

It would be no comfort to any of our heroes, but I wonder if the procedure had been performed on an Agrathi whether it still would have been irreversible, or perhaps at least less traumatizing? We see so little of their society that for all we know 20 years of virtual imprisonment means very little to them.
 
Good review, though do you know who played Ee'char? I feel they deserve a mention.
I've got the feeling I've missed out on something. Please let me know. Thanks! I have to eat and get myself cleaned up, get ready to go out, and get ready to go about the rest of the day.
 
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