I suspect if they had put the same effort and money into repairing the original FX shots, rather than replacing them entirely, the result would have been equally pleasing.The difference is obvious. The first is a washed out, oddly exposed grainy PoS image with lots of artifacts from the upconversion and the later is smooth and polished and fits in much better with the image quality of the soundstage footage.
Game, set, and match...TOS-R is the superior version!
While not that same image, I have found images of those models in those costumes with a simple google image search for "star trek porn".Seconded![
Thirdedededed (at least).
Love that avatar dude! Where'dja get it?
An obvious solution to this problem is to just find the first use of a particular bit of footage, which is presumably the best quality copy of it, and "clone" it to use in place of the degraded footage. Make one good copy of that footage, and place it in every episode where that footage got used.The problem was that they had reused the original 15 or so shots of the Ent so many times they were just destroyed by the late first season
I often felt the same way.Part of my problem with TOS-R is that some of it felt disrespectful. Instead of remaking the old shots with new CGI, they made changes that felt as if they were trying to put their stamp on somebody else work and stake a claim.
I liked that the new FX looked like a CG cartoon. If the new CGI had looked really good, that wouldn't be TOS to me. Replacing crappy model effects with crappy CGI maintained the feel of the original, IMO.
The original effects will always be the "real" version to me, but the enhanced effects are great fun.
Meh, I wasn't that impressed by Doomsday Machine. No I will grant Space Seed did some really wonderful work.I have seasons one and two of TOS-R, and and as someone who has watched the show for 35 years, i really have a hard time believing there is this much dislike of the remastered effects. In my opinion, they are far superior to the original, but still keep the spirit of it. I can see a few shot being quibbled with, but overall,I think a splendid job was achieved. All one needs to do is to watch The Doomsday Machine to see that this was a great thing thing to do.
You are not the first:Shall I be the first to disagree?
I will grant Space Seed did some really wonderful work.
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