I am guessing but I think you didn't complain in any one of the thousands of times when it was the other way around, IE movies with an almost entirely male cast.

I am guessing but I think you didn't complain in any one of the thousands of times when it was the other way around, IE movies with an almost entirely male cast.
Are you saying it's correct to have more men than women on the bridge of a starship?One thing?
Give the lead of the show to someone who doesn't over-ract in every scene she's in.
If I'm allowed a second one...
Enough with the identity politics, please. Watching Such Sweet Sorrow and seeing the Enterprise bridge must have tipped the male:female ratio on the series 20:80. It's just getting ridiculous at this point. The pendulum hasn't just swung too far the other way, it's in the next quadrant. Instead of focusing on Airiam, Detmer, Owo, Nhan and Tilly, why not try developing male bridge officers like Rhys and Bryce. Two seasons in, we know zero about them.
Some people still want to believe 300 years from now in a fictional future where humans meet, work, shack up with, marry, fight, sleep with aliens the white human male will STILL dominate things...Are you saying it's correct to have more men than women on the bridge of a starship?
Are you in fact, 1960's Captain Pike?
Some people still want to believe 300 years from now in a fictional future where humans meet, work, shack up with, marry, fight, sleep with aliens the white human male will STILL dominate things...
If I could change one thing it would be the format: away from season-long arcs to stand alone episodes. IMO S1 and S2 both could have made fun double episodes, but were stretched out far too long and accumulated too many glaring plot issues. If you just boil down each concept to its essence, locate the central theme, and hone in on the important character moments, both arcs could be condensed into 90 minutes of solid action TV. Limiting the amount of leg-room would also force the writers to suss out the world-building instead of littering the story with unopened mystery boxes and dangling story threads. I think it worked more-or-less for DS9 and pretty successfully for S3/4 of Enterprise, but you need to be more invested in the characters than STD allows you to really pull it off. That's the one big change I would make.
Genius is never recognized in its time. It's funny how much DS9 was lampooned for being a betrayal of Gene's vision.DS9 was a high water mark in television writing, STD is a low point, that's the difference.
DS9 was a high water mark in television writing, STD is a low point, that's the difference.
I think, if I were to compare (stupid thing to do but that's where we are) I prefer DSC's setting, and the Klingon stories are far more appealing than the DS9 silliness of the Klingons.Since we're speaking about opinions as if they're facts, I'm game: DSC is the best Star Trek since DS9 ended. Dare I say that I prefer DSC over DS9 and I like DS9 a lot.
I think, if I were to compare (stupid thing to do but that's where we are) I prefer DSC's setting, and the Klingon stories are far more appealing than the DS9 silliness of the Klingons.
The Klingons feel more alien, more intimidating and actually ferocious. I would prefer that over the DS9 and shouting about honor as much as they did. I even give more credit to the Into Darkness Klingons for being highly intimidating than a lot of the DS9 Klingons, especially when they invaded DS9.Yes. The Klingons in DSC are actually scary. The last time they genuinely scary, before that, was in TMP, which was just atmospherics. They didn't actually do anything scary. In "Lethe", when Cornwell is surrounded by them, you know she's in trouble.
Take away Alex Kurtzman and everything falls into place.
Yeah, the more I learn about B&B in the BTS the more I just get frustrated. I mean, things were consistent enough but it just became so bland and mishandled.I know how it is. I felt the same way about B&B that you do about Alex Kurtzman, regarding VOY/ENT, after Michael Piller and Jeri Tayler moved on. Which was then punctuated after Ron Moore quit three episodes into Voyager's sixth season.
Seems to happen to any franchise runner, given enough time. People need to step away from a project after awhile. MCU has succeeded as well as it has, I think because of the variety of directors and producers involved, with production having a wider plan but letting the output stay varied.Yeah, the more I learn about B&B in the BTS the more I just get frustrated. I mean, things were consistent enough but it just became so bland and mishandled.
I'd be careful with the "B&B" term. Sure, Berman was a bit of a Corporate Suit who did his part to make turn Star Trek of his era bland (though he's hardly as evil as fans make him out to be). Braga, however is not anywhere near as bad as his reputation makes him out to be, especially when you consider the kind of bullshit he had to put up with from the studio. Remember, he was the one who refused to let UPN put a boy band on Enterprise who would break out into random musical number each episode. The man has flaws, and I agree by there are decisions made during his terms of running Voyager and Enterprise which were questionable that may actually fall on him rather than studio interference, but I feel very confident that those very shows (though moreso Enterprise) would have been much worse without him.Yeah, the more I learn about B&B in the BTS the more I just get frustrated. I mean, things were consistent enough but it just became so bland and mishandled.
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