I would've preferred to see Elnor teamed with Worf to be honest. They're both warriors, but their characters are so different. Worf is the seasoned, mature veteran while Elnor's relatively new. Worf would have issues that Elnor is a Romulan, a race he hates, but also have to admit that Elnor himself is an honorable man.
I think that would have been really awesome. And while Michelle Hurd is selling her scenes with Worf and has a lot of chemistry with Michael Dorn, I gotta be honest and say that the part of their dynamic where she's somehow this impulsive hothead and he's this seasoned, patient warrior-monk don't quite ring true to me. Raffi is in her 50s. She's a grandmother. She is an experienced, seasoned Starfleet officer. She's working on her sobriety, but I don't buy that she's as impulsive as they've been selling. It would work a lot better to me if Elnor were the one being impulsive.
Also -- Worf, Raffi, and Elnor? That would be fun.
Jack Crusher is in some ways a redo of Soji. If I knew what they were going to do to Crusher what they did to Crusher, I'd have preferred Laris to star in this season to be honest, and the MacGuffin the changelings are after could just have been Soji again.
Yeah, he really is, isn't he? The secret child of a beloved TNG character with mysterious origins who has powers and abilities they don't fully understand linked to some secret from their past for which they are being pursued by hostile familiar aliens.
Rios and the Stargazer could take Shaw's and the Titan's place and not much would be different honestly.
100%.
Basically what I'm trying to say is, the stuff S3 is doing right could easily have been done with the original Picard characters. The TNG characters themselves aren't what's making this season better, but unfortunately that may be the message that CBS is getting right now.
I think the TNG characters are adding a layer of resonance to the season just by virtue of them and their actors having such a long history -- there's a power to Jean-Luc's confrontation with Beverly that you couldn't get with Laris, because there's not almost 40 years of history there. But yeah, I think the biggest thing that's making this season work better is that the story structure itself is more cohesive and doesn't seem to have as many Goes Nowhere Does Nothing (FBI agent interrogating Jean-Luc) or Excuses to Insert Actors Whose Characters We Don't Really Want to Use But Who Signed Contracts So We Gotta Put Them In Here Somewhere subplots (Elnor randomly appearing in visions, Kore's conflict with Adam).
I do think that they could have found a way to preserve the basic "Beverly and Jack on the run, ask for Jean-Luc's help, Jean-Luc copes with having a son" story with the original PIC characters, though. I think it would be really cool to see Jack and Soji meet. "So! You're my uncle, huh?"
I said earlier in this thread that this question should have been asked 5 weeks after the question was originally asked. Now that it's been 5 weeks I guess it's fair to respond. Season 3 has been great, and I look forward to seeing how it ends. Unfortunately, the "righting the ship" feels more like too little too late.
*shrugs*
Star Trek: Picard was never going to go past three seasons anyway, so it's not like it's too late to get the show renewed or something.
I feel like a story like this could have been told with Jurati and Rios and Soji and Elnor. My original idea for the show back in Season 1 was more of Picard not only getting over his grief for Data, but finally being able to put past his experience of being assimilated by the Borg, and becoming Locutus the Messiah of the Ex Borg. That was why I was upset when they killed of Hugh. They had a story there with Hugh and Picard and they squandered it.
I don't think being assimilated is a trauma you ever fully "put past." It will always haunt you. You
manage that kind of trauma -- it doesn't go away.
As for Jean-Luc becoming a leader figure for XBs... I don't dislike the idea per se, but I'm not sure it's an idea that lends itself to the kinds of space adventure stories
Star Trek is ultimately about. That kind of story is a very long-term, unglamorous political story.