Batwoman
Season 2 - Episode 4 - "Fair Skin, Blue Eyes"
Luke Fox: He never gave up hope that Kate might be alive, so I hope the character is vindicated in the face of Mary's constant, depressive naysaying. With Sophie asking for Luke's help, it will be sort of a irritant/nightmare to be forced to tolerate Alice. I would like to see him plotting to have her committed again whenever the Safiyah matter ends.
Wilder/BW2: So, Wilder was also kidnapped as a kid by Angelique / The Candy-lady, who has a direct connection to the disappearance she's investigating. Like Alice and her gang conveniently living in the building where she and her mother were moving into, now we learn the missing girl "everyone" was looking for--when they never took notice of Wilder's disappearance--just so happened to be Beth. Plot Convenience 101, Part One, and the timelines--just as the Safiyah-as-Alice's-mentor timeline do not add up at all.
One sort of realistic moment was how easy it was for Angelique Martin's henchmen to get the jump on Wilder, proving she's no trained crimefighter.
Oh, her move of using the Bat-line to pull a palate into the back of an attacker was lifted from the same move used by Batman during the Martha Kent rescue scene in Batman v. Superman: Dawn of Justice.
Safiyah / Alice: So, "Ocean"--the man Safiyah has sent Alice to kill is a man Alice seems to have known (possibly to some intimate degree) when both were on Discount Themyscira. I'm almost sure he "wronged" her in some way, and she will give him a nutjob earful before she kills him, or tries to.
Jacob / Sophie: Jacob--desperate he might be to find clues leading to Kate--was painted as reckless in going to see his contact...oh, and guess what? The missing boy (Kevin) Wilder is searching for just so happens to have been recruited into the False Face Society. Plot Convenience 101, Part Two. The team-up with BW was a nice moment; you could see the wheels turning about her identity--and why she took such a special interest in one missing boy. It may not be long before he learns her true identity, but the question is what will he do with that information...
Now knowing--or believing--Alice only wants to locate Kate to kill her, in theory, this should lead to Sophie being pulled in two directions: one with Jacob, the other with Luke--both supposedly having ice / mistrust between them.
Angelique Martin aka The Candy-lady: After the passing of so many years (since Wilder was 13), she needed to be presented as a much older woman, based on her maturity in the flashbacks.
NOTES:
The episode's writer--Ebony Gilbert (perhaps best known for "Trayvon Martin: The Modern Day Emmett Till") should have steered clear of PSA-sounding dialogue such as "...no one caress. Do you care, Batwoman?' That did not sound like the words of a child. Unlike the writing on Black Lightning, where real world issues negatively impacting black Americans is believably interwoven with the fantasy, this episode's "neglected black child" plot was sloppy, preachy and was no more effective than an ABC Afterschool Special. Its intended effect was lost using Wilder as the vehicle through which the crimes were supposed to be personalized for the audience, for convenience. Not good.
Plot Convenience 101, Part Three: Wilder's childhood friend just so happened to be the woman who attacked Sophie in Ocean's apartment. Come on.
A spinner rack with comics (Kamandi, etc.) nearly 50 years old? Nerds/eBay sharks would have swiped the comics--and the rack--in the blink of an eye.
Mary has outlasted whatever usefulness she had (not much), now that she's fangirling / Scooby-Doo-ing around with Wilder; she has no detective skills and is not very knowledgeable about all things Bat, so she's there just to be there. ...and when will she have time to run a clinic and a bar?
Next week, Wilder says she is tired of "working" for Luke's approval. In the real world, a person in Luke's position as the keeper/coordinator of Wayne's secrets, he would inform her that yes, she needs his approval, and to show more respect in consideration of his position and history with Wayne and his dual identity.
GRADE: C.