In SGU, the crazy soldier was in the brig where he belonged, and the duplicitous scientist was the only person they could find who was smart enough to figure out how to work that last chevron (but only with the help of an even less ideal person, Eli, whom they only found through an act of desperation). And no, they shouldn't all be highly motivated. Two of them (Young and the medic) were hoping to quit for personal reasons before they got stuck on Destiny. With one exception, the motivated people who were SUPPOSED to gate to Destiny didn't make it there, as Telford keeps reminding us.
Telford is as wacko as the rest. And O'Neill has become incompetent, as the issue with the inappropriate use of surrogate bodies demonstrates. I could see some of the civilians snapping under the pressure, although they are all adult professionals, too. I can even see Rush, if he's somehow the only one who can understand Destiny, although that certainly seems far from likely (and the way they brought in Eli was ridiculous, but he actually demonstrates possibly the most maturity of any of them). Young and the medic may have wanted to quit, but they are still adults; Young makes me cringe with his adolescent behavior. Greer should be nowhere near the Stargate Program; and then there's the other guy who went all pussy during the shuttle lottery and then stole food. And the hero archetype is a religious child molester.
The criticism I've seen is really starting to seem irrational. Child molester? He and Chloe look to be about the same age to me: early twenties. And he was only two years older than the girl he knocked up.
I don't get this fixation with "adult" and "adolescent." Sometimes we get stuck with adults who behave stupidly but nevertheless happen to be in charge. That's how we ended up in Vietnam and Iraq. That's how we ended up with the Great Depression and the current economic mess, and so on. That's why people always seem to hate Congress. Adults, who should know better, often act like lying, ill-tempered, short-sighted, selfish children.
I think the writers did a good job explaining why these are the wrong people and why they ended up on this mission.
Not good enough, and they haven't explained why everybody back home has gone stupid.
Nobody at home has gone stupid. They're all acting on almost no information. They know very little about the ship. What are they supposed to do that they haven't done? For all we know, this week's attempt to bring everyone home would've worked. Maybe Rush's light show was more of a show than he let on.
For that matter, we're only assuming Telford's crazy/incompetent because they've set him up as the antagonist. They've made me despise Telford. But I have to admit, the Destiny crew hasn't ever carried out any of his plans, so we don't know whether his decisions would be any better or worse than Young's.
I don't sympathize with any of the griping I've read about this show so far. If I wanted to watch a show about a bunch of ideal servicemen and women who are well-suited to be lost in space, who act like "adults" (which around here seems to mean they're not interested in hot sex, in which case I feel sorry for any adults here)
You've never heard me say that.
And? I didn't say I did. But let's not pretend that that's not a common complaint in these SGU threads.
I'd watch Voyager. And be bored to death.
Voyager wasn't boring,
I think I'm the best judge of whether or not I was bored. Voyager bored the hell out of me.
but I could say a few things about it. In any case, what I find boring is the endless awkward and forced shoehorning of ultra-"flawed" characters into places they don't belong.
I'd like to see you stranded in another galaxy thinking you're going to die at any moment, and see if
your flaws don't surface. It makes perfect sense that these people, in this unexpected situation, who were NOT trained for this mission and should never have been here, are as fucked up as they are. That's not being "shoe horned" in, that's the essence of the show.
The relationship angst people keep bitching about makes perfect sense to me. These people are grieving for their separation from earth, their separation from their lives, and their separation from each other in a way that's more visceral than what I saw on Voyager (where the extent of their grief often seemed to be a wistful look as they talked about home). So far I like what I've seen. I think it's a good, enjoyable (so far) middle-ground between the darkness of BSG and the campiness of Stargate.