Starfleet Academy show should feature a lounge featuring a Klingon boy band.
Random executive, probably.
Random executive, probably.
It was inspired by this conversation I recently had, in which I made this statement:In what corner's of the fandom have you crawled into where this is a thing?
And then obviously exaggerated for comedic effect.Besides, I'm old enough to remember twenty years ago when fandom vilified Berman and Braga as the Destroyers of the Franchise who were pissing all over Canon making an incoherent mess out of that which "held together reasonably well before now." And now, they're being held up as the ones who "helped create a consistent world."
The Bermaga Beast who ruined Star Trek. It traveled back in time to even ruin things the Braga half had no hand in.It was inspired by this conversation I recently had, in which I made this statement:
And then obviously exaggerated for comedic effect.
What's the "silly percentage"? They have one or two comedy episodes per season. The majority are serious drama. Even the musical was serious and character driven with the songs exposing thing about the characters that they hoped would remain hidden. It's closer to "The Naked Time" than the "Trouble With Tribbles".
The infamous timeline change has overshadowed everything else about this episode. It's probably my favorite episode of S2 and it spotlights my least favorite SNW character. But it just fires on all cylinders.Tommorowx3 - Above average? A decent enough episode with a striking revelation and one of the most impactful episodes to the overall Trek lore... that also oddly seems to be somewhat ignored.
This was one of the few "Let's do a Star Trek adventure" episodes this season. (They did five. I will grudgingly include The Broken Circle even though it was motivated by the end of Season 1 and leading up to Ad Astra Per Aspera.) And it was (like Tomorrow and Tomorrow and Tomorrow) a nice balance of a lot of emotions as well as a reasonable amount of fun. Under the Cloak of war was good but pretty dark. For one episode that's fine.Lost in Translation - "Fine". Forgettable... I have to admit I completely forgot about this episode and as I type this, I can't remember what happens.
You say it was a "bad" episode. But I gather you (and others) object to the entire project. Is there any version of a Star Trek musical (caused by whatever unobtanium reacting with impossibilium in the hoodehoo drivers) that you would say was good?Subspace Rhapsody - No.
If we all ignore it maybe it'll go away! That's what I'm hoping anyway.Tommorowx3 - Above average? A decent enough episode with a striking revelation and one of the most impactful episodes to the overall Trek lore... that also oddly seems to be somewhat ignored.
The crazy part is? This change has been in place since TNG. But since nobody talked about the Eugenics Wars being specifically in 1996 since then (or the EWs much in general) we never noticed!If we all ignore it maybe it'll go away! That's what I'm hoping anyway.
Sounds good to me.Maybe it will go away by never mentioning the EWs ever again.
It was a musical.. so yes?(Was it necessary to have them break into song? It took me out of the episode.)
I love how even episodes you don't like still rate two stars.If we all ignore it maybe it'll go away! That's what I'm hoping anyway.
Hey I want to write about all the episodes too.
- The Broken Circle *** - A very average episode of SNW, spoiled a bit for me by the focus on the Spock/Chapel relationship and the Enterprise doing barrel rolls. Very very average.
- Ad Astra Per Aspera *** - Making a guest star the protagonist is always tricky, making the episode about fighting a 'prejudice' that is still accepted by our most moral heroes a hundred years later is kind of bizarre actually.
- Tomorrow and Tomorrow and Tomorrow **** - It tries to be SNW's City on the Edge of Forever and arguably succeeds. It definitely feels more like a movie than most stories and it really sold me on La'an. In fact it somehow sold me on the new Kirk actor too, which is bloody impressive.
- Among the Lotus Eaters ** - Not a bad premise, but the main plot didn't entirely work for me and the plot on the ship was almost parody. Ortegas remembers that she flies the ship! Also the memory loss sound was almost physically painful and I ended up muting the sound and watching with subtitles only.
- Charades ** - Spock hijinks! I didn't buy the premise that Spock would have trouble controlling his emotions and remembering how to act Vulcan, I didn't care about the 50s sitcom plot, and I don't like 'fun with DNA' stories in general.
- Lost in Translation **½ - Let's give the woman suffering from hallucinations a lethal weapon and let her wander the hallways unsupervised!
- Those Old Scientists **** - Nailed it... mostly. I'm not going to nitpick.
- Under the Cloak of War ****½ - This was a fantastic episode and I'm amazed they just made a main character a murderer who covered it up to save his own ass. I'm amazed I didn't have a problem with it! The episode is too good.
- Subspace Rhapsody ** - I'm not against the idea of a Trek musical, the Buffy one was pretty much the highlight of its 6th season, but episodes need to convince me to suspend my disbelief and this failed at that, badly. There was no chance of me enjoying the story when I didn't even believe that it was happening. All I saw was actors on sound stages doing karaoke. That said I still have three of the songs in my head, despite the awkward lyrics, so it can have a couple of stars for the soundtrack.
- Hegemony *** - This was always going to have an uphill battle to impress me as I don't like the Gorn, and sadly the battle was lost. And what the hell did they do with Scotty? The writers know that the Simon Pegg version is from another reality, right?
Honestly, I went back and forth on that a bit in my head. I rarely ever rate things in stars and I'm not entirely satisfied with what I came up with.I love how even episodes you don't like still rate two stars.
So...those get mentioned but we can't mention other things?Honestly, I went back and forth on that a bit in my head. I rarely ever rate things in stars and I'm not entirely satisfied with what I came up with.
But I just went though a Trek marathon that included episodes like The Alternative Factor, Code of Honor, Masks, Threshold and Two Days and Two Nights, so my scale has been calibrated by that.
Please continue to use him sparingly. (Ok. "Ohhhh, you're friends with SAM." is just one of my favorite lines.)
You say it was a "bad" episode. But I gather you (and others) object to the entire project. Is there any version of a Star Trek musical (caused by whatever unobtanium reacting with impossibilium in the hoodehoo drivers) that you would say was good?
The crazy part is? This change has been in place since TNG. But since nobody talked about the Eugenics Wars being specifically in 1996 since then (or the EWs much in general) we never noticed!
Doubtful. The entire project was a bad idea. It was a bad premise for an episode and it was bad. I really don't see any possible way where a musical episode works, save for... limiting the amount of the musical aspect. If maybe like, one character was affected and couldn't help but sing, or perhaps the crew encounters a new race that communicates exclusively through song and the crew needs to adapt to initiate successful first contact. But... the entire idea is still absolutely terrible.
I've seen shows try to do 'half a musical' episode before. They're terrible concepts full of tonal whiplash and even worse musical chops than the average tv musical episode. You would still hate it, the only difference would be most others would hate it, too.
When it comes to musicals, you either do the full story or just a single scene. Nothing in between is going to work.
The majority would disagree with youIt was a bad premise for an episode and it was bad
The majority doesn't make it good.The majority would disagree with you![]()
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