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Do you like the Discovery Klingon look?

Do you like the discovery Klingon look?

  • Hate it

    Votes: 26 46.4%
  • Love it

    Votes: 18 32.1%
  • Couldn’t care less

    Votes: 12 21.4%

  • Total voters
    56
Here’s one thing I find odd about Discovery’s decision to rework the Klingons so dramatically: In the ‘70s, Star Wars had just changed everyone’s expectations for sci-fi, so Star Trek naturally followed suit. Trek also had the added burden of showing it wasn’t just a TV show — it needed to be big for the big screen, so the focus on sfx and bumpy-headed aliens made sense for the times. But today we live in the age of the expanded movie universe, when viewers expect consistency and world building across films and time. Yet Trek decides to disregard decades of design and world building ... I guess in a bid to draw new viewers? Even though they put the show on a niche pay streaming service, where the people most likely to watch were also the most likely to be upset? I don’t get what they were thinking.

It has been pointed out before that not a single thing in Star Wars has been seriously "redesigned" that appeared in ANH. Millennium Falcon is the same, Stormtroopers are the same, Wookies are the same...I could go on and on.

I'm not arguing necessarily this was the right decision, only Star Wars wasn't ever spanked for doing so.
 
It has been pointed out before that not a single thing in Star Wars has been seriously "redesigned" that appeared in ANH. Millennium Falcon is the same, Stormtroopers are the same, Wookies are the same...I could go on and on.

I'm not arguing necessarily this was the right decision, only Star Wars wasn't ever spanked for doing so.
I don't know how active you are in Star Wars fandom, but as someone who is very much active in it and has been for decades, there has been a lot (to put it mildly) of criticism of the stagnation of Star Wars technology. At its height when Legends was still Canon, fans regularly remarked on the absurdity of tech not changing for literally thousands of years or in the case of the Knights of the Old Republic game, ships from thousands of years ago like the Ebon Hawk actually being more advanced than the Millennium Falcon.
 
How is the Ebon Hawk more advanced than the Falcon?
It just seems roomier and less cramped, compare the full medical bay you see in the game to say the small beds that people use on the Falcon in the film. I say this having actually "been" in the Falcon (the Disneyland ride) also.
 
Every new showrunner in every show or movie wants to put their own 'spin' on things. But at best, there's only a 50% chance that their 'spin' will be liked/accepted/tolerated/etc. by the audience who are familiar with the original version that the new person wants to change to suit whatever new story they want to tell.

I personally was fine with how Star Trek was going up until they decided to make ENT. At the time, prequels were all the rage (and one can also decide for oneself how much of a success or failure the SW prequels were in the hearts and minds of the fans) and I think Rick Berman had simply run out of ideas even though UPN wanted a new show. He hopped on the prequel bandwagon, but chose (IMHO) the absolute worst time period in Trek history. Not to mention that the production values for a show taking place 200 years before VOY were exactly the same as VOY's production values, because the same people were producing it. I think that's when Trek continuity started getting really out of whack.
 
At the time, prequels were all the rage (and one can also decide for oneself how much of a success or failure the SW prequels were in the hearts and minds of the fans) and I think Rick Berman had simply run out of ideas even though UPN wanted a new show. He hopped on the prequel bandwagon, but chose (IMHO) the absolute worst time period in Trek history.
Prequels still are kind of the rage though. The current hit SW show, Mandalorian, is a prequel to the new movies. Strange New Worlds is a prequel to TOS.

And Enterprise was not actually in the worst timeframe. It was supposed to cover the founding of the Federation and the Romulan War. But then they bungled it all right from the start with this Temporal War nonsense, the repercussions of which we still deal with in Discovery.
 
I don't know how active you are in Star Wars fandom, but as someone who is very much active in it and has been for decades, there has been a lot (to put it mildly) of criticism of the stagnation of Star Wars technology. At its height when Legends was still Canon, fans regularly remarked on the absurdity of tech not changing for literally thousands of years or in the case of the Knights of the Old Republic game, ships from thousands of years ago like the Ebon Hawk actually being more advanced than the Millennium Falcon.
but this has nothing to do with the kind of redesign Star Trek has undergone, it’s more like critiquing TNG and DS9 for having so many Excelsior in the fleet.

And within the universe I think it works and says something about that galaxy, that is that technology has been stagnating for a long time and we’re now seeing a period of decadence, even if it’s still a valid criticism.

Also, we’ve seen a redesigned millennium falcon in solo and a slightly redesigned one in the new movies (I’m not going to consider the differences it had in the three original movies, as they were very hard to spot), but it makes sense in universe as we’re talking different time periods.

now, if rogue one showed a cubical Death Star we would be looking at something similar to what starvtrek has been doing and I suspect it wouldn’t sit well with many fans.
 
While this is strictly my opinion, I'm pretty sure that all the people in this thread who have stated that they would be able to categorically tell that the DSC Klingons were Klingons (and their ships were Klingon ships) without any context beforehand, are just stubbornly lying

I'm sorry, but accusations of dishonesty and bad faith cross the line from reasonable disagreement to pointless ad hominem attack.

because they don't want to admit that that's actually a viable line of thought.

If I'm following correctly, the line of thought you're describing here can be summarized as: "Audience members ought to be able to recognize on sight, with no other context clues, a new alien makeup design as representing aliens seen in previous productions."

I am not persuaded that that is the only valid way to do things.

There's a bit of a difference for TMP, though. The first thing we see are the Klingon ships, and they look exactly like the ships from TOS, only much better detailed. That's pretty much a dead giveaway that the aliens we then see next are Klingons,

And the first time we see a Klingon in DIS, he's speaking recognizable Klingonese and talking about Kahless the Unforgettable and the need to preserve Klingon purity.

In both cases, a new Star Trek production (TMP/DIS) is introducing a radically changed Klingon makeup design with no onscreen explanation for changes in previous depictions, and simultaneously introduces familiar Klingon cultural elements (the K't'inga class in TMP, the Klingonese language and references to Kahless in DIS) to ensure we know it's the same species.

I just don't see a meaningful difference between TMP radically changing the Klingons with no explanation and DIS radically changing the Klingons with no explanation. Yet people don't mind the former and whine about the latter.

despite the bony ridge going across the tops of their heads, and their uniforms, and without any swarthy makeup, and the fact that they are speaking in their own language (which are the only things differentiating them from the TOS Klingons.)

"The only?" Those are major differences.

Here’s one thing I find odd about Discovery’s decision to rework the Klingons so dramatically: In the ‘70s, Star Wars had just changed everyone’s expectations for sci-fi, so Star Trek naturally followed suit. Trek also had the added burden of showing it wasn’t just a TV show — it needed to be big for the big screen, so the focus on sfx and bumpy-headed aliens made sense for the times. But today we live in the age of the expanded movie universe, when viewers expect consistency and world building across films and time. Yet Trek decides to disregard decades of design and world building ... I guess in a bid to draw new viewers? Even though they put the show on a niche pay streaming service, where the people most likely to watch were also the most likely to be upset? I don’t get what they were thinking.

Bryan Fuller wanted to tell a story about the UFP-Klingon War that TOS had alluded to having happened in its past, and he felt that to tell that story, the Klingons needed to look scarier and more alien. He felt the Berman-era Klingons had become too familiar and too cuddly.

that liked to decorate their ships with dead bodies and totally didn't borrow that last bit from the Reavers on Firefly.

I think putting coffins of your beloved dead on the exterior of your ship as a way to honor them, is a very different thing from putting the unshielded rotting corpses of your victims on the exterior of your ship as a way to frighten other victims. I also think these are both minor details from their respective franchises.
 
now, if rogue one showed a cubical Death Star we would be looking at something similar to what starvtrek has been doing and I suspect it wouldn’t sit well with many fans.
I see what you mean with Q&A taking place the same year as the Cage, yet having a switch between Cage and Disco uniforms and then back circa 2254, as well as a complete change of bridge module or whatever (Dr. Who did it best by saying the ship was like a computer desktop theme)
 
I see what you mean with Q&A taking place the same year as the Cage, yet having a switch between Cage and Disco uniforms and then back circa 2254, as well as a complete change of bridge module or whatever (Dr. Who did it best by saying the ship was like a computer desktop theme)
exactly: discovery pretty much decided that looks are no longer canon and can be changed anytime, that what we see on screen isn’t necessarily a precise portrait of how things appears in universe.
 
Every new showrunner in every show or movie wants to put their own 'spin' on things. But at best, there's only a 50% chance that their 'spin' will be liked/accepted/tolerated/etc. by the audience who are familiar with the original version that the new person wants to change to suit whatever new story they want to tell.

I personally was fine with how Star Trek was going up until they decided to make ENT. At the time, prequels were all the rage (and one can also decide for oneself how much of a success or failure the SW prequels were in the hearts and minds of the fans) and I think Rick Berman had simply run out of ideas even though UPN wanted a new show. He hopped on the prequel bandwagon, but chose (IMHO) the absolute worst time period in Trek history. Not to mention that the production values for a show taking place 200 years before VOY were exactly the same as VOY's production values, because the same people were producing it. I think that's when Trek continuity started getting really out of whack.
Kind of odd, since the same production happened to update a STARSHIP CLASS vessel's interiors with the same production values honoring TOS very well; just to show they could've done the treatment with ENT and be successful but didn't want to. The same goes with ALL CBS + streaming Trek with DISCO and STRANGE NEW where they're re-imaging the "THE CAGE" universe, but at least on PICARD they managed not to screw up the Romulans. No explanation about the differences of that species, they seem to live together in harmony.

exactly: discovery pretty much decided that looks are no longer canon and can be changed anytime, that what we see on screen isn’t necessarily a precise portrait of how things appears in universe.

Then why produce a prequel Star Trek series if that's what they want to do??? Just create an original show, that's not the IP and do whatever they want or better set all that crap for the future, years after PICARD, I'm sure it would work a lot better than doing so much effort to make "The Cage" universe or timeline their own.
 
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I see what you mean with Q&A taking place the same year as the Cage, yet having a switch between Cage and Disco uniforms and then back circa 2254, as well as a complete change of bridge module or whatever (Dr. Who did it best by saying the ship was like a computer desktop theme)

I mean, there are so many worldbuilding elements to "The Cage" that are incompatible with the productions that followed -- the "time warp barrier," the idea that it's new and unusual for women to serve on the bridge, the Enterprise being referred to as an Earth vessel instead of a Federation vessel, the reference to Earth as being on the other side of the galaxy from Talos, Spock's reference to "switching to rockets, we're blasting off," the use of lasers instead of phasers or phase canons/phase pistols, a Starfleet officer seriously considering becoming a slaver, Spock being openly emotional and using informal language, the gross "Can you believe it? They actually like being taken advantage of!" thing with the Orions, Vina insisting that she can't go back to Earth because she's too ugly, the generally misogynistic depiction of women, etc. -- that I just treat "The Cage" as only in continuity with the rest of ST in the broad strokes and as being out of continuity in the details. So I'm perfectly happy to just replace the image of the original version of the Enterprise with the DIS version in my head when I watch the episode.
 
I mean, there are so many worldbuilding elements to "The Cage" that are incompatible with the productions that followed -- the "time warp barrier," the idea that it's new and unusual for women to serve on the bridge, the Enterprise being referred to as an Earth vessel instead of a Federation vessel, the reference to Earth as being on the other side of the galaxy from Talos, Spock's reference to "switching to rockets, we're blasting off," the use of lasers instead of phasers or phase canons/phase pistols, a Starfleet officer seriously considering becoming a slaver, Spock being openly emotional and using informal language, the gross "Can you believe it? They actually like being taken advantage of!" thing with the Orions, Vina insisting that she can't go back to Earth because she's too ugly, the generally misogynistic depiction of women, etc. -- that I just treat "The Cage" as only in continuity with the rest of ST in the broad strokes and as being out of continuity in the details. So I'm perfectly happy to just replace the image of the original version of the Enterprise with the DIS version in my head when I watch the episode.
Pike also made jerkish comments to Tyler in Discovery about "I can believe that about you, not about Spock" on failing to resist brainwashing despite knowing full well Tyler was basically killed, mind transferred, then Voq-brainwashed into killing Culber. So unfortunately I can see Pike saying some of the bad things he said in Cage under the extreme stress of the Rigel catastrophe, preliminary Talosian mind tampering (to prepare him for mating with Vina), etc. We can also generalize that the Talosian illusions did some minor messing with the crew's minds and they did/said things they wouldn't normally have done.
 
I'm sorry, but accusations of dishonesty and bad faith cross the line from reasonable disagreement to pointless ad hominem attack.

Then feel free to complain to a moderator if you don't like what I posted.

Kind of odd, since the same production happened to update a STARSHIP CLASS vessel's interiors with the same production values honoring TOS very well...

That was because they had to specifically recreate the Defiant's exterior and interior for that particular episode.
 
Pike also made jerkish comments to Tyler in Discovery about "I can believe that about you, not about Spock" on failing to resist brainwashing despite knowing full well Tyler was basically killed, mind transferred, then Voq-brainwashed into killing Culber. So unfortunately I can see Pike saying some of the bad things he said in Cage under the extreme stress of the Rigel catastrophe,

I mean, I don't think it's just a matter of "can Pike be a jerk sometimes?" Like, the dialogue is pretty clear in establishing that up until recently, women did not serve in command positions. It's saying that the space service (the term "Starfleet" having not yet been invented by the writers) was institutionally sexist and is only just then opening itself up to change. That's unrealistic insofar as Roddenberry should have been able to predict that the military would open up to women well in advance of whatever era ST would be set in, and it's inconsistent with what later productions would establish about Starfleet.

(Sadly, even the TOS series finale, "Turnabout Intruder," is pretty clear in establishing that Starfleet prohibits women from starship command.)

So ultimately, I think it's better to just to go with the retcon of later productions that Starfleet never discriminated against women than to try to find elaborate explanations that still require us to ignore statements of fact the characters make about their world.

preliminary Talosian mind tampering (to prepare him for mating with Vina), etc. We can also generalize that the Talosian illusions did some minor messing with the crew's minds and they did/said things they wouldn't normally have done.

I think that's a perfectly legitimate way to interpret the text to reconcile it with later canon, but it's not the route I would go. I mean, if that were the case, why didn't the Talosians just mind mojo everyone into accepting captivity?
 
Then why produce a prequel Star Trek series if that's what they want to do???
short answer: because prequels sell. Or at least they think they do.

Long answer: because fuller wanted to do an anthology series that only in broad strokes respected the previous canon but CBS deemed to be too costly and jettisoned him and most of his ideas, leaving only the beginning of what he had in mind thanking, that is something set 10 years before tos and involving a war with heavily redesigned, “more alien”, Klingons.
 
Then feel free to complain to a moderator if you don't like what I posted.

It's not worth the bother. I'm satisfied with just pointing out the incoherence of deciding someone else must be lying because you can't imagine their mind doesn't work like yours.
 
Like, the dialogue is pretty clear in establishing that up until recently, women did not serve in command positions
Nope, it only establishes that Pike isn’t comfortable having women on the bridge.

Which is incredibly backwards in today’s society but doesn’t say much about Starfleet as a whole.

And, I have to point it out, number one is a freaking female first officer, but pike is used to her so “it’s different”.


Sadly, even the TOS series finale, "Turnabout Intruder," is pretty clear in establishing that Starfleet prohibits women from starship command
nope, it only establishes that Lester, a deeply troubled person, attributes her being unable to obtain a captaince to her being a woman, but it’s very obvious that she’s not mentally fit to command anything.
 
It's not worth the bother. I'm satisfied with just pointing out the incoherence of deciding someone else must be lying because you can't imagine their mind doesn't work like yours.

You're welcome.
 
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