The tight clothing was a Roddenberryism, as not only was this show his own personal baby, he was also responsible for a number of rewrites and indulgences in early season one. Ever since "Inside Star Trek" from 1976 where he discusses freely using people as objects (to the applause of the audience.)
All that's common knowledge but here's one of the sources, countless making-of books define the rest:
(the fun starts about 20 seconds in... like Riker, he boasts about his bedroom life too - to the applause of the audience but at least he relegates himself as an object too... I guess. )
I listened to the entire video and there are some very thoughtful comments from Deforest Kelley and Isaac Asimov.
Also when they tried to go even more edgy it backfired in Dr Pulaski who nobody liked.
I liked Pulaski.
Look up “whitewashing”. There isn’t enough room here to explain it. As a Hispanic myself I don’t appreciate how few roles Hispanic actors get outside drug dealers and maids and that good roles could go to “anyone who can play Hispanic”.
There are times when it's necessary if you want to tell a story at all. I spent over a dozen years working backstage in musical theatre in my city, and there were plays we did where we had to use Caucasian actors, singers, and dancers because there were simply not enough people from Puerto Rico or Thailand available to play those roles in
West Side Story or
The King and I. We were also short on actors, singers, and dancers from the Middle East when we did
Joseph and the Amazing Technicolor Dreamcoat and
Jesus Christ Superstar. Should the theatre company not have done those productions? They were all very well received (if it helps, the actor who played the King of Siam is from India).
It could have been interesting if Sarah MacDougal as chief of engineering had appeared more often in and after season 1, also interesting to think what Geordi's role could have been with him not becoming chief engineer.
MacDougal had a perpetually sour expression, with an equally sour way of expressing herself. Thank goodness they didn't keep her.
That said, Geordi's suddenly becoming Chief Engineer came out of nowhere.
We also saw her sister and what she thought of her and what Picard told her about Tasha. Thank you Denise for quitting, that led to some great stories.
That episode with Tasha's sister just annoyed me. It's not that Tasha had a sister, but the actress was one who had played Carter MacKay's daughter on
Dallas, in another attempt at a "Romeo & Juliet" romance with Bobby (the MacKays and the Ewings were fighting a range war at the time, as well as being rival oil families). She couldn't act worth a damn on Dallas, either.
The weird thing for a progressive show, is that even though the characters have shown disdain for past eras like the 20th century, they seem to enjoy holodeck playing set right in the middle of the worse aspects in human history like the early 20th century. Racism, genocide, war, sexism, bigotry poverty--Picard, Data, Riker, all of them.
But its all ignored and misses any chance for a progressive moment. They could have chose any other time period, or planet, but its mostly that time period. It kind looks bi-polar if you ask me.
Picard may have contempt for real 20th century people, but I think the Dixon Hill character appealed to him because it was a way to practise his problem-solving skills. I don't remember Data doing any specific 20th century holoprogram. On Voyager, the only one who liked 20th century stuff was Tom Paris, and his interests were specifically 1930s-1950s. He had a superficial knowledge of the rest of the century (getting the slang wrong when talking to Raine Robinson). The rest of them pursued programs from their own cultures for the most part, and Janeway spent a lot of time either in the 1800s or the late 1400s/early 1500s. And of course Naomi and her stupid "Flotter" garbage...
It’s 1987/88 and there’s a female character *in charge* of weapons, not just handing the boys their missions or holding their coats. On TV. There are action figures. I think for the time, and for its niche, it’s pretty good.
I hope you're not saying there were no female action figures prior to TNG. My Uhura one in her TOS uniform would disagree with you.
I once showed one of my grandparents a (different) episode with Vic in it. Because she enjoyed that style of music, and she had been in clubs (for hispanics) from that time period.
She commented on the absence of "the cloud." She said that the cigarette smoke would have been so dense that the stage would have been slightly obscured to people seated at the bar, only twenty some feet away.
I wonder what the DS9 people would have thought of the cloud if it were present.
Gah. I love the Vic Fontaine episodes because I like James Darren. But I would not have enjoyed the episodes if they'd depicted clouds of cigarette smoke.
It’s on,y just really popped into my head that Troi is basically in the Bones role when you think about it.Thats definitely a step up from answering the phone.
Others have explained better than I could how absurd it is to equate Troi with McCoy.
TOS actually goes out of its way to be actively sexist in nearly every episode. People bring up Turnabout Intruder a lot, but there's almost worse stuff in the rest of the series. Besides the main cast being nurses and secretaries, the guest stars were almost entirely damsels, vamps, and succubi.
Dr. Ann Mulhall was neither a damsel, a vamp, nor a succubus. Neither was Areel Shaw.
I mean shows like Bonanza resulted in the term "Cartwright curse" to describe their disposable love interests of the week.
Fanfic has provided many,
many stories, both short and novel-length that provide wives, children, and even grandchildren for the Cartwrights. There's even one where Inger (Hoss' mother who was killed in an Indian attack) comes back (seems they only thought she was dead; someone found and cared for her and she didn't know how to find Ben and the boys so she made her own life until she and Adam accidentally ran across each other decades later). So even Ben gets a happy ending with the woman he loves.
Interesting early on in TNG's development Troi and Picard were supposed to have an even closer (and quite odd) relationship; the man Deanna was bonded to and supposed to marry in the earliest versions of Haven was Picards godson and Deanna was particularly interested in joining the crew of the Enterprise in order to serve under her future husband's "legendary" godfather.
This brings up a question that has bothered me ever since the first time I ever saw "Haven" in 1987: If Deanna had an arranged marriage with Wyatt Miller, why was she carrying on a romance with Will Riker?