And, so? Keep in mind what Star Trek is about. The point is not to do hard SF with biologically plausible aliens (there's prose that does that, but it's a lot harder on film... although Arrival made a nice effort). Nor is it to creep out viewers with shockingly strange aliens (for that you've got franchises like Aliens and Predator).Welcome to sci-fi, you mean. In any case, human aliens never really looked alien to me.
In Trek, the point of aliens — not just Klingons, but almost all of them — has been to reflect different aspects of the human experience, whether political, cultural, psychological, economic, or what-have-you.
The Klingon makeover in DSC did not facilitate achieving this. In fact, it did pretty much the opposite.
Nobody's talking "Day of the Dove" here. Take a look at the actual makeup used for the post-Augment-Virus Klingons in ENT "Divergence." There's nothing about it that would cause any racial offense or justify being called "brownface."Compare that to brown face make up? Sorry, I still don't see how that would be ok.
FWIW, I could care less whether it blends into "the new visual precedent" set by DSC. (It's not as if there's anything particularly compelling or even coherent about that anyway.) I care about how it blends into the visual milieux of the last 50-odd years of Star Trek overall, and particularly of TOS.Always funny how quickly talk of Klingons derails a thread. Anyhow, back on the Discoprise and seeing the eaglemoss ortho i'm happy with it overall. Of course I have my personal nitpicks but for a minor redesign it fits the bill and blends well into the new visual precedent set by the show.
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