True. It might have been nice if they had followed up on it even if it wasn't a drawn out threat like the Borg.We're left wondering what the hell that could lead to.
Nearly thirty years later, we're still wondering!![]()
True. It might have been nice if they had followed up on it even if it wasn't a drawn out threat like the Borg.We're left wondering what the hell that could lead to.
Nearly thirty years later, we're still wondering!![]()
"Let's get the hell out of here."
True. It might have been nice if they had followed up on it even if it wasn't a drawn out threat like the Borg.We're left wondering what the hell that could lead to.
Nearly thirty years later, we're still wondering!![]()
I do remember hearing about that a looong time ago, but even after the Borg were introduced it's still something that could have been followed up with."Let's get the hell out of here."
I was going to mention it (From TOS: "City on the Edge of Forever") - but it seems you already did. Interestingly CotEoF isn't a favorite of mine, BUT the last scene with Kirk is a good one.
True. It might have been nice if they had followed up on it even if it wasn't a drawn out threat like the Borg.Nearly thirty years later, we're still wondering!![]()
Funny you should mention 'The Borg' because the race in 'Conspiracy' was retooled into what the Borg became. Originally, that signal was going to be tied into the Neutral Zone outpost destruction referenced in the following episode "The Neutral Zone" - and that would happen in Season 2 as an episode in response to that situation was planned with the aliens from Conspiracy. Because (at the time) the VFX crew thought it would be too difficult/expensive to depict more elements of that race on screen without looking cheesy/ridiculous, they were retooled into 'The Borg' (the one aspect remaining was the 'Hive Mind') and introduced in 'Q-Who' - where they then referenced the similarity of a nearby planet's devastation to what occurred.)
^^^
I got that from a TNG Writer's panel at a Loscon many years ago where they were discussing Season 2; and someone asked why 'the signal' from Conspiracy was never followed up on in a later story.
I haven't read a Trek tie-in novel for ages. I have a few tie-in novels left on my shelf, but they're all the earlier stuff as I lost interest in most of the books at least a decade or so ago.It eventually was in the DS9 novels.
Sorry if someone already mentioned it: "Inner Light" Picard picking up Kamin's flute. The sad, sad tune fading into credits.
[yt]https://www.youtube.com/watch?v=IjCxl9JL6Ug[/yt]
I haven't read a Trek tie-in novel for ages. I have a few tie-in novels left on my shelf, but they're all the earlier stuff as I lost interest in most of the books at least a decade or so ago.It eventually was in the DS9 novels.
Most powerful--I don't know, but the final scene of Voyager's Course: Oblivion is pretty stark, cold, and sad in its recognition that, sometimes, all efforts are truly futile. That the universe really doesn't give a rat's ass about what we want or aspire to. Don't like it? Complain to the universe, then. That was the message I got from that ep and ending and I liked its dark edginess.
Most powerful--I don't know, but the final scene of Voyager's Course: Oblivion is pretty stark, cold, and sad in its recognition that, sometimes, all efforts are truly futile. That the universe really doesn't give a rat's ass about what we want or aspire to. Don't like it? Complain to the universe, then. That was the message I got from that ep and ending and I liked its dark edginess.
The message I got was that Janeway's duplicate was as equally self-righteous and inflexible as the original, which was demonstrated in her refusal to listen to her crew when they were telling her to change course earlier.
There was nothing inevitable about the outcome. Had she listened, they may well have survived.
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