• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

William Shatner claims he will not be included in ST 3

I'm not sure what Super 8 has to do with Star Trek being inspiring. They are two different films :confused:
I was looking at missing parents in both - Kirk's father in STID's case.

Still not following.

Kirk's father not being in his life is given as the reason that Kirk did not join Starfleet in the alternate timeline, as told by Spock Prime. Pike stepping in as a father figure inspires Kirk to reach for his potential and become a starship captain (his "best destiny" as described by Spock).

Similarly, Sarek serves as an inspiration for Spock to embrace both halves of himself, a journey that took a much different path in the Prime universe. Regardless, Sarek's influence has as much impact as Pike's impact on Kirk. I actually miss Sarek in STID.

Both Pike and Sarek serve as the "wise old man" archetype but there is a charisma to them that I find both inspirational, and well as a reminder of how my dad is to me.

I think that they provide some interesting discussion points as well as some interesting social commentary, with STID being more on the nose, versus 09 that is a little more low key, but still there. Reminded me quite a bit of TOS in terms of how it could handle social commentary in both ways.
 
*cough* Star Trek VI: The Undiscovered Country *cough*
*cough* "Ensign Ro" *cough*
*cough* "The Pegasus" *cough*
*cough* "Homefront"/"Paradise Lost" *cough*
"Omega Glory"

Bad apples in Starfleet/the Federation/the home team is not unusual. It's a go to plot point in Star Trek and in fiction in general.
Yes, I make fun of the tendency toward cliche rogue admirals too.

But it's not the most optimistic point of view - is it? I can cast those aside as easily as STID and still keep my focus on what Star Trek is more famously known for.
I think you're confusing optimism with perfect and Utopian. Having bad guys in Starfleet doesn't make the show/movie less optimistic or some sort of Dystopia. The franchise has all sorts of conflict. Aliens who are mistrusted/misunderstood. Rival powers on the brink of war with the UFP. Personal obsessions that lead to poor decisions. I've no idea what show you watched, but it doesn't seem to be Star Trek. Trek's characters are human. They have flaws. They make mistakes They aren't perfect. They don't live in a utopia. Yes,the future they live in is a positive one, though not without problems and I see no indication that the alternate version is any different.
 
^Oh yeah, thanks.

BTW, what does your icon mean?
Last week, there was an article on I think it was CNN (and, of course, I can't find the link any more) on the possibility that Microsoft might finally kill Internet Explorer as a browser (while keeping some of its components as a part of the greater Windows Explorer engine) and make a whole new lightweight browser from scratch, using Chrome and Mozilla as a model. This graphic was in the headline.

Having been a web developer for over 20 years now, that bit of news warmed the cockles of my heart, as I completely despise having to down-code compatibility exceptions for IE's many inconsistent flavors. Hell, I'm still required to keep some of my apps compatible with some old IE6 stragglers!

So, I loved the image so much, I changed my avatar for the first time in, like, 12 years.

Edit - Found it! It's an article in CNN money called "Internet Explorer Must Die".

^Oh yeah, thanks.
Sorry I was too late to get in and explain it, Shaka. My thanks to 137th Gebirg for stepping in there, and he was much more eloquent about it than I would've been.


Thanks to the both of you, this is welcome news indeed.

For a while, I've been using three other browsers-Opera, Torch, and Safari instead of IE.
 
I'm not sure what Super 8 has to do with Star Trek being inspiring. They are two different films :confused:
I was looking at missing parents in both - Kirk's father in STID's case.

Still not following.

Kirk's father not being in his life is given as the reason that Kirk did not join Starfleet in the alternate timeline, as told by Spock Prime. Pike stepping in as a father figure inspires Kirk to reach for his potential and become a starship captain (his "best destiny" as described by Spock).

Similarly, Sarek serves as an inspiration for Spock to embrace both halves of himself, a journey that took a much different path in the Prime universe. Regardless, Sarek's influence has as much impact as Pike's impact on Kirk. I actually miss Sarek in STID.

Both Pike and Sarek serve as the "wise old man" archetype but there is a charisma to them that I find both inspirational, and well as a reminder of how my dad is to me.

I think that they provide some interesting discussion points as well as some interesting social commentary, with STID being more on the nose, versus 09 that is a little more low key, but still there. Reminded me quite a bit of TOS in terms of how it could handle social commentary in both ways.
To say nothing of the fact that "Broken Home"is a term used to describe a marriage that ended through choice, not a home where a parent is missing due to a death
 
I was looking at missing parents in both - Kirk's father in STID's case.

Still not following.

Kirk's father not being in his life is given as the reason that Kirk did not join Starfleet in the alternate timeline, as told by Spock Prime. Pike stepping in as a father figure inspires Kirk to reach for his potential and become a starship captain (his "best destiny" as described by Spock).

Similarly, Sarek serves as an inspiration for Spock to embrace both halves of himself, a journey that took a much different path in the Prime universe. Regardless, Sarek's influence has as much impact as Pike's impact on Kirk. I actually miss Sarek in STID.

Both Pike and Sarek serve as the "wise old man" archetype but there is a charisma to them that I find both inspirational, and well as a reminder of how my dad is to me.

I think that they provide some interesting discussion points as well as some interesting social commentary, with STID being more on the nose, versus 09 that is a little more low key, but still there. Reminded me quite a bit of TOS in terms of how it could handle social commentary in both ways.
To say nothing of the fact that "Broken Home"is a term used to describe a marriage that ended through choice, not a home where a parent is missing due to a death
Yes, you're right about that. I should have limited it to the trope of a missing parent, whether "broken" or dead. But I did use "missing" during my discussion.

About the whole thing of the missing parent, I was responding to the cliche and that it's typical in terms of Abrams emulating Spielberg, who is known for it.

And I agree with and enjoy fireproof78's entire analysis of father figures and how it inspires him.
 
Last edited:
I think you're confusing optimism with perfect and Utopian. Having bad guys in Starfleet doesn't make the show/movie less optimistic or some sort of Dystopia.
That is true. The Federation and Starfleet have overcome the bad apples to remain true to their mission (except for the cynical Section 31 which appears to always be a necessary aspect). But Star Trek - the TV show and movies - are commonly described, and sometimes self-described, as being set within a utopian society. It still surprises me to see fans deny such a common point of view that Star Trek is about optimism and the hope for a more perfect society. It's seems like a bit of pessimistic cognitive dissonance to me, or maybe just ironic.

Oops, sorry for the double post.
 
Still not following.

Kirk's father not being in his life is given as the reason that Kirk did not join Starfleet in the alternate timeline, as told by Spock Prime. Pike stepping in as a father figure inspires Kirk to reach for his potential and become a starship captain (his "best destiny" as described by Spock).

Similarly, Sarek serves as an inspiration for Spock to embrace both halves of himself, a journey that took a much different path in the Prime universe. Regardless, Sarek's influence has as much impact as Pike's impact on Kirk. I actually miss Sarek in STID.

Both Pike and Sarek serve as the "wise old man" archetype but there is a charisma to them that I find both inspirational, and well as a reminder of how my dad is to me.

I think that they provide some interesting discussion points as well as some interesting social commentary, with STID being more on the nose, versus 09 that is a little more low key, but still there. Reminded me quite a bit of TOS in terms of how it could handle social commentary in both ways.
To say nothing of the fact that "Broken Home"is a term used to describe a marriage that ended through choice, not a home where a parent is missing due to a death
Yes, you're right about that. I should have limited it to the trope of a missing parent, whether "broken" or dead. But I did use "missing" during my discussion.

About the whole thing of the missing parent, I was responding to the cliche and that it's typical in terms of Abrams emulating Spielberg, who is known for it.

And I agree with and enjoy fireproof78's entire analysis of father figures and how it inspires him.
Hell, the broken home/missing/dysfunctional family trope is rampant throughout Trek, particularly TNG. Picard had his estranged brother, Worf's parents were killed at Khitomer and his son, Alexander, lost his mom to Duras, Tasha Yar was an orphan escaping rape gangs on her planet, Troi's dad AND sister both died when she was very young, Data's whole family thing with Soong, his "mom", Lal, Lore, B4, etc., Riker's dad was a 5-star douche nozzle and Beverly and Wesley lost her husband/his dad early on. Really, only Geordi seemed to enjoy a relatively stable upbringing and was well into his adult life and career when his mom went missing on the USS Hera. DS9 also appeared to have characters with slightly more stable backgrounds - except, of course, most Bajorans for understandable reasons.
 
<picks Thread Train up and puts in back on the track>

Anybody know if Shatner can do an "Evil Star Ship Captain Who Wants To Take Over The Universe" laugh...?

...or just dub it in...?
 
Anyone seen how they de-aged Jeff Bridges in Tron Legacy? How about doing the same with Shatner? Then you can have young prime kirk vs. young alternate kirk.

Then they can also apply old man makeup to Chris pine, and have old alternate kirk vs. old prime kirk.
 
Anyone seen how they de-aged Jeff Bridges in Tron Legacy? How about doing the same with Shatner? Then you can have young prime kirk vs. young alternate kirk.

Then they can also apply old man makeup to Chris pine, and have old alternate kirk vs. old prime kirk.

Seeing as Shatner-Kirk and Pine-Kirk are supposed to be the same person, this doesn't really make sense. Bridges was "de-aged" because CLU was supposed to look like a 30-40 year old Flynn, to be compared with 65 year old Flynn. This is the same as young nuSpock being compared to old primeSpock. We can believe they're the same person separated by decades.

What would be the point of seeing de-aged Shatner facing off against Pine, or aged Pine versus current Shatner?
 
<picks Thread Train up and puts in back on the track>

Anybody know if Shatner can do an "Evil Star Ship Captain Who Wants To Take Over The Universe" laugh...?

...or just dub it in...?
If you've ever heard him laugh at a convention, you wouldn't need to ask that. It's not a mua-ha-ha, but a machine gun huhhuhhuhhuhhuhhuh followed by a wheezing intake of breath. I only heard it once, 40 years ago.
 
we are going to get a franchise overhaul that has Star Trek trying to be the next "Guardians of the Galaxy" as some reports have indicated.
You mean fun and successful? Bring it.
Does "Guardians of the Galaxy" bring you optimistic hope for our future, or just hope that there's another "Guardians of the Galaxy" movie in our future?
I swear to the gods, I love that kind of argument: "Star Trek is so optimistic about our future! Mankind has ultimately solved all our age-old problems, so finally we can have new ones!" :lol:
 
I think you're confusing optimism with perfect and Utopian. Having bad guys in Starfleet doesn't make the show/movie less optimistic or some sort of Dystopia.
That is true. The Federation and Starfleet have overcome the bad apples to remain true to their mission (except for the cynical Section 31 which appears to always be a necessary aspect). But Star Trek - the TV show and movies - are commonly described, and sometimes self-described, as being set within a utopian society. It still surprises me to see fans deny such a common point of view that Star Trek is about optimism and the hope for a more perfect society. It's seems like a bit of pessimistic cognitive dissonance to me, or maybe just ironic.

Oops, sorry for the double post.
Any one who thinks Star Trek is set in an Utopia either hasn't seen the show or hasn't paid attention. If the show was set on Earth and about Earth they might have a point. But its about Starfleet and set in space, where all sorts of problems crop up.

Who's saying Star Trek isn't about optimism?
 
Boy I am liking the idea more and more! FirsKirk knows the codes and Strategies and Ins and Outs of Star Fleet. At the beginning of the Theoretical Nefariousness (were he to be cast as the Bad Guy) he could enlist people and support based on who he is perceived to be - like in III - and gain purchase towards his Evil ends. There are any number of combinations and permutations of possible protagonists, plot lines, savior moments, new tek/old tek combinations, ships, etc., that could play very nicely. The "thing" would not only be about MultiKirk, but also allow for plenty of "multi-Trek". In my WarpField mind, I am even seeing a Dualogy or Trilogy. Just gotta keep Shatnorama alive. God, I love this shit! :) :) :)
 
I think you're confusing optimism with perfect and Utopian. Having bad guys in Starfleet doesn't make the show/movie less optimistic or some sort of Dystopia.
That is true. The Federation and Starfleet have overcome the bad apples to remain true to their mission (except for the cynical Section 31 which appears to always be a necessary aspect). But Star Trek - the TV show and movies - are commonly described, and sometimes self-described, as being set within a utopian society. It still surprises me to see fans deny such a common point of view that Star Trek is about optimism and the hope for a more perfect society. It's seems like a bit of pessimistic cognitive dissonance to me, or maybe just ironic.

Oops, sorry for the double post.

First of all, this is a rather long post, and it is not meant to be a personal attack in any way.

As others have pointed out, the idea of optimism does not preclude conflict among members, especially in TOS, which Abrams Trek is inspired by. Regardless of GR's view on the Federation later on in Trek's life, the early ideas of a peaceful Federation was not one of perfection but cooperation. Humanity had managed not to blow itself up, and had worked out space travel and cooperation with alien worlds.

Even in TOS, there is conflict among the crew members, among citizens of the Federation and between member worlds of the Federation. Spock talks about some citizens being discontented with the way life is planned out in the Federation. Sisko, rather famously, talks about the problem of Earth, versus living out on the frontier:

"On Earth, there is no poverty, no crime, no war. You look out the window of Starfleet Headquarters and you see paradise. Well, it's easy to be a saint in paradise, but the Maquis do not live in paradise. Out there in the Demilitarized Zone, all the problems haven't been solved yet. Out there, there are no saints — just people. Angry, scared, determined people who are going to do whatever it takes to survive, whether it meets with Federation approval or not!"

Yes, I understand that GR had his vision of the Federation, and humans specifically, evolving to a point that things like death and personal conflict did not occur. I understand that, and, while I do not agree, I can see why GR would come to that conclusion and want that to happen.

However, one aspect of science fiction (SF from here on) is to study humanity's reaction to new technology and to new events that occur in that world. A quick side note is that the show Deadwood, and even Dr. Quinn could be argued to be SF to some degree, due to this fact.

Abrams Trek shows us a different view, one that, in my opinion, has a more modern sensibility. It isn't less optimistic-I would argue that Kirk's arc is all about him reaching his full potential. But, that optimism is getting challenged by forces that Kirk's era never had to deal with. The constant threat of a Romulan attack, the rising hostilities with the Klingons, and the need to prepare for facing those attacks. The result is one of contrasts: you can become more like Marcus, who reflects the negative extreme, or become like Kirk, who decides to embrace an optimism that war is not inevitable, nor does it require resorting to extreme measures to combat it.

Sorry for the long post, but I see ID reflecting far more optimism that it is ever given credit for. Maybe the means of conveying that message is lost in the style of the film and that isn't for everyone. I'll grant that. But, that doesn't make it less Star Trek, just because it uses a different way of making its point.
 
Very thoughtful and interesting post. Would LOVE to hear more of your thoughts on Deadwood, though maybe not in this Thread.
 
Regardless of GR's view on the Federation later on in Trek's life, the early ideas of a peaceful Federation was not one of perfection but cooperation.

Heck, not even cooperation. All one has to do is watch "Journey to Babel". :lol:
 
Boy I am liking the idea more and more! FirsKirk knows the codes and Strategies and Ins and Outs of Star Fleet. At the beginning of the Theoretical Nefariousness (were he to be cast as the Bad Guy) he could enlist people and support based on who he is perceived to be - like in III - and gain purchase towards his Evil ends. There are any number of combinations and permutations of possible protagonists, plot lines, savior moments, new tek/old tek combinations, ships, etc., that could play very nicely. The "thing" would not only be about MultiKirk, but also allow for plenty of "multi-Trek". In my WarpField mind, I am even seeing a Dualogy or Trilogy. Just gotta keep Shatnorama alive. God, I love this shit! :) :) :)
"in every revolution, there's one man with a vision."

...I see ID reflecting far more optimism that it is ever given credit for. Maybe the means of conveying that message is lost in the style of the film...
The very title of the film itself - Into Darkness - admits or stipulates a message of optimism lost.

I very mush dislike the dystopian tendencies of "today's sensibilities" to deconstruct franchises and characters in the name of "gritty realism." Make Superman an alcoholic - why not. Today's sensibilities date a film. Everything modern becomes a humorous curiosity in retrospect. You used the term "modern sensibility," but I find the use of "modern" presumptuous. Microsoft calls it's Windows 8 UI "modern." Ugh. It's only modern because it's what we have now - not what we could do better in the future. 'Contemporary' might be better.
 
Last edited:
The very title of the film itself - Into Darkness - admits or stipulates a message of optimism lost.
No, it's just the title of the film. It's ominous but it doen't mean the film isn't set in an optimistic future. The "Wrath of Khan" is the same. Containing the word Wrath doesn't mean optimism is out the window

You used the term "modern sensibility," but I find the use of "modern" presumptuous. Microsoft calls it's Windows 8 UI "modern." Ugh. It's only modern because it's what we have now - not what we could do better in the future. 'Contemporary' might be better.
Being used now is why its modern. Modern isn't the future. Modern is contemporary. They're synonyms in this context.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top