By Inferno's Light I think. Founder Bashir in the runabout.Pretty sure there is an episode where a bomb involving protomatter is almost sent into Bajor's sun.
By Inferno's Light I think. Founder Bashir in the runabout.Pretty sure there is an episode where a bomb involving protomatter is almost sent into Bajor's sun.
Good that they don't have one then.But that said, I don't think that an all female cast is sustainable going forward.
Definitely. The reason I love Voyager's opening so much is because both the visuals and the music evoke the sense of exploration and that the crew is on a grand adventure in a huge and fascinating universe.Agreed, the opening is awful.
I think we wanted something in the traditional Star Trek style of DS9/Voyager, that was a bit more majestic than recent 3-second TV credit sequences, or at least artistic and of the quality of say Westworld, and what we got, looks suprisingly bad.... almost like one of these renaissance compilations of Leonardo Da Vinci's drawings.... except without anything meaningful at all, just random floating Klingon blades and a flower.
Since there are at least two of us who would prefer seeing some stars in the opening of a show purporting to be part of the Star Trek franchise (and I daresay we're not the only two people who think this), the word "we" is not inappropriate.“We” didn’t all want any such thing. Those openings are boring, not “majestic” (of course, note I don’t presume to speak for anyone other than myself on this point).
They kinda overshot the TNG-era in some ways, which is why it's impossible for me to believe that this is a pre-TOS series.What I don’t want to see is anything that smacks of “more like TNG-era” Trek. There’s already PLENTY of that to watch.
What was up with that "This is Starfleet" blathering at the end of the final episode? Wasn't she there to get reinstated, and the others got promoted? Do newly-reinstated officers usually make long-winded speeches?Indeed. I really don't want this to go into a "purge the writer's room" discussion, but if the writer's room doesn't have the chops to write genuine soaring oratory and monologue, they should stick to more naturalistic dialogue.
Agreed. Just because she can fight, that doesn't mean she's someone who should captain a starship.Personal preference, SMG is fine as the lead. Though I would prefer if they could move quickly to make her the captain. I find it difficult to relate to the Junior Officer Know-it-all and I guess I've been conditioned to Trek revolving around the Captain. I would like to see them dial her down a little bit, to me she comes across as overpowered. Cut back on the Vulcan Superpowers. Telepathy over extreme distances has been used in past Trek but it's never been presented as something that can be turned on at will (other than one Betazoid), so I think that's something that should be used sparingly. Vulcan martial arts - tone it down. When Kirk was in a fight I always got the feeling he was in over his head, there was a sense of vulnerability there and that's something I need to see in a character if I'm to feel an attachment to them. I never see that Vulnerability in Burnham. I get it that they are trying to make her seem powerful and capable of looking after herself, but real power isn't something that we exercise with our fists. I would prefer if her power comes from her rank, her accomplishments, and her intellect.
I didn't see two-thirds of the episodes. Were there any in which the crew questioned the ethics of what they were doing, or what they needed to do, beyond "should we or should we not go to war with the Klingons" (which was dispensed with pretty fast)?I'd like a more thoughtful show. A little less action and a little more time to think. Not just time for me to think, but time for the crew to think.
What was up with that "This is Starfleet" blathering at the end of the final episode? Wasn't she there to get reinstated, and the others got promoted? Do newly-reinstated officers usually make long-winded speeches?
One thing David Gerrold said in one of his Star Trek books back in the '70s was that Star Trek episodes should be about "Kirk makes a decision." Well, obviously not all of them should be, but some of the best ones are those that involve Kirk making some difficult decision, or a variation of "just because I can, does that mean I should"?.
That's one of the reasons I think they fucked up Burnham's personal arc in a major fashion. While her depth of characterization in Act 1 left something to be desired, the arc worked, basically coming full circle by destroying the Ship of the Dead, killing Kol, and getting back her Georgiou's badge. But Act 2 shows her as a character who has essentially not grown - continuing to make impulsive decisions based upon emotional connections (most notably saving MU Georgiou from death because of guilt about the death of PU Georgiou). This continues right up through climax of the last episode, where she presumes there is goodness in the heart of MU Georgiou. Somehow, MU Georgiou doesn't kill her (even though she was willing to kill Burnham just a few episodes ago) but this "win" doesn't seem earned, it seems random.
I guess the problem I have is I thought the arc was going to be about Burnham learning to deal with the conflict between the coldily logical way she was raised and her actual nature, which is further towards the impulsive and emotional side than the norm for a human (perhaps because she was never taught properly how to actually deal with her emotions). Instead, they decided at the last minute it was about learning her push for an aggressive confrontation with the Klingons in the first episode was the wrong choice, as it's not the "Starfleet way." Never mind the opening two-parter drove home that the Klingons thought Federation attempts at diplomacy were subterfuge, and if anything seemed to imply if Georgiou listened to Burnham and fired first, the war might have been avoided.
Tilly
Burnham
vs.
Saru
Tyler
Stamets
Sarek (?)
Agreed. It makes no sense for Burnham to be making a speech, period.I interpreted that scene as interspersing two different scenes which happened in that room - the "everyone get's a medal" ceremony and a later lecture that Burnham was giving. Either way it was ridiculous, because even if it made sense thematically for Burnham to give the speech, due to how the chain of command works, Saru should have been up there.
Is there a single episode in fifty-one years of Star Trek that you can honestly describe as "hard science fiction"?- Maybe consider some stand-alone episodes with hard science fiction, between arcs?
I don't think he is - the Kurtzman interview stated they have plans for him next year.Tyler is gone
They're still men. They may be in makeup or have a backstory about being in makeup, but they're men nonetheless. Just as much as L'Rell is a female character. You can't claim it's an "all female cast" just cos some of the men are playing fictional aliens.Anyway my point was about human male representation. Saru and Sarek are not human and Tyler is a Klingon in a human meat suit.
And there are also two males with similar exposure; none of them are much more than the Conn ensign of the week, so I left them out. If we include them, I'd argue they cancel each other out.but you're leaving out some of the bridge crew (I can think of two females just off of the bat).
It is a canon show, because it's produced by CBS. No amount of fan blubbering will change that.3 Stop pretending the show is a canon show.
It is a canon show, because it's produced by CBS. No amount of fan blubbering will change that.
Again, "Canon" = the body of work, defined by the IP owner. CBS says this is the reality of Trek, therefore it is.
It's not "blubbering". It's contempt and boredom. It may be legally canon, but it does not, and will never, look or feel like canon. YKMV.It is a canon show, because it's produced by CBS. No amount of fan blubbering will change that.
Again, "Canon" = the body of work, defined by the IP owner. CBS says this is the reality of Trek, therefore it is.
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