Are you sure about that?John Masefield
I am well versed in the classics, Doctor.Sea Fever
BY JOHN MASEFIELD
I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by;
And the wheel’s kick and the wind’s song and the white sail’s shaking,
And a grey mist on the sea’s face, and a grey dawn breaking.
I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must go down to the seas again, to the vagrant gypsy life,
To the gull’s way and the whale’s way where the wind’s like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick’s over.
I am well versed in the classics, Doctor.
(I was doing the bit in the shuttle from Star Trek V)
I am well versed in the classics, Doctor.
(I was doing the bit in the shuttle from Star Trek V)
What is that, a sister ship of the Orville?Melville
If it is, I hope it has an anti-banana rayWhat is that, a sister ship of the Orville?![]()
And yet the exterior resembles the TOS design a good deal more than “remotely”. Which seems contradictory. Silly, even.
They have a scale. Everything has to be "at least 25% different" from rest of Star Trek history.
Well, design is a matter of taste, and that is extremely different.
For example, I personally find the Kelvin-timeline update of the Enterprise (both the model and the set design) to be much more faithful to the original than the Discovery one (my other misgivings with those films notwithstanding).
Why? Because of the style.
The JJprise has the same, updated style as the original one. Functional and elegant, a bit of a retro-style, with funky angles, brigthly light, a bit colorful, and overall a very friendly look.
The Discoprise OTOH takes much more design elements one to one over from the original. But the style is extremely different. Instead of elegance, it mainly works on brutalistic design choices. That radically changes the entire tone of everything, the sets, the models. Which would fit much better with military SF like Battlestar Galactica, or something from "The Expanse".
Even ENT got that right, while their sets were much more fake-realistic, with sharp edges and lines, akin to a submarine, they still used a more friendly design language overall.
The Discoprise really doesn't. It looks like something the Sowjets or fascist era Italy would built. Wheras all other iterations of Star Trek had their optimistic and open-minded worldview built right into their sets and props.
...lack of restraint... That's definitely an apt description of the JJprise (and the Discoprise)!
I think the genius of Jeffries design is basically the perfect arrangement of shapes.
A saucer, three cylinders, a few connecting struts - arranged in a way to become the most iconic starship shape in history. Perfectly balanced, elegant, graceful. Any yet also functional.
IMO even with the modern blockbuster/action mindset you can super easily make a faithfull update - if you keep the same shapes!
The original refit is a perfect example - though even there, the radical change of the warp nacelles and struts make it almost a completely new entity, distinct of the original. Funnily, since exchaning the engines is the most believable part of the ship overhaul.
The JJprise has a bit of the problem that it distorts those shapes a bit too much. The nacelles are to close to each other (the ship doesn't look balanced from the top, only from front/back and side), and a bit too front-heavy. The saucer is too wide compared to the other elements, and the secondary hull too small, which messes with the dimensions the the width of the ship (Though I still like it very much!)
The Discoprise has two problems - the reduced height robs it of it's elegance, and gives it more of an agressive fighting stance, as do the other brutalistic edges and corners that are even on the model from the 60s a bit more rounded, as well as the dark color palette. The other thing is the weird mish-mash of using original and refit-elements, both of which are super well defined and iconic designs, that gives it a bit of an unclear and arbitrary mashed-up identity.
Melville
I too was doing the schtick. A great character moment.
Actually we have confirmation that creative was dictated to make the Enterprise 25% different. Sure, we can only guess why, but it's a safe guess it was a $$ decision. ALL decisions are money decisions. Always.Come on, man. You know that's not true.
Yes since it’s supposed to be the same ship...Isn't the main criticism about this design how not like the original it is?
How about “moon over Rigel VII”?Row row row your boat!
Actually we have confirmation that creative was dictated to make the Enterprise 25% different. Sure, we can only guess why, but it's a safe guess it was a $$ decision. ALL decisions are money decisions. Always.
Why would John Eaves lie about that?I don't buy it. 25% different doesn't actually mean anything. You can't quantify that.
Why would John Eaves lie about that?
Yeah. I think there's just some misunderstanding of what he meant. I don't think he literally meant they had some arithmetic to determine degree of differenceI don't buy it. 25% different doesn't actually mean anything. You can't quantify that.
I don't buy it. 25% different doesn't actually mean anything. You can't quantify that.
This was more tense and dramatic than the s1 finaleYeah. I think there's just some misunderstanding of what he meant. I don't think he literally meant they had some arithmetic to determine degree of difference
"Folks, we're at 24.9% what can you get me?"
"we can remove the grid thingies on the rear"
"Grid thingies only show up on the Cage, that makes them neutrally-boyant in the Difference Equations. How about the deflector dish?"
"If needs that to deflect things, sir. I'm telling you,I've looked through all these systems and there isn't anything left to give. I can run it through the simulator again.."
"Damnit, no more goddam simulations! We're bringing that ship back from the moon with the crew alive. Failure is not an option! Now there's got to be something.."
"Well it's a long shot, sir but maybe.. maybe.."
"What.. look we're running out of time. Tell me."
"We reduce the orange stripe count by a factor of 2, per side"
"Will she still fly without the stripes?"
"Not as fast, but she'll get there. I think. We can compensate with blue glow."
"Alright people, we have a plan. Let's get those erasers out and start removing stripes. Capcom, tell Pike and the crew we have a procedure!"
Kelvinverse Picard is a punk.
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