"Bough" is another interesting and original season story. It's better than "Farce Force of Nature" despite both revolving around ecological issues. Despite the small-world nature of "Bough", it's still more expansive with multiple ideas being jostled about rather than just the one - and is still more effective in its presentation, despite it all*. All despite having that peachy keen "After Sk00l Special" feel, but TNG was finding itself, as well as having different episodes cater to different audiences (it's hard enough to appeal to a dozen demographics in the same episode, so doing it this way helps... until you reach "Justice" where "TV-Y" became "TV-M" without any warning. Oops. But by season 7, all the script effort went to DS9 and what's left feels like coasting... to some form of target audience for sure... and only at warp 0.00049999975 to play it really safe. Plus, "Bough" feels influenced by some designs and dialogue accorded the main ship computer in "Blake's 7" for "The Custodian", but without any massive overt pointing or callouts. "I'm subtle now, subtle is cool." Which is also ironic given some of the material covered in this episode being as unsubtle as another tv show's episode called "Orphan 55". But I digress, odd but true... Anyhoo, "Bough" also is more fun in terms of counting the number of recycled sets; early TNG still look glorious, but what they did on a relatively small budget still impresses considerably.
That said, "Force" does have an interesting allegory, even if it's slowly drawn out as a mystery but with half as compelling as it needed to be... worse, the show never followed through on any other level than "You're allowed to break the speed limit this time" for the remaining dozen or so episodes, so why did they bother...? All that said, I did like TNG's 1701-D refit design from the finale that addressed the issue via adding another nacelle, which - in tandem with the other nacelles - created the field more gently and then the nacelles tinkled a copious amount of "plot solution" into the fabric of space, so all is okey-dokey again. Did I just digress upon a digression, again? Oops...
"When The Bough Breaks" - 1
"The Outrageous Okona" - 0
"The Price" - 0
"Transfigurations" - 0
"The Host" - 0
"Galaxy's Child" - 0
"The Masterpiece Society" - 1
"Cost Of Living" - 1
"Aquiel" - 0
"Birthright, Part II" - 1
"Bloodlines" - 0
"Firstborn" - 0
* even calculus.
(some of the viewer responses to the clip are quite interesting, BTW, IMHO, EIEIO...)
That said, "Force" does have an interesting allegory, even if it's slowly drawn out as a mystery but with half as compelling as it needed to be... worse, the show never followed through on any other level than "You're allowed to break the speed limit this time" for the remaining dozen or so episodes, so why did they bother...? All that said, I did like TNG's 1701-D refit design from the finale that addressed the issue via adding another nacelle, which - in tandem with the other nacelles - created the field more gently and then the nacelles tinkled a copious amount of "plot solution" into the fabric of space, so all is okey-dokey again. Did I just digress upon a digression, again? Oops...
"When The Bough Breaks" - 1
"The Outrageous Okona" - 0
"The Price" - 0
"Transfigurations" - 0
"The Host" - 0
"Galaxy's Child" - 0
"The Masterpiece Society" - 1
"Cost Of Living" - 1
"Aquiel" - 0
"Birthright, Part II" - 1
"Bloodlines" - 0
"Firstborn" - 0
* even calculus.
(some of the viewer responses to the clip are quite interesting, BTW, IMHO, EIEIO...)
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