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Spoilers Star Trek: Strange New Worlds 3x04 - "A Space Adventure Hour"

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While I find many of the critiques about SNW impulsive or obtuse, I feel they deserve some sympathy. Bob Bakish promised that the studio had analytics that would allow them to "super serve fans." If we take the claim at face value, all ardent long-term fans are part of the equation. What does it mean if they are not finding episode not just to their liking, but outside their experience of what Star Trek is? Have they been consciously excluded from the equation?
 
While I find many of the critiques about SNW impulsive or obtuse, I feel they deserve some sympathy. Bob Bakish promised that the studio had analytics that would allow them to "super serve fans." If we take the claim at face value, all ardent long-term fans are part of the equation. What does it mean if they are not finding episode not just to their liking, but outside their experience of what Star Trek is? Have they been consciously excluded from the equation?
The experience of fans is always different too, which makes the equation more difficult. My dad thoroughly enjoys TOS and it's movies and the Kelvin films...and that's it. He never liked TNG and the rest of that era he ignored. And he's not much in to recent items either.

SNW has a touch of later Voyager to it when it started including Barclay.
 
I survived PIC Season 2, and even that hot mess didn't ruin Star Trek.

And the beginning and the ending were even pretty good.

SNW S3 has not been as good as S1 & S2 for me, but it has still been pretty good. Hegemony II was not as good as I, but is was still pretty darn good, IMHO.

Wedding Bell Blues was not up to the level of "Spock Amok" or "Charades" or "Those Old Scientists" as a comedy Spock/Chapel ep, but it was just fine and beat "Serene Squall." Trelane was a nice callback

The zombie one was OK. And I actually liked the holodeck one even better.

Hoping for better starting tonight though.
 
The experience of fans is always different too, which makes the equation more difficult.
I agree. It was a bold promise, but I can't ignore that there are fans whose idea of Trek is different. I doubt there is a magical formula thst allows each series, each story to be universally appealing. Ideally, they should have launched three new series, not cancel or wind down all of them. The answer seems to be running SNW almost like an anthology. Same characters, but radically different genres from episode to episode. And to appeal to those who want less serialization, it means that all the development is in the characters. It ends up having a light feel in many instances. Regardless, promising to please the crowd can run them into trouble, when they should take the approach that "[their] job is not to give the fans what they want, our job is to give the fans what they need" (a paraphrase of Robert Bresson, which I've heard several Trek writers say).
 
Its a non issue to you but there are others who take it a bit more seriously.

Look, I didn't like Picard season 3. I criticized it pretty heavily when it was first run. But I also did my best to acknowledge when something did work for me. I didn't completely dismiss it because I found flaws in it. And there was some good stuff there. A lot I could do without but I wanted to see how it ended. But I tried to find something positive, even in the worst episodes. SNW isn't some fans' cup of tea? Fine. I get it. I really do. But out of a certain group, I see doomsaying about every aspect of SNW. Maybe its just not their cup of tea. But instead of actually doing the productive thing and finding something else to watch. Instead, they bitch and moan about how its destroying Star Trek. (Spoiler Alert: Its not.)

Its really okay to just walk away. The Star Trek you love will still be there. Promise.
 
I survived PIC Season 2, and even that hot mess didn't ruin Star Trek.

Heck, I survived STAR TREK V and the first season of TNG.

But here's the thing. Was I disappointed by the fifth movie? Sure. Did I gripe about it to my friends? Absolutely. Did I hope to God the next Trek movie was better? You bet.

But then I got on with my life. I didn't demand that the movie be officially stricken from "canon." I didn't hyperbolically declare that Star Trek's sacred legacy had been sullied forever. I didn't vilify everybody involved in making the movie. And, no, I didn't take it personally and feel that all us of old-school Trekkies had been insulted or slapped in the face.

It was a disappointing sequel, not a crime against fandom. :)

And this isn't about not taking "a stand" because this isn't a matter of moral principle, IMO. It's merely about whether or not we enjoyed a particular installment in a favorite sci-fi series.

Just to put things in perspective.
 
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Well, that was kind of fun... I got some weird USS Callister / In Living Color Jim Carrey vibes at the very outset, and wondered where the heck the story was going... Absolutely loved the fake intro, even though the very final fake blooper outtakes struck me as a bit forced. Everything in between was pretty solid for the fluff piece that the show was, and you could tell the cast was having a blast doing it. I did like the character development for Scotty and why he preferred to rely on himself only after his Gorn experience. How he got that warning through to La'an was cool too, and should've tipped me off about fake Spock. But the twist did get me, to be honest... Spock being "too cold" as the giveaway. I think those two have good (not great) chemistry, and certaintly could be on Dancing with the Stars, Trek edition... My only complaint, if any, is that with a mere 10 episodes a season, is there really time to waste on such an inconsequential instalment? Still enjoyed for what it was, to the tune of a middling 8.
 
While I find many of the critiques about SNW impulsive or obtuse, I feel they deserve some sympathy. Bob Bakish promised that the studio had analytics that would allow them to "super serve fans." If we take the claim at face value, all ardent long-term fans are part of the equation. What does it mean if they are not finding episode not just to their liking, but outside their experience of what Star Trek is? Have they been consciously excluded from the equation?

The thing is, even us ardent long-time fans do not speak with the same voice, as the internet (and this very BBS) prove every day. Even lifelong fans have different tastes, expectations, priorities, etc.

So "serving the fans" does not mean the same thing to all of us. For some, that means being very strict about "canon." For others, that might mean plenty of nostalgic easter eggs -- which other long-time fans may scornfully dismiss as "fan service." Some folks are all about the characters, some about the science and engineering, some about the topical allegories, or utopian messaging, or whatever.

Seriously, you're never going to be able to satisfy "all ardent long-time fans" because we're a famously opinionated bunch who seldom agree on anything.

Don't believe me? Go to any thread about the "best" or "worst" Trek movies, series, or episodes. Chances are, you're going to see the same titles appearing on both lists.

For every lifelong Trekkie who thinks that TMP is a masterpiece, there's another who thinks it's an utter bore. For every diehard Trekker who thinks DS9 is far and away the best Trek series ever, there's no shortage of fans who still can't get into it -- and are quite vocal about disliking it.

Heck, we can't even agree on "Trekkie" vs. "Trekker" so why think all devoted "long-time fans" are going to care about the same things? :)
 
Heck, I survived STAR TREK V and the first season of TNG.

But here's the thing. Was I disappointed by the fifth movie? Sure. Did I gripe about it to my friends? Absolutely. Did I hope to God the next Trek movie was better? You bet.

But then I got on with my life. I didn't demand that the movie be officially stricken from "canon." I didn't hyperbolically declare that Star Trek's sacred legacy had been sullied forever. I didn't vilify everybody involved in making the movie. And, no, I didn't take it personally and feel that all us of old-school Trekkies had been insulted or slapped in the face.

It was a disappointing sequel, not a crime against fandom. :)

And this isn't about not taking "a stand" because this isn't a matter of moral principle, IMO. It's merely about whether or not we enjoyed a particular installment in a favorite sci-fi series.

Just to put things in perspective.
I wish I could like this more than once.

Well written. Maybe you can write a book someday 😉
 
The thing is, even us ardent long-time fans do not speak with the same voice, as the internet (and this very BBS) prove every day. Even lifelong fans have different tastes, expectations, priorities, etc.

So "serving the fans" does not mean the same thing to all of us. For some, that means being very strict about "canon." For others, that might mean plenty of nostalgic easter eggs -- which other long-time fans may scornfully dismiss as "fan service." Some folks are all about the characters, some about the science and engineering, some about the topical allegories, or utopian messaging, or whatever.

Seriously, you're never going to be able to satisfy "all ardent long-time fans" because we're a famously opinionated bunch who seldom agree on anything.

Don't believe me? Go to any thread about the "best" or "worst" Trek movies, series, or episodes. Chances are, you're going to see the same titles appearing on both lists.

For every lifelong Trekkie who thinks that TMP is a masterpiece, there's another who thinks it's an utter bore. For every diehard Trekker who thinks DS9 is far and away the best Trek series ever, there's no shortage of fans who still can't get into it -- and are quite vocal about disliking it.

Heck, we can't even agree on "Trekkie" vs. "Trekker" so why think all devoted "long-time fans" are going to care about the same things? :)
I'm not making a claim on the feasibility of what Bakish promised, but he did promise it, no? I think that conversation needs to be with someone else.
 
Some online criticisms of SNW seem to start from the premise that the writers are actively out to take the piss out of Star Trek and dump on its legacy, which is clearly not the case - I fully believe the team behind the show are actively trying to appeal to fans (and clearly succeeding in many cases), to make a product that they wish for people to enjoy, and that they truly conceptualise their work as a "love letter to Star Trek" or w/e.

I think it's still very fair, however, to question a lot of the creative decisions the show makes, and to offer a potentially highly critical assessment of whether or not the writers are currently meeting the expectations that Goldsman et al laid out in the pre-show PR material, or the direction it's taken since its solid first season.

I also think SNW, especially since the second season, is unconsciously displaying a certain attitude some of the writers have toward Star Trek: it's revered and mythologised as a cultural icon in a way that feels cloying, but is simultaneously paternalistically looked down on as a relic of the past, something that should be regarded with a layer of irony and metafictional awareness. There's also the idea that Star Trek needs "updating" in various ways, and that it must have the conventions and form of prestige TV injected into it (something we've already had twice with Disco and Picard). It's no surprise that some Star Trek fans react badly. This latest episode brought these attitudes to the fore like never before, which I think is why it's been a breaking point for people who feel that way, including people who have enjoyed much of the first two seasons of SNW.

Basically, their idea of a love letter to fans is a big pile of self-indulgent TOS tribute stuff obsessed with the "legacy" of Trek, with old ideas recycled and repurposed. For some fans though, the best love letter would have just been an original new Star Trek series.
 
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Some online criticisms of SNW seem to start from the premise that the writers are actively out to take the piss out of Star Trek and dump on its legacy, which is clearly not the case - I fully believe the team behind the show are actively trying to appeal to fans (and clearly succeeding in many cases), to make a product that they wish for people to enjoy, and that they truly conceptualise their work as a "love letter to Star Trek" or w/e.
I truly wish that more fans would give them the benefit of the doubt as you write, and that production teams would stop treating Trek as a delicate flower that needs loving, tender, care. I don't want a love letter to a franchise but a freaking adventure story.

No, my feelings aren't hurt over them doing a story I don't like. It's disappointing that romance of the week keeps showing up over adventure.
 
This was - far and away - the worst romance Spock got in TOS.

Droxine is literally nothing but a pretty face, and has nothing in common with Spock whatsoever. She's vapid rich girl. Why does Spock flirt with her, but needs to be under the influence of spores to give Leila Kalomi (an actual scientist) the time of day.

I know why the stereotypical guy in the mid 1960s would find Droxine hot, but I expect better from Spock.
I have no issue with Spock's interactions with Droxine. She flirts with him, and he parries with his own form of deadpan flirting- dry wit and self-control. He's 'good' at this (the Enterprise Incident, post-spores This Side of Paradise, the Apple to some extent); there is nothing in pre-Cloud Minders TOS to indicate that when met with someone openly flirting with him, he would clutch his tunic protectively, turn away and say "no, you musn't!" particularly where doing so would result in a diplomatic disaster. (The only times we get this sort of thing is when he realizes he is entirely losing self-control due to extraneous factors, as in the Naked Time and Amok Time). Why does he tell her about pon farr? Well, she brought it up-- what was he supposed to do, tell Plasus daughter to get lost as they're waiting on the zenite? Moreover, I don't understand the argument that this scene conflicts with his reluctance to discuss pon farr in Amok Time. Why would Spock, a highly rational creature, stubbornly stick with an approach that led to him murdering (as far as he knew) his best friend and nearly ending his career? It is far more logical that post-Amok Time Spock concluded 'well, that didn't work, and since it's going to come up again I need to land on a different approach.' Spock's curiosity and desire to understand new things extended beyond scientific principles and into sociological and psychological ones as well (see his knowledge and apparent dabbling in "One " in the Way to Eden)-- why wouldn't his curiosity extend to different ways to internally handle one's sexuality, even if those ways diverged from (demonstrably destructive) Vulcan mores?
 
And yet, for many new fans, this may have been their first ever holodeck story. Their experiences may be very different than ours. (Similarly, my experience of ST:TMP, a a then-newbie, was very different to many others, because I had never seen "The Changeling". I had friends who watched ST II with no idea that there was a TOS episode involving Khan.)

Every few months, I meet some new fan with massive gaps in their Trek knowledge, but they are not always tempted to go back and watch all of the old stuff with characters they don't know yet. With so many older diehard fans claiming that they are done with "nuTrek", why not let the writers write the Trek they have always wanted to write?

I found this ep to be a lot of fun. I am glad it was made.
That's very true! I'm glad you enjoyed it!

My previous experiences definitely produced a different result for me. But I don't want to harp on that. I'm glad many people liked it! I enjoyed some of the character interactions and acting!
 
This is where more modern Trek shines for me; it's about the main characters and their growth, rather than a sudden reveal for drama (Garrovick, Sarek and Amanda, Romulans tied fo Vulcans) and rather about the journey.

I've noticed in my Trek discussions, here, elsewhere and even on podcasts (no, not that one), that there is an aversion to long form change at times and a desire for the main characters to be more static. Kind of like Batman: no matter the villain or crisis he was still Batman.

For me, my sci-fi was a lot of coming of age, first missions, growth and change depending. Star Trek was perhaps the exception, and it wasn't my first sci-fi romp or love, so my desire in characters and changes is clearly much different than most.

Not sure TOS did “big SF adventure “ very often. The stories were often smaller scale. A threat to a crewmember or the ship. Occasionally a galactic threat like the doomsday machine, the space amoeba or the pancake parasites would occur. TNG really started the trend toward the focus on the characters internality.
People shouldn’t take the “strange new worlds” line literally. It’s just a title and a nice piece of poetry, not a mission statement or premise.
I generally love SNW, especially the characters and their development. It seems like a natural evolution from TOS. While SNW is still episodic, the characters grow over time. And they've done a fantastic job at that--and even giving us surprises within a prequel concept.

That's tough to do. So full kudos to them for pulling that off!
 
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