People are not "easily triggered." They are just less tolerant of bigotries.
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I never said that we should be tolerant of bigotries... my point was that people behave like emotional snowflakes who have 0 idea of how to live in the real world and then society goes out of its way to accommodate for fleeting emotional states because it doesn't bother to teach emotional control to people or providing basic rights and protections to people, whereas the real emotional problems that bog people down and cause them massive problems in the long term end up forgotten.
In short, society keeps addressing the symptoms, not the cause. We don't need more patchwork (or business as usual)... we need a total systemic change from the ground up (but apparently, most seem to think that doing things from the existing system is the way to go... how many more times do people need to be demonstrated that this doesn't work?).
Discovery crew in S3 and 4 was portrayed as a massive emotional mess who ended up 'spewing' emotions in ridiculous amounts. They hadn't behaved like trained SF officers or scientists... they behaved like overtly emotional idiots who apparently had little emotional control whatsoever (which would be a modicum of sensibility and expected behavior from an ADULT) and needed proverbial handholding and coddling.
If they wanted to tackle the emotional impact of what the crew went through, they should have portrayed that through those 3 weeks while Disco was being refitted in season 3. Set aside 3 episodes (or more) to deal with the crew's emotional states and assimilation into 32nd century and be done with it, then inject smaller/balanced amounts into other episodes.. not drag every little piece of emotion out in every episode with crying and breaking down as if every episode was a private counseling session and detracts from the main story.
Its fine to see emotional stuff throughout the series... just not in overtly ridiculous quantities as showcased here.
They ended up becoming almost completely disfunctional as a SF crew.
Setting aside the question of whether DIS S3-4 "did Trek" better than PRO, I think this question is based on an unquestioned a priori assumption that works of art created for children ought to be of inferior quality to works of art created for adults. I think that assumption is unfair. Works of art can be of high quality for both adults and children, and it's not more "pathetic" for a work of art created for adults to fail than it is for one created for children to fail, because children are not inferior beings and adults are not superior beings.
Actually, I never said nor implied that Trek works of art for kids are supposed to be inferior to Trek series made for adults.
You are making an assumption.
My point was to illustrate that a show intended for children did a better job at preserving continuity and advancing the setting in the Trek universe while also presenting itself as a better thought out show compared to Disco S3 and 4 which has a massive budget, a whole team of writers, and so many other things at their disposal.
Animated series are doing a better job than live action in advancing the setting and portraying stories in Trek ... and that's actually sad for live action because it feels like its stagnating in turn/
I'm hoping Strange New Worlds will do better (along with upcoming S31 series - if that still happens).
I for one have always been more invested in Star Trek's characters and politics than in real-world materials science.
Trek is a scifi show which is set in the future... originally based on real world science with an intention of portraying a brighter tomorrow in which humanity got its act together and grew up (that would imply advanced technology and more SENSIBLE behavior based on science, logic and reason are part of the setting).
If you are making a scifi show set in the future, and you're basing its tech off real world aspects... then I would expect some effort to go into it, research things and advance the setting semi-appropriately if you're going to push the show into the 32nd century while integrating (not handwaving away) the stuff that was well established (and worked) before.
No, we only know of in-universe technology not real life.
That in-universe technology was based off real world technology.
And it was alluded that Earth in Trek was potentially more advanced than the Earth in the real world what with genetically advanced humans in the 90-ies and launching a sleeper vessel into space (the SS Botany Bay).
Despite the fact its not the same history in some aspects... Trek's Earth' space technology of the late 20th century was pretty much identical to ours.... so, same capabilities.... but I can understand and give them some leeway to say that because of all the strife and WWIII, a Dyson Swarm could have started being constructed by Earth in the 50 years after FC (when they eradicated poverty, disease and war).
And yet somehow something intricately 'simple' as a solar collector (which is a set of relatively simple systems compared to what a Starship has) is beyond their capabilities?
I don't think so.
Its seems the writers are confused or misinformed as to what is needed to build a Dyson Swarm compared to an actual shell/sphere (which is just stupid and never something that Freeman dyson suggested)... and lets face it... if Earth is able to make a spaceship that goes faster than light, has antigrav systems, thrusters and impulse engines along with weapons... something as simple as a solar collector (that doesn't even have most of the technology a starship has) is NOT beyond its ability.
I would like to see Trek characters having great/big ideas that make sense in terms of implementation... not just use and forget.
Long term use and showcasing (and evolution) of these technologies and how they impact the lives of regular people.
Massive potential for storytelling and best they can do is push Disco 930 years into the future and then make it seem like the ONLY notable breakthrough was programmable matter (which would be equivalent to a few decades of R&D for UFP ... certainly not centuries worth)... and even then they aren't using it to its fullest potential?
Disco managed to stretch my patience and sense of reason (within the confines of Trek) to the limit these last 2 seasons. The only reason I watched it is because its Trek and kept hoping it will improve.