Well, that certainly was a lot of Pew! Pew!
Even better, he starts the entire battle with sending out nothing but the fighters, hoping to goad the Cardassians into breaking formation. Alright, they're not Star Wars level swarms, but there are a few shots with dozens of fighters flying around firing on the Galors.If you listen to the dialogue of Sisko on the Defiant bridge, he's relaying orders to various fighter (and Starship) "Wings" as to what Cardassian and Dominion ships to engage, etc.
He honestly should have said: "Engage!" (Yes, I know i's become a 'Picard' catch phrase; but it IS from TOS and was what Jeffery Hunter's "Pike" said when going to Warp. They could have done it here at the very end (IMO)).I'm disappointed Pike's final command wasn't, "Giddyap!".![]()
To pin it down further: Pike calls Number One "Una" right around the 41:10-mark.
Not sure why everyone is making a big deal about the "number one and Una " .
Una is latin for one and Webster definition of it is
Una
[oo-nuh, yoo-]
|
noun
a female given name: from a Latin word meaning “one.”
So maybe Una is her nick name from Pike and her Is Number one or vice versa
One other thing (that also has probably been discussed to death in this thread already): last episode we got a scene where a core of about a dozen crewmembers agreed to sacrifice everything they knew and strand themselves in the future with Michael. And yet in this episode the Discovery looked like an almost fully crewed ship. The sickbay scene made it look super full of people.
Did a bunch of redshirts just get shanghai'ed into the future? Or was the ship far more empty at the end than it seemed? I was briefly envisioning a skeleton-crewed ship trying to keep things operating by the skin of their teeth in season 3, but now I'm thinking we'll see tons of extras standing around hallways looking at walls.
Has this been cleared up one way or the other?
Obviously they were also speaking for the rest of the crew. I take this as an example of showing instead of telling, or trying to fit the entire crew in a tiny corridor intersection.
It was kind of glaring though. I thought they were going to be a skelton crew and suddenly the place has extras running all over. The point was that the ones who agreed to stay new Burnham and wouldn't let her go alone. If they want a full ship taking off thats fine but they really need to tighten up their continuity on stuff like that.Obviously they were also speaking for the rest of the crew. I take this as an example of showing instead of telling, or trying to fit the entire crew in a tiny corridor intersection.
Michael: Our goodbye needed to be-
Tilly: Non existent. That's not who we are, Michael. That's not who any of us are.
(leads her to the corridor meeting)
Tilly: Some people are still working at posts designing siege weapons, which I can't even. Anyway we are here because we are staying with you.
Michael: No, no I can't let you do this.
Reno: We're not asking permission.
It was kind of glaring though. I thought they were going to be a skelton crew and suddenly the place has extras running all over. The point was that the ones who agreed to stay new Burnham and wouldn't let her go alone. If they want a full ship taking off thats fine but they really need to tighten up their continuity on stuff like that.
White Pajamas McDingus on front row would probably just like a nice jacket or podium to stand behind before he goes.![]()
Show of hands who want's to go?![]()
I never noticed shy and sad Vulcan in the front row before.White Pajamas McDingus on front row would probably just like a nice jacket or podium to stand behind before he goes.
![]()
Show of hands who want's to go?![]()
The one thing that bothered me the most in the episode was the Stamets/Culber part. I love both of them, and they make a fantastic pair, but I feel like I totally missed something super important. Culber went from I'm-going-to-the-Enterprise to you're-my-everything in the blink of an eye.
Because their going breaks the temporal loop that created himIf Control is dead, why do they need to go?
You. I like you. You get it.Because their going breaks the temporal loop that created him
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