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Spoilers Star Trek: Discovery 2x07 - "Light and Shadows"

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Apparently you completely missed the point about the entirety of this discussion that had taken place:

The Picard-/Daimon Bok-relationship has a very, very obvious reason why it resurfaces: Picard had a chance encounter where he destroyed a Ferengi vessel. Now, Daimon Bok specifically seeks out Picard to get revenge. OF COURSE they are going to meet again! That's the entirety of what this plot line is about. And it's completely logical as well.

This is completely the opposite of Picard being the foster-brother of Kirk, the main love interest of both the Romulan Empress and the Romulan resistance leader, and Daimon Bok also being the one responsible to have killed Picards parents in the past before their current meet-up and having a personal history with Picards current boss.

It's the difference of a connection having an in-story logic, and being completely arbitrary, only to name-drop popular events and famous characters or organizations from the past. Also notice how the Ferengi aren't a well-known enemy re-used from TOS but a completely new one?

Of course Picard would also go on to be a reluctant God, the spokesperson to the Borg collective, the arbiter of succession to the Klingon High Council (TOS race!), be recipient of the legacy of an entire world, make first contact with the Romulans after eighty years (TOS race!), defeat a Romulan invasion led by the daughter of his own dead tactical officer trying to manipulate Spock (TOS watchers take a drink!), be recipient of the emotions of Ambassador Sarek (TOS watchers, take a drink!) and pass these to Spock, find Scotty (TOS watchers, you know the drill by now!), have his own archeology professor (of whom he was naturally the prodigy) find the secret of all life, be present for Kirk's death (TOS watchers, down your drink!) and find a missing or estranged family member for at least half his crew.

How unrealistic.
 
I've struggled to read the thread but gave up at page 25.

I loved this episode, the only thing I wasn't keen on was the exposition at the start telling me the angel is just a person in a suit.

Took all the mystery out of it, hopefully the pay off isn't as clumisly handled.

I still gave it a 9/10 though.
 
There is no such implication except to those who are desperate to believe what they want to believe rather than what actually is. Sarek talks about his children with Amanda, Sybok was not his child with Amanda.

Actually, Sarek spoke of "our children". Sybok would not be Amanda's child. Also, they are all probably not on speaking terms.
I guess... but I cannot imagine a family ignoring the existence of a child from a prior marriage like that. I hope I'm proved wrong and Sybok makes an appearance at some point.
 
Of course Picard would also go on to be a reluctant God, the spokesperson to the Borg collective, the arbiter of succession to the Klingon High Council (TOS race!), be recipient of the legacy of an entire world, make first contact with the Romulans after eighty years (TOS race!), defeat a Romulan invasion led by the daughter of his own dead tactical officer trying to manipulate Spock (TOS watchers take a drink!), be recipient of the emotions of Ambassador Sarek (TOS watchers, take a drink!) and pass these to Spock, find Scotty (TOS watchers, you know the drill by now!), have his own archeology professor (of whom he was naturally the prodigy) find the secret of all life, and find a missing or estranged family member for at least half his crew.

How unrealistic.

Which, as I said earlier, puts it exactly in this type of "fictional unrealism":

Again: There is a certain kind of "forced" probabilities inherint in all serious fiction - like, isn't it hard to believe that this detective-duo has to solve all the most strangest murders in New York?

NOT this one:

And then there is completely dropping the ball on this matter - like, how can it be the main detective is related to ALL the murderers and victims in every single main storyline?

The former is kind' unavoidable if you want to have more than a single story about the same character. It's the latter that breaks immersion, and where DIS has some serious problems with.
 
I guess... but I cannot imagine a family ignoring the existence of a child from a prior marriage like that. I hope I'm proved wrong and Sybok makes an appearance at some point.
Vulcans seem superb at finding logical reasons to behave in the most dickish fashion. 18 years without a word to Spock because he joined Starfleet. That's who Sarek is. The man knows grudges.
 
Vulcans seem superb at finding logical reasons to behave in the most dickish fashion. 18 years without a word to Spock because he joined Starfleet. That's who Sarek is. The man knows grudges.
I've never understood why some Star Trek fans revere Vulcans. They're largely dicks. Spock mostly became less of a dick by maturing and embracing his human side, especially through the movies. But he has his moments. Then when we see other prominent Vulcans, more often than not, dicks.
 
I guess... but I cannot imagine a family ignoring the existence of a child from a prior marriage like that. I hope I'm proved wrong and Sybok makes an appearance at some point.
That family is great at pretending the others don't exist. Kirk, Spock's best friend, didn't know about Sybok until Sybok hijacked the Enterprise. He didn't know Sarek was Spock's father until there was no avoiding the truth. I think it's very in character that Sarek would ignore a kid who became a space hippie.
 
That family is great at pretending the others don't exist. Kirk, Spock's best friend, didn't know about Sybok until Sybok hijacked the Enterprise. He didn't know Sarek was Spock's father until there was no avoiding the truth. I think it's very in character that Sarek would ignore a kid who became a space hippie.
He never mentions mentoring Saavik or Valeris until they appear on screen either; he's a private dude.
 
The former is kind' unavoidable if you want to have more than a single story about the same character. It's the latter that breaks immersion, and where DIS has some serious problems with.

Sorry, but that is simply blown out of proportion and patently not true. Where is that serious problem? Who is related to everyone? Nobody. Who knew everyone before the show started? Nobody. Who has single-handedly saved everyone every single time? Nobody. Who is special in a physical way and stands out beyond humanity (i.e. has been enhanced and is okay with it without suffering long-lasting consequences as far as we can tell)? Paul, my darling. He saved the ship more often than everyone else put together, because he is awesome. Saru evolved and drastically changed the fate of his entire planet. Spock is the one connected to the Red Angel, not Michael. Tyler is the one-of-a-kind hybrid. Tilly is the one who got kidnapped by a fungus so she could help save an entire species. Culber came back from the dead. Lorca was from the MU. Pike has man-pain because he sat out the war. Airiam got affected by the computer virus.

Almost none of that is connected to Michael herself beyond anything plausible. She is there. She does things. She's driving Spock to Talos IV, but he's the one with the connection. Do you want her to lock herself in her room and not interact with anyone?

Where are you people getting this impression from, anyway? It's just so artificial.

Also, come on. Fiction always connects characters to each other and to events so that we actually feel invested. Otherwise, we might really watch the irrelevant non-adventures of Captain John Everyman on the USS Nondescript.
 
Who is special in a physical way and stands out beyond humanity (i.e. has been enhanced and is okay with it without suffering long-lasting consequences as far as we can tell)? Paul, my darling. He saved the ship more often than everyone else put together, because he is awesome. Saru evolved and drastically changed the fate of his entire planet. Spock is the one connected to the Red Angel, not Michael. Tyler is the one-of-a-kind hybrid. Tilly is the one who got kidnapped by a fungus so she could help save an entire species. Culber came back from the dead. Lorca was from the MU. Pike has man-pain because he sat out the war. Airiam got affected by the computer virus.

When you put it that way, it makes it sound like a goddamned comic book plot full of superheroes. Which makes it a lot less appealing. Part of what I always loved about Star Trek is by and large the characters are "regular Joes" - basically just above-average professionals doing the best they can.
 
When you put it that way, it makes it sound like a goddamned comic book plot full of superheroes. Which makes it a lot less appealing. Part of what I always loved about Star Trek is by and large the characters are "regular Joes" - basically just above-average professionals doing the best they can.
I'm being over the top to show how everyone has something connected to them because they're the focus characters. This is how story-telling works. You can apply this kind of analysis to basically every piece of media, especially one with an ensemble cast. Try Grey's Anatomy or TWD or Gotham or TNG or TOS or what have you. DSC isn't special in that sense. Everyone gets their day in the limelight.
 
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