STAR TREK is a much more flexible format than something like HILL STREET BLUES. I’m assuming the latter didn’t have episodes like “I, Mudd” where the characters would do interpretive dancing and play acting for most of the final act.
The format of the show was always semi-anthology, sure, and the "Earthlike planet of the week" was baked in from day one, so those episodes weren't a break in the format; they were the format. But within that, the show stuck to a house style, where even the overt comedies weren't treated like literal sitcoms, and the actors weren't replaced by animation or sock puppets or whatever.In the original series, the idea that the crew could find themselves in a non-skiffy format on any given week, or a hybrid skiffy+nonskiffy format, was established. "Patterns of Force": World War II. "A Piece of the Action": Gangster. "Bread and Circuses": Roman Empire. "Spectre of the Gun": Western. "The Way to Eden": musical.
I believe that Adam did that in auxiliary control, with "Headin' out to Eden."Musicals have characters breaking out in song and dance at any point.
I totally get what you're saying. To me, this is an edge case, but I feel like excluding it involves invoking the no true Scotsman fallacy.I think Adam singing to his fellows is no more a musical than anything else in the episode. It's not the same as "Let it go" or "Somewhere that's green" where a character bursts out into song with choreography.
I disagree with "Eden" as a musical just because it has diegetic singing and playing. Musicals have characters breaking out in song and dance at any point.
I think White Christmas would fall under that as well.it's a subset of musical called, logically, a diagetic musical. Most of the Elvis movies fall into that category. The characters sing because they are musicians performing.
It was a not so subtle comment on the Hippie subculture.I think Adam singing to his fellows is no more a musical than anything else in the episode. It's not the same as "Let it go" or "Somewhere that's green" where a character bursts out into song with choreography.
Anyway, I'm not saying what the show should and shouldn't do. I'm saying what works and doesn't work for me.
Ok, now you're getting to the really important question!Will @elmo make a cameo as a redshirt?![]()
Does that make Cookie Monster Science/Medical because he's Blue; or Big Bird Command because he's yellow?Ok, now you're getting to the really important question!![]()
As a tangent, may I recommend the series Giri/Haji?STAR TREK is a much more flexible format than something like HILL STREET BLUES. I’m assuming the latter didn’t have episodes like “I, Mudd” where the characters would do interpretive dancing and play acting for most of the final act.
I heartily endorse this notion.If they do go whole Hog on this Muppet episode (Fuck Disney) - they NEED a Pigs In Space cameo somewhere.![]()
Ahsoka Season 2 --I know people are just having a laugh, but I just wanted to put this out there: The puppets in this episode will be done by the Jim Henson Company. The Jim Henson Company doesn't own the Muppets anymore. Disney owns the Muppets. And the Sesame Street characters are owned by Sesame Workshop. The Jim Henson Company still owns the Fraggles, Labyrinth, The Dark Crystal, and a bunch of other little projects.
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