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Revisiting Space: 1999...

Warped9

Admiral
Admiral
Back in the mid '70s a new series debuted that some were touting as the next Star Trek or even the show that could eclipse Star Trek. For me who was then in my mid teens and already a diehard Trek fan them was fight'n words :lol:

Nonetheless I checked it out. It was called Space: 1999 and the basic setting was a massive nuclear explosion blasts the Moon out of Earth's orbit and sends it (and the personnel stranded on it) careening through deep space. The Moon was now effectively a rogue planet---not a bad premise in itself actually. But even back then I and some of my friends really balked at the idea: if the blast is that powerful then the Moon shouldn't go anywhere but up in pieces. This was really bad science to throw at viewers to start off with and seemed a lot harder to take than fictional FTL starflight and beaming people as energy from place to place. Also if the Moon is travelling so fast as to take it from star system to star system from week to week then how are they supposed to even visit some of those planets? The big hook of this was that the viewer had to turn his or her critical brain off and just accept it to enjoy the ride so to speak.

Back then it only took a few episodes to tell me this show was nowhere on Star Trek's level. Yes, an elapse of several years since Star Trek bowed allowed for better production values and more polished f/x, but like cgi today really nice pictures can't compensate for less-than-inspired storytelling. Back then another show I compared with 1999 was UFO which had aired only a few years early. The two shows seemed somewhat similar only at the time there was a lot I liked about UFO.

Thats how I felt when Space: 1999 premiered. The question is how well does the show hold up now with a more adult perspective and after seeing so much SF on television and film over the past decades? Additionally I haven't seen much of anything of the show since the '70s.


"Breakaway" ***

A pile of nuclear waste detonates and sends the Moon hurtling out of the solar system.

I still think this is ridiculous to get a series going, but it is what it is and you have to move on. What really struck me about this was the attempt on one hand to make things look credible. Like UFO before it Space: 1999 is supposed to reflect a near future look with hardware that looks descended from contemporary NASA hardware. And it does that mostly successfully. The show obviously looks polished in terms of production values and f/x. It also evokes a 2001 feel to it.

It appears to have a decent cast with well respected actors such as Martin Landau, Barbara Bain and Barry Morse.

But in an effort to look more grounded and credible something got lost in translation. The first is a large measure of cred lost in how they get the Moon on its way---you basically have to forget about that one as best you can. The second one, though, is much harder to overlook because it permeates the rest of the episode. It's largely flat. All the elements are there, but there's no energy, no dynamic, no enthusiasm or larger-than-life sensibility. It's not just in how the story is told but also in how many of the characters come across.

As a pilot episode it isn't horrible, but it doesn't come across as very inspired either. I only saw a couple of logic flaws and beyond that it's technically proficient. But it doesn't really engage and thats a big hurdle to overcome when you're looking for an audience.

You can't help but compare this with UFO which seems so similar in many respects. As a premise and a setting UFO had a smaller canvas and yet it managed to convey a dynamic right from the beginning. In comparison 1999 is going to have to work harder to garner attention.
 
I tried to watch this last year and gave up after pilot. Maybe your reviews can convince me otherwise :vulcan:
 
I'm gonna start watching tonight. I don't recall actualy watching the show when it came out, I remember seeing my brother watching it though, so there may be flash here or there that's familiar to me.

So, UFO, ended in the story year 1984, right? So, this should be set about 15 years after UFO
 
Some viewers and fans have tried to connect the two shows in continuity. It's long since been established that 1999 was born out of an aborted second season for UFO. For myself it remains to be seen whether the two shows can be connected or if there is too much divergence in continuity. Mind you it's not a big issue for me.

I tried to watch this last year and gave up after pilot. Maybe your reviews can convince me otherwise :vulcan:

Last year I tried to rewatch DS9 and eventually I just forgot about it. I think that says something about the show managing to hold me. Maybe someday I'll try again.
 
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do you ever 'revisit' anything beyond 1979?
Babylon 5
Star Trek - The Next Generation
Deep Space Nine (failed at that one)
The X-Files
JAG

I've got some others in mind.
Heh, yea, I just finished DS9 and Alien Nation, but, mostly been on a 60s/70s kick for awhile (Logan's Run and BSG before DS9 and Alien Nation, then UFO, now Space 1999, and still got The Invaders lined up, though, probably do something else in between the Invaders and Space 1999)
 
I hung in for all of TNG and found I liked more than I remembered. DS9 just couldn't hold me. I liked X-Files a bit more than I remembered.

Part of my interest comes from not seeing anything contemporary of interest to me in the SF genre. It's disappointing, but there it is. I might be getting more out of films than television. I enjoyed John Carter and I'm looking forward to Prometheous.

It just occurred to me that I haven't seen 7 Days in a long time and I know I missed a lot of episodes. Ditto Earth Final Conflict, but then I only like the first season of that one. two others I liked at the time were Now And Again and Journeyman, both of which didn't make it beyond first season.
 
"Matter Of Life And Death" **

The Moon encounters a lush world that just might be a new home for the Moonbase Alpha personnel.

Is it me or does it seem like Martin Landau and Barry Morse are the only ones with any range to their acting? Pretty much everyone else was so flat and wooden. Was the director repeatedly telling everyone to dial it back?

Like the pilot episode this just seemed uninspired. I also felt like very little made sense. A scene at the end of the episode seemed like it belonged at the beginning. They're talking about the likelihood of encountering Earth like planets and how long it will take to find the first one. This should have been at the beginning just before they encounter the so-called Terra Nova. But the episode begins with them already returning from their first preliminary survey of said planet. Koenig also mentions that they've encountered all sorts of strange things since they left Earth and yet this is the first planet and they're all anxious and ready to abandon Moonbase with apparently the least bit of caution. Koenig himself comes across as a puts for trying to not even listen to Bergman's words of caution.

In the end they find themselves on an antimatter planet where you just have to wish what you want to see and it becomes real and everything is reset to status quo. :wtf:

This whole effort comes across as just throwing things into the story to see if any of it is interesting. It was an effort to stay focused until the end.

I really hope it gets better than this.

I also have to say I don't care for the music. At times it's this sci-fi electronic stuff and other times it's orchestral, much like the opening credits. I also don't care for the various electronic sound f/x added to every bit of machinery. It's certainly not a new thing in film and television SF, but I found the quality of the sounds annoying. I didn't pay much attention to it in the pilot, but the uniforms and much of the sets are quite monotone looking, a gripe that would also be said about Star Trek - The Motion Picture a few years later.
 
As I understand it Matter of Life and Death was completed before Breakaway, and it's also based on another script, so that accounts for (a) the stiffness in acting (eg. the actors are on their first outing as their characters) and (b) the oddness of the script. Let's face it, they're talking about Meta at the end of Breakaway, so as this episode opens, the viewer, IMO, would expect the planet to be Meta. In this day and time, that's probably how they'd do it...eg. they'd do the wormhole idea for Breakaway (as the Space:2099 reconstruction has done) and then follow up with a (contrived) reason for the Terra Nova to be Meta.

It is noteworthy, however, for introducing the audience to the idea that life in the 1999 universe can exist in non-physical forms. This will spill over later into the Cosmic Intelligence idea that Season One explored so well.
 
"Black Sun" **

The Moon is drawn into a black hole."

They call it a black sun, but everything they describe fits what we now know as a black hole. And if it had been the real deal then Moonbase Alpha's interstellar voyage would have been over. At least they use the idea of some cosmic intelligence that elects to save their asses from what should have been their real fate and for reuniting them with the lifeboat Eagle.

The real sin of this episode is that it's boring as hell as everyone just sits around musing while they wait for the end. There's simply no life, no energy whatsoever to this story. In a way it's very New Age in the vein of other SF literature of that era, but here it made for very dull television.

I also found some of the f/x to look rather subpar.

Man, I hope it gets better.
 
I slugged through the first seven episodes recently; the only one of any note was "Earthbound." It's probably worth 3 stars on your scale, maybe four if you're generous.

I suppose "Breakaway" was tolerable, but it's hard for me to get past the absolutely silly premise of the series.
 
"Black Sun" **

The Moon is drawn into a black hole."

They call it a black sun, but everything they describe fits what we now know as a black hole. And if it had been the real deal then Moonbase Alpha's interstellar voyage would have been over. At least they use the idea of some cosmic intelligence that elects to save their asses from what should have been their real fate and for reuniting them with the lifeboat Eagle.

The real sin of this episode is that it's boring as hell as everyone just sits around musing while they wait for the end. There's simply no life, no energy whatsoever to this story. In a way it's very New Age in the vein of other SF literature of that era, but here it made for very dull television.

I also found some of the f/x to look rather subpar.

Man, I hope it gets better.

I really liked that one but I'm a sucker for those kind of episodes. Loved the guy with the guitar and Koenig and Bergman sharing a drink. Of course, TMP is my favorite Trek as well.
 
I'm looking forward to more of your reviews Warped9. This show was a huge favourite of mine back in the day...but I was in elementary school at the time. I keep thinking about a re-watch, but some of my friends have indicated that I should leave it in the past as a pleasant memory.

I'll see if your reviews will convince me to give it a try...
 
Bergman had the right idea: lets get smashed before it's all over. :lol:

I should have taken that advice to heart regarding this episode.
 
"Black Sun" **

The Moon is drawn into a black hole."

I'm enjoying reading your reviews and commentary, Warped. Since you gave this episode such a low score I just feel the need to chime in! :lol: Black Sun is one of my favourite episodes. I love the character moments - Tanya listening to Paul play the guitar, Kano playing chess, the feeling of uncertainty for Helen, Sandra and Alan on that Eagle that's probably going nowhere, the sense of isolation in a massive, empty universe. For me it's evocative and awesome!

I demand a recount of your meagre scoring! (j/k) :guffaw:
 
...the feeling of uncertainty for Helen, Sandra and Alan on that Eagle that's probably going nowhere...
This was another thing that got me. An Eagle is a small slower-than-light transport and they're in the middle of nowhere. Just where in hell is this thing supposed to go? After five weeks of exhausted supplies they just slowly freeze in the dark? What was the point?
 
Ah well, don't knock yourself. Art is a subjective thing, it either speaks to you or it doesn't.

For me, "Space: 1999" is one of the most powerful and evocative tv shows I've ever seen. I think to worry about the science is to negate its strengths, and I speak as someone with an academic background in physics and astronomy. Ultimately, I think, it's a myth and a metaphor. The Alphans represent humanity cast out into the unknown, with the story acting as an existentialist parable. The journey has to start, so the Moon is flung out of Earth's orbit - and there's more than a suggestion that higher alien powers are responsible for all that happens. Interestingly, as an atheist, I find a philosophy in the series that makes a kind of sense to me. I probably watch an episode at least once a wekk, even if it's just something that's on in the background. It's such a part of me now, I could never be without it.

"Breakaway"

It's largely flat. All the elements are there, but there's no energy, no dynamic, no enthusiasm or larger-than-life sensibility. It's not just in how the story is told but also in how many of the characters come across.

As a pilot episode it isn't horrible, but it doesn't come across as very inspired either. I only saw a couple of logic flaws and beyond that it's technically proficient. But it doesn't really engage and thats a big hurdle to overcome when you're looking for an audience.

Very interesting to read your thoughts. Personally, I find Breakaway very engaging, with a deepening mystery and a very palpable build-up of tension. It's one of the best opening episodes of anything I've ever seen.

"Matter Of Life And Death"

Like the pilot episode this just seemed uninspired. I also felt like very little made sense. A scene at the end of the episode seemed like it belonged at the beginning. They're talking about the likelihood of encountering Earth like planets and how long it will take to find the first one. This should have been at the beginning just before they encounter the so-called Terra Nova. But the episode begins with them already returning from their first preliminary survey of said planet. Koenig also mentions that they've encountered all sorts of strange things since they left Earth and yet this is the first planet and they're all anxious and ready to abandon Moonbase with apparently the least bit of caution. Koenig himself comes across as a puts for trying to not even listen to Bergman's words of caution.

I'd agree that this isn't one of the better episodes, but I think Byrne did a fairly good job to create something unusual out of Wallace's original script, which was basically a knock-off of Solaris.

As for continuity issues, well, a lot of that can be resolved by changing the order of the episodes. But I could write a whole essay on that question. Oh, wait, I have: http://www.eyespider.freeserve.co.uk/space/order.html

In the end they find themselves on an antimatter planet where you just have to wish what you want to see and it becomes real and everything is reset to status quo. :wtf:

It's interesting, because no one ever establishes that the planet is made of anti-matter, just that it has some similar properties. If it was antimatter, I'd think the Eagle should be annihilated as it descended through the atmosphere, and that doesn't happen here - it's more of a creeping paralysis, with the planet's condition worsening the longer they stay there, and even reaching out to destroy the Moon despite there being no physical contact between the two bodies. I prefer to think of it as a form of life energy that's somehow inimical to ours. The implication seems to be that the aliens who inhabit the planet can somehow reverse or hold back the nature of this energy but only for a limited period of time, which is why they don't want the Alphans to land and would just let the Moon continue past. They send Lee to try and persuade the Alphans not to come down, but because his nature is so radically different now, he's barely able to communicate with them. He's got the ability to draw positive life energy from Helena so that he can exist in our world for a time, and what I think happens at the end is that he reverses this, giving her some of his negative life energy to enable her to sustain the Alphans temporarily in the negative world. As he says: "I'll give you strength". Al that "see what you want to see" stuf is just metaphysical icing on the cake.

I also have to say I don't care for the music. At times it's this sci-fi electronic stuff and other times it's orchestral, much like the opening credits. I also don't care for the various electronic sound f/x added to every bit of machinery. It's certainly not a new thing in film and television SF, but I found the quality of the sounds annoying. I didn't pay much attention to it in the pilot, but the uniforms and much of the sets are quite monotone looking, a gripe that would also be said about Star Trek - The Motion Picture a few years later.

Ah well, I like the look. I find the stark monochrome look createsa nice contrast with the alien environments they visit, which are usually colourful and exotic. Pity you don't like the music, it's one of my favourite scores. The CD gets a regular spin on my hi-fi.

"Black Sun" **

The Moon is drawn into a black hole."

They call it a black sun, but everything they describe fits what we now know as a black hole. And if it had been the real deal then Moonbase Alpha's interstellar voyage would have been over. At least they use the idea of some cosmic intelligence that elects to save their asses from what should have been their real fate and for reuniting them with the lifeboat Eagle.

Well, it is a black hole, isn't it? Naming conventions aside. The term was only coined in 1967, and I don't think it had been universally adopted in 1973 when this was written. There were variations like "black star" and "black sun", so I think that's neither here nor there. The alien intelligence helps them to pass safely through the black hole and out through a white hole in another part of the universe. That's clearly shown on screen. Scientists like Kip Thorne are speculating even today that you can create a wormhole between black and white holes as long as you can keep the bridge open between them by stabilizing it with exotic matter - so I reckon the alien intelligence is able to deploy this sort of ability to allow the Alphans a safe passage.

The real sin of this episode is that it's boring as hell as everyone just sits around musing while they wait for the end. There's simply no life, no energy whatsoever to this story. In a way it's very New Age in the vein of other SF literature of that era, but here it made for very dull television.

Oh boy! You know, maybe this just isn't the show for you. This episode is one of the absolute pinnacles of the show, a very human piece about a group of people facing what they think is certain doom with stoicism and dignity. I can't praise it highly enough.
 
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