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Plot hole city

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Actually from what I've read...Orci are huge fans of Trek...and that's why the movie turned out the way it did....That's why Transformers 3 had so many Spock Trek references. In fact they are more fans they are proficient at writing.

Like most fans they are exaggerating at what they like the most.
 
Actually from what I've read...Orci are huge fans of Trek...and that's why the movie turned out the way it did.

I realize that, and that is also why I typed the following:

Discounting professionals in the field [...]

Although, I suppose I should have used the phrase "not counting" instead.

That's why Transformers 3 had so many Spock Trek references.
That's interesting. Mostly because they had nothing to do with Transformers: Dark of the Moon.
 
Actually from what I've read...Orci are huge fans of Trek...and that's why the movie turned out the way it did.

I realize that, and that is also why I typed the following:

Discounting professionals in the field [...]

Although, I suppose I should have used the phrase "not counting" instead.

That's why Transformers 3 had so many Spock Trek references.
That's interesting. Mostly because they had nothing to do with Transformers: Dark of the Moon.
I've said it before and I'll say it again: Never let the facts get in the way of a good rant, especially from those "fans" who claim to speak for all of fandom about what they should expect from "their" Star Trek.. How dare JJ make a film without their consultation.. Think about how much better it would have been with "fans" like Saquist and Pauln6 at the helm.. They know so much about how to make a summer blockbuster. We should all acquiesce to their superior knowledge and wisdom. Frankly I am awed that they grace this BBS with their incredible hindsight.
 
I've said it before and I'll say it again: Never let the facts get in the way of a good rant, especially from those "fans" who claim to speak for all of fandom about what they should expect from "their" Star Trek.. How dare JJ make a film without their consultation.. Think about how much better it would have been with "fans" like Saquist and Pauln6 at the helm.. They know so much about how to make a summer blockbuster. We should all acquiesce to their superior knowledge and wisdom. Frankly I am awed that they grace this BBS with their incredible hindsight.

Hey, not to brag, but the way my fan-fic is turning out in this thread, it would make the best, most epic Star Trek movie ever!
 
^ Thank you. I'm beginning to think a lot of people on the internet have to clue what the term plot hole really means. Just because you don't understand something doesn't make it an automatic plot hole. Or just because you disagree with how something is handled doesn't make it a plot hole.


The one thing this movie has done for me, is cause me to lower my expectations of Star Trek fans intelligence, as has been pointed out in this thread. Many "plot holes" are nothing of the sort and just a lack of understanding or deliberate misstatements by the anger/bitter fans.
 
Or people want to invent a meaning of such out of their own interpretation just to fit the argument. It's starting to sound a little desperate.
 
I realize that, and that is also why I typed the following:



Although, I suppose I should have used the phrase "not counting" instead.

I don't think I would have gotten it that way either.
I thought you were talking about something else.

That's interesting. Mostly because they had nothing to do with Transformers: Dark of the Moon.
Touche', sir.
Odd that the same application of gawdy were pushed on the same lines in both films.



I've said it before and I'll say it again: Never let the facts get in the way of a good rant, especially from those "fans" who claim to speak for all of fandom about what they should expect from "their" Star Trek.. How dare JJ make a film without their consultation.. Think about how much better it would have been with "fans" like Saquist and Pauln6 at the helm.. They know so much about how to make a summer blockbuster. We should all acquiesce to their superior knowledge and wisdom. Frankly I am awed that they grace this BBS with their incredible hindsight.

You're welcome of course.
If it were my profession...I could assure you fandom wouldn't have been disappointed. I'm not a fan of Trek. Haven't been in a long time. I don't do mediocre either. The stories I've written, Star Trek: The ELITE; ENIGMA centered on Section 31 played out like Cereberus in Mass Effect YEARS before MASS EFFECT was on the scene. What I wrote still never satisfied me...

To be frank, I'm not easy to please. I also don't believe in "Trek at all Cost" I believe in a HIGHER writing standard. That's how I know I'm not a fan. Much of Trek was mediocre, that's why it was always second to Star Wars. Probably always will be. I don't think my writing mechanics are anywhere as good as Christopher Nolan, Orson Scott Card, Ann McCaffery or A.C Crispin. But I have read books that blow this movie off the planet. I have seen movies that were so much MORE INTELLIGENT that the mess that was Star Trek 2009 that calls its self Sci Fi.

For TV that's fin...for Big Budget film...
I expect more and not just kewl CGI and sets for actions scenes. I EXPECT a movie that makes sense. I EXPECT a movie that at least makes some sort of pretense that I'm not an idiot. Most important for me I wanted a movie that didn't treat Sci Fi like a magical fairy-tale.

You don't have to have these expectations.
I neither hate nor love Star Trek 2009. It was mediocre and average. I stand by that. But don't let YOU being a fan decided that the plot holes aren't there...because they are there according to the definition. Apply the definition to the movie objectively or just love the movie despite it's flaws but don't rationalize through love or hate.
 
There are far fewer plot holes than what you claim is a plot hole. You decided to fabricate your own terms..

Frankly I don't care what you've written. I am sure it is full of fannish stuff that no one else will get, unless they are as "hip" as you.

The original show has been elevated to an outrageously high standard, that people such as yourself will never be satisfied with anything. Your claim about a higher standard is your choice, but in claiming such, you basically demean and dismiss anyone who disagrees with your standard.

My standards aren't yours to judge, nor are my expectations. I couldn't care less about your expectations, for yours simply guarantee disappointment.

You also haven't listed a single example of genre movies "so much MORE INTELLIGENT," so I will just assume your hyperbolic rant is just a bunch of hot air.... I actually I don't need to assume, nor does anyone else who has a functioning brain cell. That number is simply higher than you're giving anyone credit for.
 
That's exactly what I thought he meant...
It came off as insane...
He thinks that destroying vulcan will save vulcan

Not Vulcan, Romulus.

Saquist said:
It's not "who says", it's, does it say, and it doesn't and since it's it's the objective of antagonist, the missing information is a PLOT HOLE.

As far as Hobus is concerned, he has 130 years to get around to it. It's not exactly a "do this now or else" kind of thing.
 
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There are far fewer plot holes than what you claim is a plot hole. You decided to fabricate your own terms..

Frankly I don't care what you've written. I am sure it is full of fannish stuff that no one else will get, unless they are as "hip" as you.

The original show has been elevated to an outrageously high standard, that people such as yourself will never be satisfied with anything. Your claim about a higher standard is your choice, but in claiming such, you basically demean and dismiss anyone who disagrees with your standard.

My standards aren't yours to judge, nor are my expectations. I couldn't care less about your expectations, for yours simply guarantee disappointment.

You also haven't listed a single example of genre movies "so much MORE INTELLIGENT," so I will just assume your hyperbolic rant is just a bunch of hot air.... I actually I don't need to assume, nor does anyone else who has a functioning brain cell. That number is simply higher than you're giving anyone credit for.


And I could careless what you assume.
It means more to you than it does to me.
It's just a movie.

Not Vulcan, Romulus.

Thank you.

Saquist said:
It's not "who says", it's, does it say, and it doesn't and since it's it's the objective of antagonist, the missing information is a PLOT HOLE.



As far as Hobus is concerned, he has 130 years to get around to it. It's not exactly a "do this now or else" kind of thing.
The problem is ....he's going into battle.
He's about to potentially meet the entire Federation Fleet.
Why not destroy the Hobus star FIRST and then get your revenge...
He's waited 20 years and did absoultely ...nothing...

(Because he's not sane)
But they do little to nothing to make that evident. That's why I said this movie seems to have been lost in the details. Very simple corrections could have filled in the gaps...just slight changes in dialogue...It's like they knew the errors were there but because of the Strike they had to go with what they had especially when time was running short.

I was telling a friend while we critique the movie: There are great moments in the film. McCoy's tirade about the "wife taking the whole D**** Planet in the divorse" or Pike's speech about Georg saving 800 lives and joining Star Fleet. Or that fantastic scene with Kirk and Uhura at the Bar.

You know most of the scenes in the Teasers and the trailers. But as great as they are they are not well put together. They are very separate profound statements in an unprofound movie. They absolutely failed with the Villain and he's the whole point of the movie.
 
I've said it before and I'll say it again: Never let the facts get in the way of a good rant, especially from those "fans" who claim to speak for all of fandom about what they should expect from "their" Star Trek.. How dare JJ make a film without their consultation.. Think about how much better it would have been with "fans" like Saquist and Pauln6 at the helm.. They know so much about how to make a summer blockbuster. We should all acquiesce to their superior knowledge and wisdom. Frankly I am awed that they grace this BBS with their incredible hindsight.

I've said it before and I'll say it again: I ENJOYED THE MOVIE. I merely present my own personal opinions about a number minor tweaks could have made it less stupid and just as entertaining. :rolleyes:

I like debating the issues about what could have been changed and it is always pleasant if other people concur. Opinions will vary and yes, hindsight can be a wonderful thing... or not, according to some Star Wars fans (#cough# Greedo #cough#). Hmm and compare the original Andromeda Strain to the remake... I must concede that hindsight can be misguided! But then bear in mind that they are rebooting Star Trek with hindsight and we come full circle.

And try to refrain from personal attacks please. You need only read my Youtube Trek story to see how truly awful my writing is. No need to rub it in thank you. ;)
 
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The problem is ....he's going into battle.
He's about to potentially meet the entire Federation Fleet.
Why not destroy the Hobus star FIRST and then get your revenge...
He's waited 20 years and did absoultely ...nothing...

(Because he's not sane)
But they do little to nothing to make that evident. That's why I said this movie seems to have been lost in the details. Very simple corrections could have filled in the gaps...just slight changes in dialogue...It's like they knew the errors were there but because of the Strike they had to go with what they had especially when time was running short.

I dunno, I thought it was pretty clear that his primary motivation was revenge and that he irrationally blamed Spock and the Vulcans for the destruction of Romulus and that is why he says he's averted the genocide of his people by destroying Vulcan.

Why are you getting hung up on the star?
 
Yes it isn't a stretch to see that Nero was bonkers and not actiong rationally. It's more of a stretch that every member of his crew was equally bonkers though. Even some of Khan's crew started to question him and he was only trying to destroy one ship!
 
The problem is ....he's going into battle.
He's about to potentially meet the entire Federation Fleet.
Why not destroy the Hobus star FIRST and then get your revenge...
He's waited 20 years and did absoultely ...nothing...

(Because he's not sane)
But they do little to nothing to make that evident. That's why I said this movie seems to have been lost in the details. Very simple corrections could have filled in the gaps...just slight changes in dialogue...It's like they knew the errors were there but because of the Strike they had to go with what they had especially when time was running short.

I dunno, I thought it was pretty clear that his primary motivation was revenge and that he irrationally blamed Spock and the Vulcans for the destruction of Romulus and that is why he says he's averted the genocide of his people by destroying Vulcan.

Why are you getting hung up on the star?

Because some men aren't looking for anything logical, like money. They can't be bought, bullied, reasoned or negotiated with. Some men just want to watch the world burn. ~Alfred Pennyworth: Dark Knight

Everything
but insanity has a motivator. Abrams NEVER said that Nero was insane and barely implied it in one line in the entire movie. Rather he gave his Villain the motivation of Revenge. That Revenge was for the loss of his family. That Family was lost in a supernova. That supernova was supposed to be stopped by Spock.

SO...if NERO's motivation for revenge was loss of familly then given the opportunity to change the past and stop that cause from killing his family is the logical character direction.

If the Character is Insane:
Then it is the burdeon of the writer to inform us through dialogue, narrative, or plain actions as to the villains mental state.

1. Associates notice his instability or attempt to stop him (such as Joachim did with Khan)
2.Have the Villain flip out. (this means more than just mere rage) Odd behavior or erratic speech.
3. Have protagonist simply point out the abnormal behavior.

How ever you do it, you don't simply leave it to one vague line. We don't commit people to asylums because of one moment of vagueness or for simply killing millions. Otherwise every mass murderer would have an easy out. It has to be founded on pattern and JJ Abrams didn't show us any pattern at all as to the villains mental state. That's bad story-telling because this isn't supposed to be a mystery. There is no REVEAL at the end of the movie that brings it all together. Can we figure it out? SURE...It's a reasonable explanation but this isn't story-guessing...it's story-telling. He has to TELL a whole story.

You see it's either Nero was insane.
Or JJ Abrams is a bad story-teller. That's why in writing they implore us to complete our thoughts.
 

Everything
but insanity has a motivator. Abrams NEVER said that Nero was insane and barely implied it in one line in the entire movie. Rather he gave his Villain the motivation of Revenge. That Revenge was for the loss of his family. That Family was lost in a supernova. That supernova was supposed to be stopped by Spock.

He seemed crazy to me: he blew up a planet with billions of people on it. What more do you need to indicate his lunacy? The fact is that Star Trek isn't known for having the cleverest or most complex villains - colourful, yes, but not deep, so I don't see why this film should be under more of a microscope than any other.

It's because every last film since Voyage Home has had a cartoon villain that I really hope the next film will be a surprise and not trot out yet another Saturday Matinee Serial mustache twirler. The fact that we already have a "Who will be the villain in the next film?" thread depresses me, because that's not what the show was about, but clearly not many people expect the film to aim high.

Nero's motivations aren't really worth complaining about honestly. If you're going to rip the film for that, you might as well trash the rest (barring TMP and IV) for the same reasons.
 
He seemed crazy to me:

That's all that's really important then.
I'm always more concerned with technical merits of the work.

(And please...one movie critique at a time)

Star Trek Motion Picture:
A relentless cerebral concoction with little purpose but to dazzle us with special effects and scientific expressions. There was so little story in the movie. Roddenberry is famous for his expressions on , God and God like entities. It's the same here. The Drama is mild if not flat as is the action. The film needed to pull more on personal characters to feel the void more than it did. As a film it's well put together with the Spock Thread from vulcan to his encounter with the probe. Illyia and Decker seriously need more personal time together to emphasize the loss or departure at the end and his choice to join her. In contrast 2001: A Space Odyssey was just as dry but far more profound as it dealt with awesome powers influencing life on Earth while TMP dealth with an Awesome Power threatening to destroy the Earth.

Star Trek The Wrath of Khan
There is a slight plot hole between the Enterprise and Reliant meeting some distance away from Regula at warp and both ships become stranded. It should have been months to limp back to Regula at impulse.

It's an extremely simple plot. However it's filled with themes on Life Death Creation and Sacrifice that's wonderfully woven throughout the film beginning to end. The debate is a nice touch to emphasize this between McCoy and Spock who gives the ultimate sacrifice to preserve life. The Villain is masterfully played and I have a huge amount of respect for how they worked out the whole power issue for both ships as a plot device to reduce the ship battles to something more gritty and submariner like. There are some Retcon issues between it and the TOS episode it's based on but that's a Trek universe issue which doesn't concern me much as the singular product this movie represents.

Star Trek The Serach for Spock
This movie is an opera. It won't appeal to many because it is a character driven story. This is what The Motion Picture should have been. The conclusion is foregone but it's getting there that makes it worth while. The characters are being developed right before our eyes as they give up a great deal to merely save one of there own at no question of if they should. There is also a fun aspect to the film and Kirk even has to litterally give up one life (his son) to save another. (That's the Operatic part) The symytry here is reminiscent of an old fashion tragedy with an American happy ending although melancholy. The plot is simple but competently executed. The villains are merely an obstical and they are used perfectly in the story to hamper their efforts. Not to much emphasis, not to little and properly set up (removing the part about stealing the ship was an excellent call for it went to deeply into that thread.)

Star Trek: The Voyage Home
It's a Fish Out of Water Adventure Story. It's enjoyable for it's light hearted spirit and doesn't have the traditional antagonist while still a clear threat. I usually don't have much to say about the film, it's either a like it or hate it story but Nimoy is stretching belief with whales talking to Probes in Space. Mostly though the film serves as a olive branch to rejoin the characters with earth in a more amicable way then being shackled in irons and thrown into a brigg for all their violating acts of the last film. The development of Spock is interesting as he moves beyond his more strict roots and seems to literally be having a near death awakening as he embraces more of his human traits in rather a strange vulcan way. It holds on to a bit of the Operatic style (only a little) by exploring powers beyond our understanding rather than a political effort that was Star Trek III. This movie would not have been even remotely grand and operatic without it's masterful soundtrack.

Star Trek The Final Frontieer
The movie was Odd and Odd is the result of given Shatner the reigns of the film. The biggest issue is the egocentric writing that has Spock's brother relieving people of their pain and simply giving up their loyalty to Kirk for Sybock. It's an awful pretense to have Kirk to say how ridiculous this notion is in the movie and have the gall to execute story anyway as though Kirk is the only one that can see through Sybok. IN FACT...there maybe psychological implications here for Shatner who concocts another Spock in the form of a brother that everyone else is loyal to. Shatner seems a little cross at vulcans stealing his show.... Once again we knock on the door of god and see if anyone is home only to find not god but a powerful entity behind the curtain. As ridiculous as the film was it had some nice moments between Spock, McCoy and Kirk that are truly keepers such as the end where he says he knew he wasn't going to die because he wasn't alone...(something which I can understand ) Despite the level of incompetency with the environments of diplomats in a cheap bar on a western planet, the movie had potential. Here too the Klingons are merely an obstical for a little excitement. Shatner couldn't execute film in the sort of legendary way a legend like James T. Kirk needed. Spock had gotten serious roles in TMP,TWOK, TSFS and TVH and this movie is just a cry for Shatner wanting a piece of that pie. (which I'm all for) but in this case he needed an artist to finish the work and polish his ideas. Perhaps Sybok was to jovial as well....

Star Trek The Undiscovered Country
Returning to Nicholas Meyers means the return of themes to the movie. The movie is simply about prejudices and how we all have them and moving beyond them. Meyer's is an expert story teller. He literally takes every opportunity to humanize his work through the smallest scenes. He seems to know the human heart quite well and jumped back to Where he left off in TSFS with David's death and it's impact on Kirk even Years latter. He really knows character motivation when he sees it. Finally and appropriately we get up close and personal with the klingons and see them artistically done in unique ways. The acting in this film was the best collective effort of all the star Trek films. Christopher Plummer and David Warner acted their butts off and Nimoy's ceasing of Valeris was visceral and almost savage. YOU CAN SEE he's clearly pissed and knows that she is how all this was possible after all his efforts for peace. (this could have used more to develop that emotion) There is nothing quite like being undermined by an underling.

There is alot to say for Meyers developing Sulu's character beyond just a supporting role behind a console but also making his own command decision. He takes what so many other directors are afraid to do and expertly divides time between Enterprise and Excelsior and for once...Enterprie isn't the only ship in the Quadrant but the experience of Kirk and his crew trumps all.
 
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I'm not contradicting his secondary objective of "suffering".
It's the contradiction with his primary objective of destroying Earth and the Federation which he sacrificed for this objective. Also Spock suffering is plot relevant. His destroying the Federation is.

You're obviously reading the movie the wrong way around. Nero only wanted to hurt Spock; he had other goals, but only as a consequence of this. Killing a few billion people was his way of achieving his main goal, not a military operation on its own right (because he wasn't a soldier).

Sure, it might be logical for a villain to proceed in a certain way in destroying the Federation. But Nero never had that as his primary goal, the movie never had that sort of villainy. Entire planets were collateral damage in the monomaniac quest of a madman. You'd need a different movie for a story about a clever threat to the Federation.

"Star Trek 2009: Disgruntled Romulan chases Spock to his past where young Kirk saves the day."

I'm not sure why you're asking "when did he have a problem killing somebody?" regardless when he should have he didn't.

Only if you remove Nero and place yourself as the villain of the story, with a completely different set of motivations and goals.

Certainly there is no sense in thinking that a villain must kill everybody within his reach, save (most) henchmen.

It's a very incoherent line.
Definitely. But Nero does seem to think that he has either already done things to make the future better, or is on the path of completing that quest. You thus can't blame him for neglecting actions towards such a goal, because he's performing to the best of his ability. You might be more clever than him in achieving the goal, but you aren't Nero. Nero is.

Incoherent. Relevancy of Kirk's fight, Spock kissing and Checkov speaking funny to the plot.
I can't argue with somebody who doesn't type English, sorry. Try entire sentences next time.

Of course, Kirk, Spock and Chekov's above actions all were critical to the plot, while none were dictated by the premise of the plot where Nero travels back in time and engages in villainy. A plot (unless it is a very primitive one) doesn't consist of a single cause and its effects 1 through n. It consists of multiple causes, multiple effects and multiple consequences, some of these amounting to story arcs, some not. Thus, there's nothing wrong with all our characters engaging in seemingly random a priori actions that define their characters and lead to plot developments.

You're the one that said the jamming blinded them. Therefore you're the one that needs it both ways.
Only the plot would need it both ways. I argue that jamming keeping the skydivers safe is logical, while Nero talking to Pike is a plot hole. You argue that both of them are plot holes, which is unnecessary and just plain mean. And then you dare argue that both need to be removed simultaneously for the plot holes to go away? Nope. The writers covered one hole, while the other one wasn't covered. And that's that.

It's a matter of record that his objective was to destroy the entire Federation. If you above quote was the only objective he had then he would not have proceeded to Earth but rather return home to Romulus.
Destroying things was obviously a goal, but just as obviously it wasn't a sole or primary goal. You're just trying to claim that it would be, because that creates "artificial plot holes" regarding Nero's treatment of Spock. But you're not entitled to that.

Relevant information is exclusive to plot not the viewer.
Apparently not. Nothing I have postulated before has been derived from things that wouldn't have been visible or audible in the movie. It's quite possible that the movie had even more data the authors wanted the audience to "get", but certainly it had a sufficient load to cover a vast majority of your so-called "plot holes".

Stupid means a lack of intellectual acuity. Intelluctual is thought and reason based on the knowledge. Given that these scenes have not used thought or reason or even known scientific data to extrapolate it's fiction then it's not about personal opinion. Stupid is stupid.
Warp drive and transporters contain zero "thought", "reason" or "known scientific data", too. Beyond, of course, the thought that went into making them dramatically effective. A galaxy-endangering supernova in no way differs from the lot. Certainly no more than a time-travel-enabling black hole or a magnetically disruptive Saturnian belt or a copper-blooded protagonist, all full-blooded scifi concepts where a somewhat familiar keyword (supernova, black hole, Saturn's rings, blood) gives pseudo-credibility to a flight of imagination.

Really, if cheap shots like this are the best you can do, you shouldn't bother at all.

The plot did not isolate that they could not fire thus,not nicely written at all.
You are no longer even being childish, you're getting infantile. The heroes face an enemy who points a big gun towards them, with everybody (including you) aware that if the gun goes off, the heroes die. And you think the movie fails to properly establish that the heroes can't start firing on the villain's weak point at that time?

If that needs "establishing", then you simply aren't a competent moviegoer.

Kelvin takes 2 simultaneous strikes of 7 plus weapons at first and then a sustained attack over minutes of similar strikes. Enterprise takes one (if memory permits)
And your argument is that there's a difference?

Of course there is. The Kelvin is rendered just as helpless as the Enterprise with the first volley (weapons temporarily gone, warp drive gone for hours, no shielding left), despite the fact that Nero has just emerged from the future and has to get his bearings. Then follows a period where Nero has no immediate destructive intentions, and both victim ships launch their respective hostage shuttles. Then Nero returns to destructive intentions, but not aimed at Robau's starship - aimed at his shuttlecraft. He's unsuccessful there, just as he's unsuccessful in his later attempts at opposing shuttlecraft-sized enemies (George Kirk shoots down his missiles with phasers, or the Enterprise shoots down his missiles with phasers). If you want more "consistency" than that, I suggest Cardassian literature, where the same thing is told over and over seven times in a row, rather than just two!

We then get an extra act in battle A, something we don't get in battle B: Nero tries to rip an already destroyed starship to such small pieces that it can't ram him. That takes him a bit more time than merely disarming Robau or Pike's ships; indeed, he fails. Which in turn is nicely consistent with his later demonstrated limitation in firing his sole type of weaponry: he can't get more than about twenty of his birds in the air before having to stop to do something, probably reload.

It's consistency city in this respect. And probably a Star Trek first, as the show generally tends to be extra sloppy with its space combat scenes.

Why are you attempting assail me with your weak thinking and rationalizations what you think I was doing? Stop being petulant. This is your defense so get yourself together and focus on your reasonings. You answered my criticisms of the battle with the simple dunder-head style explanation as "he wanted prisoners." Clearly he didn't since he shot down shuttles.
You are quite entitled to childish bouts of rage. Still, your plot hole claim was countered by my above analysis of the battle, hinging on it consisting of stages (such as the punctuation provided by the hostage-taking scenes) rather than being a homogeneous lump as you originally postulated.

You should really stop to think before you type in rage, as it would then be obvious to you that Nero can both "want prisoners" and "kill witnesses". It's even possible for the character to "eat" and "sleep" both! (Hint: he just doesn't do those at the same time.)

That the use of escape pod is irresponsible.
And that's a plot point rather than a plot hole: nuSpock is being an emotion-driven idiot. This is a key element in driving the plot forward, as oldSpock then prompts Kirk to strike back at Spock through this fact. So where's the problem?

In Spock being a criminal a problem? Hardly. The fact that he performs a criminal deed is an integral plot element, just like Kirk's criminal sneaking onboard the Enterprise was a key element. Spock pays the price but dodges the jail, as all heroes do at the end of the day. That's no different from, oh, 85% of the other plots of Star Trek, where our heroes triumph because they break the rules, or suffer because they behave unlike machines.

The stupidity is definitely well founded in the plot. But founded or not...it's still stupid.
Oh, okay, I get what you mean. But the stupidity doesn't detract from the plot, when it's the sort of stupidity one can expect of real people placed in the same situation.

So if it was Spocks intention was to go to the outpost then exactly why he's waiting there must be explained because nothing stops them from leaving at that point even after the monster attack.
Nothing prompts them to go, either. Vulcan is already destroyed. So your objection makes no sense - there isn't a scene where we should see Spock struggling towards the outpost but don't.

It didn't work and thus they should be swallowed by a black hole.
Why do you say it didn't work? Because it didn't work in your head? It worked in the movie just fine.

There, that's all pure facts (*), and purely from the movie. Now stop trying to pretend that your own, quite possibly superior solutions to the plot should take precedence over the solutions of our heroes. You aren't Nero, and you aren't Kirk. You can't arbitrarily give Nero clarity of mind, or turn Kirk into a sober stack of book with legs.

Timo Saloniemi

(* save for the remarks and insults, but consider it a process of civil de-escalation: there's a lot less there than in your previous post, and I hope to keep reducing even further if I get a comparable response.)
 
Warp drive and transporters contain zero "thought", "reason" or "known scientific data", too. Beyond, of course, the thought that went into making them dramatically effective. A galaxy-endangering supernova in no way differs from the lot. Certainly no more than a time-travel-enabling black hole or a magnetically disruptive Saturnian belt or a copper-blooded protagonist, all full-blooded scifi concepts where a somewhat familiar keyword (supernova, black hole, Saturn's rings, blood) gives pseudo-credibility to a flight of imagination.

Actually quite a lot of thought went into giving the concept of warp drive a scientific basis and story logic, right down to using anti-matter to power them (it wouldn't be enough apprently so the assumption is that dilithium crystals must magnify the reaction somehow). Time travelling black holes also have a theoretical scientific basis.

Transporters, however, were indeed a magical plot device to save money and the investigation of quantum teleportation is a more recent scientific spin that still doesn't quite gel.

Permitting light and communications singals to bypass the event horizon seems wrong however, as does the supernova wierdness. No wierder than sound in space but I'm not a huge fan of popular movies mis-educating people when it comes to basic scientific principles.
 
Actually quite a lot of thought went into giving the concept of warp drive a scientific basis and story logic

But apparently only a decade after the fact, as a rather meaningless hobby project connected to the project that eventually became ST:TMP. It's difficult to see any sign of advance thinking or even consideration of previously established facts in TOS itself.

Permitting light and communications singals to bypass the event horizon seems wrong however

I'm not quite sure of that. The classic event horizon only exists because of the lightspeed limitation, after all - and treknology makes that limitation go away. Perhaps things beyond the event horizons of STXI (if any) would have been invisible to the naked eye, but they certainly shouldn't be to Star Trek FTL sensors.

...Which we probably can always assume to be installed in the cameras that record the action, just like we have extra gear in the microphones such as the Universal Translator.

Timo Saloniemi
 
I'm not quite sure of that. The classic event horizon only exists because of the lightspeed limitation, after all - and treknology makes that limitation go away. Perhaps things beyond the event horizons of STXI (if any) would have been invisible to the naked eye, but they certainly shouldn't be to Star Trek FTL sensors.

...Which we probably can always assume to be installed in the cameras that record the action, just like we have extra gear in the microphones such as the Universal Translator.

Yes it might be possible for subspace communications to exceed an event horizon but then one has to wonder why a simple mining drill would have any effect on subspace but a singularity wouldn't.
 
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