• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Picard film in development

Isn't cinema on its death knees anyway? Star Trek performed mediocre at all times - it would be even harder now to draw in the billion-dollar crowds.

That doesn't mean continuity is always bad but a decades old franchise should not be afraid to simply throw things out or start over completely.
The Perry Rhodan novel series and the Doctor Who expanded franchise function well while holding on to their decades-long continuity.

So... I guess the Enterprise gets a refit sometime after 2254 but before 2256, and then gets another one to bring is mostly back to what it had been in 2254 before 2266, only to to get yet another refit in 2273.

I don't really see how it makes any sense.
Its future tech, stemming from a multi-species Federation. There could be plenty of non-Human reasons for refitting the ship back and forth, e.g. when the ship suffers extreme damage.
 
I see a young Picard movie with Stewart telling the story in flashback as the best option for this movie.
 
Visual retcons are easier to sell when you got enough time between shows and movies to sort of explain how the ships and tech has changed. That 80 something years gap between TOS and TNG was very helpful in that regard.
 
The Perry Rhodan novel series and the Doctor Who expanded franchise function well while holding on to their decades-long continuity.
Doctor Who is basically "retcon the series", the writers do whatever they want and come up with some time travel or pocket dimension explanation and that's only if they bother explaining it at all. What's the origin of the Daleks again? The show brings continuity in when it serves the plot (or ratings) and when it doesn't it gets ignored.

And I'm not that familiar with Perry Rhodan but if it works for the series that's great but they are doing reboot with Perry Rhodan Neo, don't they?
 
CBS/Paramount is incredibly bad at promotion though. I loved the promos for Discovery... which were basically "Hey guys! You like STAR TREK, right? What about KIRK! And SPOCK? And the ENTERPRISE! You guys love nostalgia, right? That's what you want. Ok... so hear me out... we're going to set the show during a familiar time, right before THE ORIGINAL SERIES! NOSTALGIA, right?! But what we're going to do is make it look and feel absolutely nothing like the original series, and have very little to nothing to do with any sort of nostalgia. Because "nostalgia" means "update everything to make it unrecognizable". Right?
Hmmm...I don't quite thing so. I think Discovery struggled with BTS drama that shaped and then reshaped away from what Fuller wanted. Then, when there was a positive response to Pike and company showing up they moved further towards the familiar, and set up a larger bridge and that struck a deeper chord. And same with Picard. The initial idea, especially from Patrick Stewart, was to do "TNG again." So, we got a much different take on the character, something interesting and far more thought provoking to me. And then it moved back away from that and towards the TNG reunion. Not completely the same, but closer to the TNG films.

Nostalgia, of course, means different things to different people. This is where it gets in to this weird subjective space, because the feelings of nostalgia might be "The TNG crew on the ENT-D Bridge because I feel like a kid again." While for me it might be "Yes, I get to see more of Pike because he was my favorite captain as a kid." And the degrees to which that is enjoyable will depend and then you have the production crew who will have their own nostalgia as well as relate to Star Trek on a whole different perspective than fans ever will.
Visual retcons are easier to sell when you got enough time between shows and movies to sort of explain how the ships and tech has changed. That 80 something years gap between TOS and TNG was very helpful in that regard.
Still never "felt" right from TOS to TMP to TNG.
 
Right? I can see not liking that they did it, but what’s done is done; it’s pointless to create these crazy head canons to make it not true.

Exactly.

The SNW Enterprise IS the TOS Enterprise. Just imagined with modern technology. Just as the TOS Enterprise is imagined with 60's technology.
 
So... I guess the Enterprise gets a refit sometime after 2254 but before 2256, and then gets another one to bring is mostly back to what it had been in 2254 before 2266, only to to get yet another refit in 2273.

I don't really see how it makes any sense.

Do you consider that Star Trek III and IV erase II, because it doesn’t make sense that Saavik’s appearance completely changes between the two?

If you regard visual inconsistencies as “erasing” prior canon, there is very little left.

It is established in VI (the scene where Chang is being translated) that what is presented to the audience isn’t necessarily what is “really” happening. That readily explains away visual inconsistencies; things are just adapted for the audience of the day.
 
Last edited:
For the people who claim the newer shows don't "erase" prior events, and it's only a "visual retcon," that's just not true.

Without getting into spoilers, since I don't know if we're to the point we can discuss season 2 openly, but Strange New Worlds' "Tomorrow and Tomorrow and Tomorrow" fundamentally alters the backstory of a pivotal character in Trek canon. If we're supposed to squint and say all of this still happens in the same timeline, you can't because those changes are totally incompatible with the dialogue and events in TOS and Wrath of Khan. And if people still want to believe it's the same after that, then the only way you can reconcile it is to say the original version has been erased and replaced by the version that Strange New Worlds offers up.

And if you do that for this aspect, then it opens the can of worms of "Well, what if every other change is also the result of an alteration of the timeline as well?," and then you can make the argument that none of it fits together with the "Prime" timeline.
 
The furthest I'll go is to say they didn't make Picard to be anyone's first Star Trek series. It's something you should watch after you've seen TNG.

I think that if CBSAA started out with Star Trek: Picard back in 2017, the show would have been quite different. If anything, Michael Chabon would not have been the showrunner and we wouldn't have gotten the nonsensical plot that was season 1.

I agree but at some point they need to stop saying it's in the Prime Universe because they are afraid fans won't think it is legit if it doesn't have that "Prime Universe" seal of approval.

They only did that originally so that the viewing audience didn't think the show took place in the Kelvin timeline. But your point stands.

Until fans stop putting that on weight on it. They are trying to sell a product and the last several years have taught them that Prime sells.

Actually, the alternate universe Kelvin timeline sold far, far more than the 'prime' timeline has. Rather, the logic was more that "Kirk," "Spock," and "the Enterprise" sells, not some random new crew on some random new ship. That's why we got SNW.

Section 31 was never envisioned as a streaming movie first, and yet, that's what's going to happen.

That wasn't my point. Whether S31 was to be a show or a movie, neither it nor a movie with Patrick Stewart as Picard is going to be on the big screen (see next.)

If they are under the assumption that the only ones that will show up to theatres are Trek fans in spite of advertising, and they are aware how some Trek fans are negative about Section 31 being a part of Trek lore, its how you can figure that they'd want something "safer", with a movie based around a character in the public consciousness, i.e. Picard.

Who went to see Picard the last time he was in a feature film, back in 2002? Not enough, apparently. So why would tons of people pay money to see a 100-year-old Picard twenty-two years later?

I think a good chunk of the Discovery and SNW viewership have no idea what "Prime" is. They just see something like looks like Star Trek.

For the 'casual viewer,' yes. The question is, how many 'casual viewers' are actually watching these shows in contrast to die-hard fans? Does anyone honestly think that casual viewers who know nothing about Star Trek are watching Lower Decks?

For the record: I consider SNW and first two seasons of DSC to be a different take on the TOS Era as well. And I say that as a fan of Discovery.

My position on it is that any differences between TOS and DSC/SNW are due to the Temporal War. Similar to when it was said in "Tomorrow and Tomorrow and Tomorrow" (SNW) that the Eugenics Wars used to take place in the 1990s but now they happened in the mid-21st Century.

Anyone who's insisting "Nope! There's no change at all!" is ignoring the new information from "Tomorrow and Tomorrow and Tomorrow" and are giving the same answers they've been used to giving over and over again for all these years. They're doing it out of habit more than anything else, rather than processing and incorporating what's been spelled out in the show itself.

I tend to think those people are more into just being apologists/line-toters for CBSAA/P+ and haven't been able to disavow themselves from that mindset. That's just my opinion, though.

Right? I can see not liking that they did it, but what’s done is done; it’s pointless to create these crazy head canons to make it not true.

Even I don't believe that the producers of SNW have any intention of making the ship, the sets, the props, the costumes, the VFX, etc. somehow morph into what we saw in TOS. I get that this is TOS for the 21st century viewer. That's all fine and dandy. But to me, this is more than just replacing Kirstie Alley with Robin Curtis. There are huge fundamental differences between CBSTrek and Roddenberry/Berman Trek that wouldn't have been an issue had they not tried to shoehorn their show into a '60's-'90's fictional universe. The producers tell the audience to ignore it and that it's all the same. I don't buy that. But that's just me.
 
As far as Picard Season 3, someone might think it went too far, but it actually didn't. As far as almost all of my friends IRL are concerned, Star Trek is TNG and that's it. I was always the oddball even among oddballs. But anyway... I've gotten together with different sets of those friends this past year, and Picard has come up. They all liked PIC Season 3 (of the ones who watched it). Including those who didn't like PIC Season 1. One of them, who I know for a fact has seen virtually NONE of even DS9 or VOY, had no problem following the plot for PIC Season 3.
I was making a list of all the stuff I'd want to re-watch before a full PICARD run through... and realized season 2 provides far more "homework" than season 3 does. Funny that...

Without getting into spoilers, since I don't know if we're to the point we can discuss season 2 openly, but Strange New Worlds' "Tomorrow and Tomorrow and Tomorrow" fundamentally alters the backstory of a pivotal character in Trek canon. If we're supposed to squint and say all of this still happens in the same timeline, you can't because those changes are totally incompatible with the dialogue and events in TOS and Wrath of Khan. And if people still want to believe it's the same after that, then the only way you can reconcile it is to say the original version has been erased and replaced by the version that Strange New Worlds offers up.
It's past the six month rule. For all its faults, one thing PICARD season 2 does deserve credit for is not going out of its way to retcon anything already established about the Star Trek universe in the late 20th and early 21st centuries, if you can forgive not having the Wild Palms / Strange Days mid 90's retro near future style "Past Tense" wardrobe at the gala. Clearly there are already rules in place about genetic engineering. Adam Soong starts work on something that is clearly reacting to something from 1996. And season 3 runs with things like the USS New Jersey looking like it should. And the creative intent behind season 3 was that it was set in the original timeline, while DISCOVERY/SNW were not only set in "another time", but "another place".

One would hope that if the creative team continued on a Picard film or a Legacy series, this delineation would continue...
 
I tend to think those people are more into just being apologists/line-toters for CBSAA/P+ and haven't been able to disavow themselves from that mindset. That's just my opinion, though.
Not just yours. I completely agree. I saw some things I couldn't unsee, and that's all I'll say about that.

It's past the six month rule. For all its faults, one thing PICARD season 2 does deserve credit for is not going out of its way to retcon anything already established about the Star Trek universe in the late 20th and early 21st centuries, if you can forgive not having the Wild Palms / Strange Days mid 90's retro near future style "Past Tense" wardrobe at the gala. Clearly there are already rules in place about genetic engineering. Adam Soong starts work on something that is clearly reacting to something from 1996.
I never thought about it until I was actually watching PIC Season 2 for the first time, but Star Trek had unintentionally done a lot of world-building over the decades in Earth's Past across all the time-travel episodes and films in the various series. As well as references whenever they referred back to the 20th and 21st Centuries.
 
Last edited:
There's a difference between getting an odd date wrong, or forgetting what happened in a previous episode, etc., and intentionally making your show completely different from the source material it is supposed to be based on.

Oh, and Sir Patrick ain't getting his movie.
 
It did indeed. For example, in "Home Soil" the existence of inorganic life was not recorded in the Enterprise-D computer and it baffled the Next Generation crew including Data, despite Kirk's crew establishing its existence with the Horta almost a century before.

Indeed. Though what I was referring to was that TNG moved the date of the Eugenics Wars, long before SNW.

From the very first time we hear about the Eugenics Wars in Space Seed, we are told it was the last of our World Wars.

Eugenics War = World War III

Flash foward to TNG and we have Encounter at Farpoint showing us the post atomic horror of World War III in the late 21st century. Further cemented by both First Contact and Enterprise going into further detail the events of a mid 21st century World War III.

SNW has simply built off what was established in TNG while giving a little nod to the fact TOS had the event taking place in the 90's.

The fact that we only have 2 specific references to a 90's WWIII with Space Seed and Wrath of Khan, as opposed to many many more references to it being a mid 21st century conflict, has me choosing to believe the latter and simply view the former as being "just one of those things" from the early days of Trek that do not line up with the rest of the franchise.
 
Last edited:
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top