In other words: no reason.In short, because Nurse Chapel is boring and doomed to be in McCoy's shadow. Exobiologist/Exoarchaeologist/Alien tech expert Chapel is potentially interesting and can carry a scene.
In other words: no reason.In short, because Nurse Chapel is boring and doomed to be in McCoy's shadow. Exobiologist/Exoarchaeologist/Alien tech expert Chapel is potentially interesting and can carry a scene.
Andrea is a fixed point in time. Nothing can stop that outfit. The universe wants it to happen. It would obliterate Spock Prime before Andrea.There's a good chance that due to the time change, Corby didn't go to Exo 3, and married Chapel. Roger and Christine Corby lived happily ever after.Other scenario: Roger and Christine Corby went to Exo 3 together, died, and there are now Roger and Christine androids running about. Sadly, the Christine-bot would probably not let the Roger-bot build the Andrea-bot.
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I'm pretty sure that's a reason. I do understand that you don't really like the subsidiary female Trek characters and resist suggestions that they should ever be given more to do, but they're not that likeable because they are so poorly written. I'd prefer it if they were written better rather than written off completely. I think that's a valid viewpoint when talking about new Trek stories.In other words: no reason.
Chapel was unfortunately a paper thin character, one that didn't seem to be well thought out and there simply for Roddenberry's mistress to have a paycheck.
Actually, she has a few moments where she's pretty cool or interesting especially in 'Obsession, Amok Time, and a glimmer of something going on in And the Children Shall Lead. Even Majel thought she was dull though. I think she has to be viewed in the context of how nurse characters were portrayed alongside doctor characters in the sixties.Chapel was unfortunately a paper thin character, one that didn't seem to be well thought out and there simply for Roddenberry's mistress to have a paycheck.
I can sympathise with that. One of the reasons why I champion Rand so much is because Grace was treated appallingly behind the scenes and if Rand can be elevated to where she was intended to be in new comics, novels, or stories then maybe that makes up for it.Unfortunately, when I see Chapel on screen, it just reminds me of Roddenberry’s behind the scenes transgressions.
I personally agree. It's why I prefer stories with Pike, Colt, Yeoman Smith (though STC's plotline with her was mixed for me) and the like is because I want to see a different mix of stories. I would have highly enjoyed a Kelvinverse story around Captain Sulu precisely because you could bring in Rand, Saavik, and many others to tell more variety of their stories.I'm pretty sure that's a reason. I do understand that you don't really like the subsidiary female Trek characters and resist suggestions that they should ever be given more to do, but they're not that likeable because they are so poorly written. I'd prefer it if they were written better rather than written off completely. I think that's a valid viewpoint when talking about new Trek stories.
Saavik is a whole other story. I wonder if there was some resistance to making her too interesting or too up front for fear of her spearheading a spin off. I thought that Jaylah's background in Beyond had shades of Saavik. She was a potential gold mine as a half Romulan.I personally agree. It's why I prefer stories with Pike, Colt, Yeoman Smith (though STC's plotline with her was mixed for me) and the like is because I want to see a different mix of stories. I have highly enjoyed a Kelvinverse story around Captain Sulu precisely because you could bring in Rand, Saavik, and many others to tell more variety of their stories.
Are they writing 20+ year future Kelvin-verse stories?I have highly enjoyed a Kelvinverse story around Captain Sulu precisely because you could bring in Rand, Saavik, and many others to tell more variety of their stories.
That should have read "I would have enjoyed...."Are they writing 20+ year future Kelvin-verse stories?
Unfortunately, when I see Chapel on screen, it just reminds me of Roddenberry’s behind the scenes transgressions.
That's one of the reasons I'm grateful that I didn't know about any of that stuff when I fell in love with Star Trek. Chapel is fine as she is. One of the particular things I like about Star Trek that later spinoffs didn't do is not feel the need to do more with secondary/tertiary characters than they needed to do. Chapel was there, but not all the time and she was pretty steady throughout. It made the ship feel like there were a lot of people in it. When there's supposed to be hundreds of people and you only see a few, it could make you wonder, like Jojo Krako, and there's only a few people no matter what they say. I'm not naming names but a certain show claimed to have a 1000 people in their ship but they only bothered with about 8 of them, and they had to be in every single episode. It's nice not seeing someone like Chapel for a while but she's still there, or DeSalle, or Hadley, or the many others.
Come, come Mr Scott. Young minds, fresh ideas.This whole deep fake thing of dead people is appalling. It turns people into "skins" or virtual meat-puppets. If you're famous enough or attached to a well-known enough franchise and your heirs want the money you don't even get the guarantee of being remembered or forgotten for your body of work, because your dead image is going to keep performing but it's not you and it's not going to make the same creative choices you would have made. And no actor gets to take over a character unless they're a digital skinwalker.
The casualness with which people suggest this just because they want MOAR or want to tinker movies and shows to their tastes is creepy AF.
Well put. It makes me uncomfortable at this idea, and for every TOS recreation there is 10 inappropriate uses. It seems, well, disrespectful, since the person cannot give consent.There's the concept of ownership of one's own image and likeness, which even George effing Lucas has supported (as hypocritical as that might sound). People should not be commodified without their consent. And CONSENT is the word that's missing in so many of these discussions. "Young minds, fresh ideas" gets you data mining of personal information as often as it gives you something cool. Not all progress is progressive.
And Helen Noel is boring. Except for her looks I've never seen the appeal.![]()
It's true that likenesses should not be commodified without consent. John Byrne in his photo novels could only feature those actors (or heirs to the estates) who had signed off on their images being used. I'm not sure how one might determine where the definition of commodification should start. I recall that Steve McQueen's likeness was used in a car advert over a decade ago. Sean Young recorded her own lines for her digital self in the Blade Runner sequel, which was layered over an actress with similar bone structure. It looked like a right expensive ball ache for a few minutes of film. I doubt anybody is going to be commoditising it any time soon.There's the concept of ownership of one's own image and likeness, which even George effing Lucas has supported (as hypocritical as that might sound). People should not be commodified without their consent. And CONSENT is the word that's missing in so many of these discussions. "Young minds, fresh ideas" gets you data mining of personal information as often as it gives you something cool. Not all progress is progressive.
And Helen Noel is boring. Except for her looks I've never seen the appeal.![]()
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