The end of the Picard trailer should answer this question.
Well, we are in the stone knives and bearskins era of deep fake trek.
Personally, I'm not clamouring for a reboot/remake of TOS. Whilst it was fun to see Cushing 'return' in Rogue One, that was one character in one film, I wouldn't want to see a whole series comprised of performances like that.
By 2066, the CGI and voice work will be flawless. The early attempt in Rogue One is what made Tarkin scary. There was no hint of Cushing there, no kindly old man. Tarkin is taller than Peter, Christopher Lee tall in that film. Leia was too smooth. As usual, flesh is the final frontier of CGI. Stone, metal, and scales, came easily. 2005 got fur down with Kong and Ember. Skin? That's a toughie.
Speaking of Data, if
Star Trek: The Next Generation was remade in 2087, I might use the 2019 deep-fake Data at
Farpoint--keep some uncanny valley.
But each week--each new episode--you up the resolution a tick.
This way, Data gets
ever more human with time.
When the series does its last episode--one more than "All Good Things," I might let Data do as the Bicentennial Man, and shut off. The last image of Data would be the young Spiner, in make up, leaning against the tree in the original
Farpoint episode, and seeing the other characters de-res and vanish into the holodeck, say. Somehow, Data seemed perfect in farpoint.
Data would then be the most human.
By 2087, we might even have different characters do different frame rates. Data would start out at 19 frames per second. Kirk and other cross-over characters at 24--the most noble frame rate--then up things over time. Dream sequences, heaven scenes, AVATAR--they get the hyper-real--fastest frame rates.
I miss the camcorder version of COPS, the night looked dismal then--a videotape noir--with no LED floodlights.
Soap-opera effects ruined THE TWILIGHT ZONE--made everything look like the videotape episodes, --but makes the Saturn V come alive in
Chasing the Moon