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Lt.Kyle

As for this could be any Kyle. You are right it could be. But from what I read on other sites most seem to think he is a reimagined Kyle. I didn't make it up. Many people were talking about it well before I was.
Those many people are just like us. Speculators. They are probably working from the same info we have.

Yes I know the Swahilli language in influenced by Arabic. If my Uhura example is not working for you. Go with Scotty being Texan.
Lot of Scotts in the world and not all are from Scotland. Heck, the current Secretary of State for Texas is John B Scott. If Doohan had managed a Texas accent, Scott might very well have been a Texan. :lol:

Kirk: I need more power, Scotty!
Scott: I'll see if I can round up a few more horses, Cap'n.

Scott and Uhura's backgrounds are well established in TOS. Kyle's not so much.
 
I have a question that might mean determining if this Kyle is the old Kyle is important. One of the reasons Why Enterprise had T'pol instead of T'Pau from what I understand was so they would not have to pay royalties or money to the writer who created the T'Pau character on TOS.

Would something like this be in effect in this situation? If he is suppose to be the old Kyle then maybe they have to pay the writer or that writers family who invented the character some money. On the other hand if he is just some random dude with the last name then maybe they don't. Could he be Asian just so they get to keep the reference while at the same time saving themselves the money they would pay out if they were more specific in making fans know this is the old Kyle?
 
Does Kyle have a background?

No.

I have a question that might mean determining if this Kyle is the old Kyle is important. One of the reasons Why Enterprise had T'pol instead of T'Pau from what I understand was so they would not have to pay royalties or money to the writer who created the T'Pau character on TOS.

Would something like this be in effect in this situation? If he is suppose to be the old Kyle then maybe they have to pay the writer or that writers family who invented the character some money. On the other hand if he is just some random dude with the last name then maybe they don't. Could he be Asian just so they get to keep the reference while at the same time saving themselves the money they would pay out if they were more specific in making fans know this is the old Kyle?

The TOS episodes featuring Kyle weren't all written by the same person, IIRC.

In any case, since Kyle (on both shows) is basically just a background character, there's no rule I'm aware of which demanded they change the race of the character for SNW. Royalties be damned.

Although there's still no evidence they've done that. We don't even know if it's intended to be the same Kyle...it's a common enough name. :shrug:
 
Changing a character's race in casting does not make them a different character. Paramount still owes the Roddenberry estate for Robert April.
 
Hell, James Bond is Scottish and then he's Australian and then he's English...

even Star Trek's Q couldn't keep up with all of that change.
 
I dont know how many. Go over to YouTube. and find out...let me know if you have a count...

In other words, not enough people to reasonably make a thing of this.

I have a question that might mean determining if this Kyle is the old Kyle is important. One of the reasons Why Enterprise had T'pol instead of T'Pau from what I understand was so they would not have to pay royalties or money to the writer who created the T'Pau character on TOS.

Would something like this be in effect in this situation? If he is suppose to be the old Kyle then maybe they have to pay the writer or that writers family who invented the character some money. On the other hand if he is just some random dude with the last name then maybe they don't. Could he be Asian just so they get to keep the reference while at the same time saving themselves the money they would pay out if they were more specific in making fans know this is the old Kyle?

I don't know with certainty, but I think WGA contracts have different rules for characters created by writers who are permanently on staff and characters created by freelance writers. Paramount would have owed the Estate of Theodore Sturgeon royalties for using T'Pau on Star Trek: Enterprise because Sturgeon was a freelancer rather than a Norway Productions (the production company Gene Roddenberry used to produce TOS for Desliu) staffer when he wrote "Amok Time." Since Lt. Kyle first appeared in "Tomorrow is Yesterday," written by D.C. Fontana who was on staff with Norway, I think that means her estate might not be due anything. But I'm not 100% confident of this, and if anyone has better information I'll defer to them.
 
In other words, not enough people to reasonably make a thing of this.



I don't know with certainty, but I think WGA contracts have different rules for characters created by writers who are permanently on staff and characters created by freelance writers. Paramount would have owed the Estate of Theodore Sturgeon royalties for using T'Pau on Star Trek: Enterprise because Sturgeon was a freelancer rather than a Norway Productions (the production company Gene Roddenberry used to produce TOS for Desliu) staffer when he wrote "Amok Time." Since Lt. Kyle first appeared in "Tomorrow is Yesterday," written by D.C. Fontana who was on staff with Norway, I think that means her estate might not be due anything. But I'm not 100% confident of this, and if anyone has better information I'll defer to them.

If this is true then I am not sure the reason used to explain why Nick Lacarno became Tom Paris holds up. 'The First Duty" was written by Ronald Moore and Naren Shankar who were both staff writers.Well Moore was. I think Shankar was but not sure.
 
If this is true then I am not sure the reason used to explain why Nick Lacarno became Tom Paris holds up. 'The First Duty" was written by Ronald Moore and Naren Shankar who were both staff writers.Well Moore was. I think Shankar was but not sure.
Lacarno wasn't used because they felt the character was irredeemable.
 
If this is true then I am not sure the reason used to explain why Nick Lacarno became Tom Paris holds up. 'The First Duty" was written by Ronald Moore and Naren Shankar who were both staff writers.Well Moore was. I think Shankar was but not sure.

Yeah, I'm not clear whether they created Paris rather than use Lacarno because of royalty obligations or because they felt Lacarno had gone too far to make him a leading man on a weekly series.
 
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