"This way to Egress."
Haha, I actually remember that one from when I was in elementary school -- in the story's solution, I remember how they also discussed how the Confederacy used a different name for the battle ("the Battle of First Manassas") than the Union, further disproving the sword's authenticity.I think they're like Encylcopedia Brown stories, only shorter -- little logic puzzles that have the clue you need to solve the case in a throwaway line of dialogue. (Like from the only Encyclopedia Brown case I ever remember, Bugs Meaney is trying to sell a kid a sword with an inscription that says, "Presented this day, XYZ 1861, at the First Battle of Bull Run" -- how do you know it's a fake? Because they would not have known there'd be a Second Battle of Bull Run a few years later.)
I can see that. Myself I guess I always wanted them to be "this scenario is happening, what will you do in it, what options will you take as you move forward in it?" More along the lines of an RPG in book form, I guess? Not something like "if you make this option then aliens attack, but if you make this option then for some reason there are no aliens and instead there's a mummy swarm".![]()
All it takes is someone to revitalize/bring them back. Like, you could have certain bonus choices that only show up when you scan a QR code, complete with video animation of your choice's outcome? It's not hard to think of ways to make it relevant again; I just thought of that now.
More humour. Where's this generation's How Much For Just the Planet?
One genre from the television series that never really appears in the novels is the "x planet" genre, where x = Romans, Chicago gangsters, Nazis, and so on. Are we too sophisticated for that these days? "A Piece of the Action" is probably my favorite episodes of the original show that's not "Balance of Terror."
Shadow Lord in the novels is like this. There's also the TNG novel Masks. I'm sure there are others, but yeah, it seems to have fallen away (probably because of the TNG interpretation of the Prime Directive).One sub genre of sci-fi that TOS seemed to delve into a fair amount was Sword and Planet, at least, to my eyes. Stories like The Squire of Gothos, Bread and Circus, and Friday's Child. I quite like a lot of other stories that deal with cultures that are not very technologically advanced, and the stories really embrace the non-technological aesthetic. Day of the Dove, even though ship bound, All Our Yesterdays has a hint of it, and even The Omega Glory has a gladiatorial spirit. A Private Little War has an intriguing bit of mysticism, without really explaining it away with science.
Shadow Lord in the novels is like this. There's also the TNG novel Masks. I'm sure there are others, but yeah, it seems to have fallen away (probably because of the TNG interpretation of the Prime Directive).
And just an all-around fantastic Star Trek tale, period. Easily in my top-ten favorite ST novels of all time.Crossroad is a good horror tale.
I agree!And just an all-around fantastic Star Trek tale, period. Easily in my top-ten favorite ST novels of all time.
Haha, I actually remember that one from when I was in elementary school -- in the story's solution, I remember how they also discussed how the Confederacy used a different name for the battle ("the Battle of First Manassas") than the Union, further disproving the sword's authenticity.
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