• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Former Trek authors you'd like to see write a new adventure

I know that in my M:I book, there are quite a few episodes that were made simply by someone walking up to the producers and pitching a one or two sentence description of the set up.
A couple of episodes were built around devices/equipment someone had seen at a lab and they went back to the producers and said, "Wouldn't it be great if we could build an episode around this device?"
The producers would then give that idea to the script editor who would work in conjunction with the individual who pitched the idea in order to flesh out the story and the beats.
 
I know that in my M:I book, there are quite a few episodes that were made simply by someone walking up to the producers and pitching a one or two sentence description of the set up.

Yeah, that's basically how it's supposed to work, just a few quick elevator pitches, since producers' time is limited. Part of why I gave up on pitching was that I couldn't do that -- I wrote up detailed story outlines, and I never figured out how to trim them down to just a couple of sentences. My creative process is just too detail-driven.


A couple of episodes were built around devices/equipment someone had seen at a lab and they went back to the producers and said, "Wouldn't it be great if we could build an episode around this device?"
The producers would then give that idea to the script editor who would work in conjunction with the individual who pitched the idea in order to flesh out the story and the beats.

I would assume that the classic M:I episode "Submarine" was inspired by the producers gaining access to a submarine mockup set left over from a movie and writing an episode around it. (Does your book specify where the submarine mockup came from? I've always wondered.) There were some episodes that seemed to be written specifically to take advantage of certain locations, like the one where the climactic action revolved around a pair of cable cars.

In his series prospectus for Star Trek, Roddenberry suggested that the show could save money by writing episodes around leftover sets from just-wrapped movies, e.g. building a "parallel Earth" story around sets and costumes from a historical epic or something. It's a bit odd that they apparently never did that, just used the standard backlot sets or whatever historical props/costumes were in storage at Desilu. "A Piece of the Action" was written to recycle stuff from The Untouchables, but that show ended in 1963.
 
I would assume that the classic M:I episode "Submarine" was inspired by the producers gaining access to a submarine mockup set left over from a movie and writing an episode around it. (Does your book specify where the submarine mockup came from? I've always wondered.) There were some episodes that seemed to be written specifically to take advantage of certain locations, like the one where the climactic action revolved around a pair of cable cars.

So, in order, these are the 'M:I' episodes that came from a pitch or a location
#35 - The Seal
#45 - The Counterfeiter
#46 - The Town
#50 - Recovery
#58 - The Cardinal
#68 - Doomsday
#79 - Mastermind
#84 - The Double Circle
#92 - Chico
#96 - Phantoms
#117 - The Hostage
#127 - The Bride
#131 - The Tram
#143 - Double Dead
#147 - Speed
#148 - Two Thousand
#151 - Break!
#166 - The Western
 
Keith DeCandido, of course. Never a miss with KRAD. (Thanks for Alien:Isolation, too!)

G. Eklund. Let the guy have some fun in retirement[?]!
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top