Some have this gross misunderstanding of racism and its never-ending presence and application in all areas of life, which usually begins with the erroneous notion of open racism last existing in the 1950s - 70s.
If one does not know...he does not know.
In the U.S., racism is a constant in nearly every part of life, from employment (private and government), education, social interactions (obviously including most social media platforms and what abuses are allowed to persist), environmental necessities, economics, and of course policing. The most destructive plague in human history is also the most adept chameleon, able to either be in your face, or weave itself so effectively into any system, that certain people cannot see it, yet they're suffering from the effects of it, or on the other side of the matter, benefitting from it. To the point about racial experiences and generation, in the past i've had to inform another member about the way in which a certain TV character, namely Camrus Johnson's Luke Fox from Batwoman) (a performer who was born in the same year--1994--as Aaron "John" Pierre) would never interact with the police as seen in one of the Batwoman episodes, as he would have been handed the grim heirloom--like most Black people in this society--of not behaving in any way which would lead to a police officer resorting to a systemic reaction of violence toward him.
If the Luke Fox character was--for theory's sake--the same as the actor portraying him, then he (and obviously his parents) did not grow up in some racism-free paradise by any stretch of the imagination, not in the 90s, or in the early 2000s, where--for example--the reference to events such as Obama's election--is habitually & purposely misused as some evidence of a "post racial society," which is a lie...and a dangerous one, as that fairy tale attempted to smoke and mirror racial harmony throughout all facets of life to protect its ever-active presence and application.
Racism has not taken a leave of absence...or lost its crushing impact in this anything other than a "united" society, thus it takes us back to the subject of John's rearing, and how it made sense---if you know. Yes, it was constructed to strike an emotional chord, but its a realism-based reflection of the kind of psychological training innumerable Black people from every generation--had to endure as a matter of survival, knowing every step of the way that survival against the most destructive plague in human history is no guarantee at all.
...and so we have the reactions. Its all too predictable to see people such as the cretins from Film Threat, or Jesterbelle, Nerdrotic and the others in that legion of anti-Black, astoundingly ignorant miscreants (and I will note, some of its members are not White, yet they seek to be White Wing adjacent) move with the uniformity of Olympic ice skaters the moment the topic of race in relation to the Black experience is ever referred to. Just recall many of the same deviants' similar, nuclear reactions to key racial plots in The Flacon and the Winter Soldier series. Rinse and repeat with Lanterns. If the Black experience either confuses or enrages them so much, they do have an option--an emotional kill switch in the form of...watching something else.