But if that's really the lift shaft then you'll have to add a second one for the Animated Series version.
Last edited:
But that's really the lift shaft then you'll have to add a second one for the Animated Series version.
Obviously, the solution for TAS is to put the outside nubs at 10 and 2 so they're symmetrical, and have the bridge pointed directly to port on the inside.If that is the way it is done then that is the way you must do it. And also what they did for TMP.
Who says the other door by the main view screen is a turbo lift? If power goes out it would make more sense for it just to be an emergency access to a gangway leading down to the next deck.
When Kirk looked at the 3-footer in "Requiem for Methuselah," they showed his eyes peering straight in...What does baffle me is why almost every deck plan I've ever seen feels the need to offset the turbolift on the Bridge.
The entertainment part is the most important. I take what I see on screen seriously but not fully literally. Why? Because there are limits to the dramatic presentation format.It's not about TOS specifically, it's about television.
Where does the music come from, and why are the ships brightly lit in deep deep space? Why is there sound in space? Why is up seemingly universal in Trekland? Why do ships never move as if in a vacuum? Where is the line where it has to be taken literally and seriously and where do you say it's a fantasy I'm enjoying on my TV and those things don't matter?
The turbolift wall detail & curvature is a strong indicator of the artists' intentions (although also minmal enough to be something else if required)Who says the other door by the main view screen is a turbo lift? If power goes out it would make more sense for it just to be an emergency access to a gangway leading down to the next deck.
We use essential cookies to make this site work, and optional cookies to enhance your experience.