• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Hey, I never noticed that before....

Arnold's "facts" aren't factual.

I think my "favorite" gaffe from that interview has to be Arnold's rant about how the WGA screwed Roddenberry and Coon out of the full writing credit for "Bread and Circuses."

Roddenberry and Coon share the "written by" credit for the episode. No other writer has a credit!

And all the hoops Arnold goes through to explain why the episode has a reference to the "son of god" and how it must've slipped by Roddenberry!

Um, Richard, Roddenberry's revised script is the one that got shot and he was still writing pages as the episode was being filmed.

Yep. The shooting script has this scene in it, too, and it was shot without alteration by the actors.
 
One of my favorite set accidents. You don't really need the DVDs to notice it, but that's when I noticed it. During a sword fight in Day of the Dove.
1: See the big round thing sticking out of the wall in the right background?
2: Somebody knocked it off during the fight. There isn't even an attachment point on the wall, it was just leaning there!
3: Then in the next scene, they fixed it. :lol:
Note also what can only be an ash tray next to the doors!

spitoon.jpg
 
Arnold's "facts" aren't factual.

I think my "favorite" gaffe from that interview has to be Arnold's rant about how the WGA screwed Roddenberry and Coon out of the full writing credit for "Bread and Circuses."

Roddenberry and Coon share the "written by" credit for the episode. No other writer has a credit!

And all the hoops Arnold goes through to explain why the episode has a reference to the "son of god" and how it must've slipped by Roddenberry!

Um, Richard, Roddenberry's revised script is the one that got shot and he was still writing pages as the episode was being filmed.

Sounds like Arnold (like others involved in, or a re fans of ST) was playing revisionist history in trying to paint GR as some hardcore atheist since the beginning of ST, when the script (and others), along with his personal actions in the early 1970s (as recalled by TAS producer Lou Scheimer) paint a very different picture.
 
I think my "favorite" gaffe from that interview has to be Arnold's rant about how the WGA screwed Roddenberry and Coon out of the full writing credit for "Bread and Circuses."

Roddenberry and Coon share the "written by" credit for the episode. No other writer has a credit!

And all the hoops Arnold goes through to explain why the episode has a reference to the "son of god" and how it must've slipped by Roddenberry!

Um, Richard, Roddenberry's revised script is the one that got shot and he was still writing pages as the episode was being filmed.

Sounds like Arnold (like others involved in, or a re fans of ST) was playing revisionist history in trying to paint GR as some hardcore atheist since the beginning of ST, when the script (and others), along with his personal actions in the early 1970s (as recalled by TAS producer Lou Scheimer) paint a very different picture.

Maybe Roddenberry had yet to fully form his humanist/atheist attitudes during the production of TOS. However, it's clear that he had some questioning of god and belief since Kirk spends a lot of time dethroning false gods, computers and aliens alike! :lol:

But yeah Arnold revises history a lot based on hearsay, and speaks as if he was actually in the room or part of the actual decision-making process.
 
I've always considered Star Trek to be an atheist show. The solution is never supernatural, it is always human ingenuity. Gods always turn out to be aliens that need to be overthrown.
 
I've always considered Star Trek to be an atheist show. The solution is never supernatural, it is always human ingenuity. Gods always turn out to be aliens that need to be overthrown.

I think as it was originally conceived, it respected everyone's views. Which is why the Enterprise had a chapel.

But atheist? Never really saw TOS that way.
 
Daystrom impresses "the laws of God and Man" on M5. Even the totally alien Companion mentioned that creating life was only in the power of "The creator of all things".
 
Daystrom impresses "the laws of God and Man" on M5. Even the totally alien Companion mentioned that creating life was only in the power of "The creator of all things".

...and various 1701 crew members obviously had some belief in God / religion (usually Christianity). More episode examples:

Dr. McCoy in Act 1 & the final Kirk/Uhura bridge lines (about the son of God) from "Bread and Circuses," or "We find the one quite sufficient from "Who Mourns for Adonais" (as a counter to apparently false "gods" of myth). As you already pointed out, Daystrom's "Murder is contrary to the laws of man and God" stands as more evidence of the continued belief.

Further, some love to use the "Kirk was always tearing down gods" idea as behavior suggestive of rejection/disbelief, but if one considers the quoted lines above (particularly his comment/relationship to Apollo), then we could take his efforts as meaning he does not stomach frauds--behavior echoed in The Final Frontier with his questioning of the entity.
 
Arnold pontificates a lot on stuff he has no real first hand knowledge of.

IIRC the presentation, he was discussing the fieldjackets of "The Cage" at the time. The rubber bands as emergency rank stripes may have applied only to the fieldjackets, and my examination of photos not long after seemed convincing to me. He also mentioned that the unusual fabric was used in reverse, with the foam rubber interior on the outside, so they were easily damaged during filming and perished easily.

But yeah, I realise that many fans dismiss everything he says. I shouldn't have bothered mentioning it...
 
There's no need to get defensive about it, or to avoid bringing Arnold's comments into the conversation. It's just that Arnold wasn't there, and Roddenberry, his principal source, was known to exaggerate.

The field jacket comment is ringing some bells about a memo or two I've seen recommending not to use them again. I'll have to see if I can find it.
 
Someone mentioned stunt double oddities up-thread. One of the best freeze-frame moments courtesy of DVD. Uhura's tubby stunt double from Mirror, Mirror:

StuntDouble.jpg


From what I've read, the studio never knew who the union would send out as a stunt double on a given day. They didn't get casting photos or advanced approval. I always liked to imagine Bill Theiss, who would have had a second costume prepared in advance for Nichelle's double, giving a little whimper when he saw how much extra fabric he would need to insert into it to make it cover this woman....
 
Someone mentioned stunt double oddities up-thread. One of the best freeze-frame moments courtesy of DVD. Uhura's tubby stunt double from Mirror, Mirror:

StuntDouble.jpg


From what I've read, the studio never knew who the union would send out as a stunt double on a given day. They didn't get casting photos or advanced approval. I always liked to imagine Bill Theiss, who would have had a second costume prepared in advance for Nichelle's double, giving a little whimper when he saw how much extra fabric he would need to insert into it to make it cover this woman....

The stunt double sure looks white. I'd never noticed that before. :lol:
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top