I'd like to point out that as far as people living on other planets are concerned, a story set on Earth is set in space. 

I've decided that more things need to justify their settings.
Tinker Tailor Soldier Spy really doesn't need to be set in London. You can do a spy movie about a mole in an intelligence service just fine out of New York.
Psycho doesn't need to be set in the Southwest. There are plenty of motels in the rest of the country. Especially in New York.
Then there's Casablanca. How arrogant and uncreative, to set it in the actual city of Casablanca. It doesn't need to be set there. You could do a story about freedom fighters escaping an unjust government in any other big city. You could do it in New York.
And, really, what's with this nonsense of setting And Then There Were None on a private island? What hogwash. Just put it all in a large penthouse whose entrance is mysteriously locked. Put the penthouse in New York.
Black Swan? I mean, sure, it's set in New York, but it's not like it has to be set in a theatre. It could be about any young girl trying to get a promotion.
The Artist? Same thing! No reason for it to have to be set in Hollywood. They were making movies in New York back then.
District 9? I mean, seriously, it's so ridiculous, the thought that aliens would land in Johannesburg. Obviously they didn't justify that setting. It needs to be in New York.
Milk? I mean, sure, the real guy was in San Francisco, but that's hardly justification enough. We've seen plenty of "underdog becomes a leader of an ignored community" stories. It's just the same old lady in a new dress. There's no real justification for setting it in San Francisco -- put it in New York.
The Departed and Mystic River are both set in Massachusetts? And The Sopranos is set in New Jersey? How absurd! Everyone knows gangster stories are supposed to be set in New York.
I've decided that more things need to justify their settings.
Tinker Tailor Soldier Spy really doesn't need to be set in London. You can do a spy movie about a mole in an intelligence service just fine out of New York.
Psycho doesn't need to be set in the Southwest. There are plenty of motels in the rest of the country. Especially in New York.
Then there's Casablanca. How arrogant and uncreative, to set it in the actual city of Casablanca. It doesn't need to be set there. You could do a story about freedom fighters escaping an unjust government in any other big city. You could do it in New York.
And, really, what's with this nonsense of setting And Then There Were None on a private island? What hogwash. Just put it all in a large penthouse whose entrance is mysteriously locked. Put the penthouse in New York.
Black Swan? I mean, sure, it's set in New York, but it's not like it has to be set in a theatre. It could be about any young girl trying to get a promotion.
The Artist? Same thing! No reason for it to have to be set in Hollywood. They were making movies in New York back then.
District 9? I mean, seriously, it's so ridiculous, the thought that aliens would land in Johannesburg. Obviously they didn't justify that setting. It needs to be in New York.
Milk? I mean, sure, the real guy was in San Francisco, but that's hardly justification enough. We've seen plenty of "underdog becomes a leader of an ignored community" stories. It's just the same old lady in a new dress. There's no real justification for setting it in San Francisco -- put it in New York.
The Departed and Mystic River are both set in Massachusetts? And The Sopranos is set in New Jersey? How absurd! Everyone knows gangster stories are supposed to be set in New York.
How about Escape from New York?![]()
I think we have this argumment backwards, we should be discussing why there is any need NOT to set stories in space, because any story that could work on Earth could potentially work in space too, and would be necessarily more interesting simply by virtue of being set in space.
Hellraiser, Friday the 13th, Leprechaun, all these franchises have shown us that when one has truly run out of ideas, all you need to do is take your previously earthbound story and dump it on a spaceship. BAM. Instant franchise reinvigoration.
I think this approach could work well with Bourne & Die Hard, and if Mel Gibson truly wants to redeem himself in my eyes, he should consider moving his Lethal Weapon franchise to a spaceship also. Although Get The Gringo was actually OK, but it could have been done in a space prison.
you saw "Lockout"?
its just another "jail break" film. its just that the jail is in space... big f*&ing deal![]()
Okay, I have to ask, do you have something against stories being set in space?
Hi
most of the space films & tv shows don't have a good excuse to be in space.
i mean, they could be easily be set in sea for example. Instead of "sailing" with a space ship - sail with a normal ship etc...
do you know about a good "excuse" for a story to be set in space?![]()
Would you be able to have massive battles with ships and explosions, up, down and all around, plus bizarre, scary, colorful and funny aliens a la Star Trek and Star Wars?
Before the attack can happen, Enterprise is caught by the Metrons.KIRK: Then we've got them. Go to Red Alert. Prepare to fire phaser banks. Sensors, lock on. Mister Sulu, continue closing. Mister Spock, lock phasers into computer. Computers will control attack.
SPOCK: Computer lock ready, Captain. All systems standing by.
in other words - if they're making a space film, they better make a space film. & not just use space as a general environment (but really "sell" us some normal earth like scene).To be fair, most of spaceship battles in films aren't set up in space, but in an alternative environment with distinct properties and physical laws that only resembles space. Now, some shows (like nuBSG) tried to make the physics a bit more realistic, and I feel that added a layer of awesome to it
in other words - if they're making a space film, they better make a space film. & not just use space as a general environment (but really "sell" us some normal earth like scene).To be fair, most of spaceship battles in films aren't set up in space, but in an alternative environment with distinct properties and physical laws that only resembles space. Now, some shows (like nuBSG) tried to make the physics a bit more realistic, and I feel that added a layer of awesome to it
^Right. A truly realistic space battle would be all but unwatchable, since it would just be distant points of light occasionally darting past at incomprehensible speeds -- if even that, since the ships would probably be stealthed and trying to avoid visual detection as much as possible. Explosions would be split-second flashes of blinding light and then nothing -- no roiling fireballs, since those only happen in atmosphere and only from the kind of low-energy liquid-fuel explosions that FX artists favor because they're visually impressive and relatively harmless.
The only way to film a realistic space battle would be something like Fail-Safe -- focus on the people inside the ships, watching their monitors, trying to detect the enemy, taut with suspense as they're keenly aware that if the enemy detects them first, they're goners. If anything, TOS episodes like "Balance of Terror," which approached space combat like a submarine movie, were more realistic than modern Star Wars-style space battles, because you never saw the opposing ships in the same shot.
not necessarily...the ships got atmosphere inside them. oxygen tanks too... it will not explode as on earth but you will see more than a split-second flashes of blinding light.
they also have futuristic weapons onboard that might explode diffrently.
you could see internal ship shots of fire in zero-G...
who said the ship is open to vacuum?Not really. Again, if the ship is open to vacuum, the atmosphere would blow out instantly. All that stuff you see in movies and TV where decompression is this lengthy hurricane-like wind that can go on for minutes is just as fanciful and wrong as the explosions. It would be more like a balloon bursting -- over in a split-second.
well, great! then they should use that unique thingNot to mention that fire burns differently in microgravity because there's no convection. It doesn't look like the kind of flames we're used to, or the kind we see in TV and movies.
who said the ship is open to vacuum?
It case these points haven't been touched on before:the main idea here is as i first posted
"do you know about a good "excuse" for a story to be set in space?"
things that are unique to space.![]()
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