I'm all for taking advantage of a good deal, but fans should be honest with themselves.
If you wait to buy the complete Star Trek: The Next Generation on Blu-Ray until it comes down to $70 (the equivalent to the £50 mentioned in this thread), CBS Studios, Inc. barely made anything on that sale. That's a 41-disc set, and once you back out the cost of manufacturing, Amazon's percentage, and any royalties due, there isn't a lot of profit leftover -- certainly not enough profit to convince CBS that it should invest millions of dollars into Star Trek: Deep Space Nine or Star Trek: Voyager.
Indeed. There is a tragic lack of understanding I think here from some in this thread about what exactly is involved, cost-wise, to make these sets happen.
I spent a year working in post-production on a cable network television series so I'm somewhat qualified to comment on this aspect of the whole process.
Speaking strictly from the actual process, CBS literally has to open up post-production on the show again and re-cut everything as if it had all just been shot last week. This is all following the understanding that time and effort have been taken to track down the original masters to encode, the editor's decision logs to make sure all the cuts and edits are exactly has they were 25+ years ago (including sound effects and music, visual effects, color correction, titles, and final playback.) i.e. someone had to get paid to go down to CBS archive vault and search through and find all the original reels so they could then be used to start this entire process.
Assuming you have at least three editors and three assistant editors working full time (yes, this is a full-time job) that's still roughly a month's turnaround for a single episode, even if you eliminate things like studio and network notes calls, but because its Hollywood, let's be realistic. Of course the studio is going to want to see the cuts before they go out to final playback.
So: one month turnaround per episode, with 26 episodes per season (mostly), with three editing teams doing the work. That's still nine months of work just to get a single season done. Nine months of full time work for, at minimum, a producer, three editors, three assistant editors, probably an associate producer and a production assistant. If you take a show like Deep Space Nine, that nine months becomes
sixty-three months to complete the entire series.
Now, obviously, it didn't take that long to resurrect TNG in HD, so I'm guessing the timetable was condensed and more people were working on the show... but this would still cost money. More money.
The long and the short of it is simply that if Trekkies go the budget-conscious route and wait for the sets to go on sale, it's just further fuel for CBS to believe that there is no profit in such an endeavor anymore, and certainly not worth the incredible expense that would be involved to create the HD editions of DS9 and Voyager to begin with if their most popular modern series (TNG) didn't live up to the projected expectations.
And this doesn't even take into consideration the cost of manufacturing, advertising and distribution of the discs.
At least Star Trek: The Next Generation is still being syndicated, offering CBS another avenue to recoup its investment in restoring the series for HD. When was the last time Star Trek: Deep Space Nine or Star Trek: Voyager were on television in the United States?
I can't honestly recall the last time I watched DS9 or Voyager that wasn't just on Netflix.